Полёт Орла (Ingenjör Andrées luftfärd)

1982 film
the film

Flight of the Eagle (Ingenjör Andrées luftfärd) is a Swedish biographical drama film which was released to cinemas in Sweden on 26 August 1982. Directed by Jan Troell, it was based on Per Olof Sundman's 1967 novelization of the true story of S. A. Andrée's Arctic balloon expedition of 1897, an ill fated effort to reach the North Pole in which all three expedition members perished. The film stars Max von Sydow as S. A. Andrée, Sverre Anker Ousdal as Knut Frænkel and Göran Stangertz as Nils Strindberg. Dutch Swedish songwriter Cornelis Vreeswijk plays the role of the journalist Lundström. It was nominated for the Academy Award for Best Foreign Language Film at the 55th Academy Awards. Many of its sequences were used in the 1997 documentary A Frozen Dream (En frusen dröm), also directed by Troell.

After Andrée must abort a first attempt in August 1896 to reach the North Pole with the hydrogen balloon Örnen ("the eagle"), he returns from Spitsbergen to Stockholm to prepare for a new attempt the following year. In the wake of this failure, he faces criticism from both societal and scientific circles, openly expressed by expedition participant Nils Ekholm. Andrée dispels all doubts and tirelessly advances plans for another attempt. Ekholm is replaced by Knut Frænkel. The balloon is inspected in Paris at the workshop of Henri Lachambre, while the third expedition member, Nils Strindberg, becomes engaged to his girlfriend, Anna Charlier. In the summer of 1897, the polar explorers set off again for Spitsbergen, where after some waiting for favorable winds, they manage to launch. However, problems arise soon after, and the journey does not proceed as planned. After a while, the balloon becomes difficult to keep aloft, forcing them to land on the pack ice. The three men are compelled to undertake a grueling trek back over the ice with heavy sledges, which increasingly pushes them to their physical and mental limits. When they finally reach the uninhabited and inhospitable island of Kvitøya, they are nearly at the end of their strength. After Strindberg, exhausted, has died and been buried, Frænkel also loses his life due to an attack by a polar bear. Disillusioned, Andrée remains alone in the barren ice desert.

The early drafts for a script were written in 1977, and the same year a team consisting of Jan Troell, the producer Bengt Forslund, the original writer of the novel Per Olof Sundman and a few other people went to Spitsbergen for location scouting. Troell was at the time in the post production process of his film Bang!, and when Bang! was selected for the 1977 Cannes Film Festival, the plan was to use the festival to attract investors. However, Bang! was poorly received and the interest faded even from the Swedish Film Institute. The project was put on hold and Troell went to the United States to direct Hurricane, an assignment he was offered after the previous director Roman Polanski had suddenly left the country to avoid sentencing for unlawful sexual intercourse with a thirteen year old in Los Angeles. When Troell returned to Sweden, and the film institute had appointed Jörn Donner as its new managing director, the project was revived. In May 1979 the new writing process started, this time led by Georg Oddner and Klaus Rifbjerg, with Donner himself as producer. The financing was difficult, not least because it coincided with the making of Fanny and Alexander, at the time the most expensive Swedish film ever made.

The film premiered on 26 August 1982 in Gränna, the hometown of Andrée. It was entered into the 1982 Venice Film Festival, where Max von Sydow won the Pasinetti Award for Best Actor. A VHS version was released in Sweden in November 2000. Distributor Studio S released a blu ray edition, with Swedish and English subtitles, on 9 October 2017.

The Swedish critics were generally very positive about the film. It was praised for its attention to detail and how complete it felt in a review in Göteborgs Posten by Monika Tunbäck Hanson: "It is the overall approach and the firm hand that contemporary Swedish films so often lack. Jan Troell lacks neither."