Фильмы под осуждением Национальной лиги пристойности

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This is a list of films condemned by the National Legion of Decency, a United States Catholic organization. The National Legion of Decency was established in 1933 and reorganized in 1965 as the National Catholic Office for Motion Pictures (NCOMP). Under each of these names, it rated films according to their suitability for viewing, assigning a code of A, B, or C, with that of C identified as "Condemned" for viewing by Catholics. The C rating was issued from 1933 until 1978. The Legion's ratings were applied to movies made in the United States as well as those imported from other countries. Since it reviewed films when released for distribution, the Legion usually rated non U. S. films a few years after their first release in their country of origin, occasionally years after. For example, it rated Marcel Pagnol's 1936 César in 1948 and Marlene Dietrich's 1930 The Blue Angel in 1950. The rating system was revised in 1978 and the designation "condemned" has not been assigned to films since then. Instead, films that would earlier have been rated C or B were all rated O, which meant "morally offensive". NCOMP reassigned ratings to old films based on its new system, making it impossible to determine from their own database whether a film it now classifies O was originally B or C. In 1980, NCOMP ceased operations, along with the biweekly Review, which by then had published ratings for 16,251 feature films. Legion organized boycotts made a C rating harmful to a film's distribution and profitability. In some periods the Legion's aim was to threaten producers with a C rating, demand revisions, and then award a revised B rating. At other times the Legion, preferring to avoid the notoriety and publicity that films gained from having a C rating revised to B, refused to remove their original rating, which resulted in industry self censorship that achieved the Legion's aims with less public conflict. For example, Elia Kazan's A Streetcar Named Desire was cut by 4 minutes to avoid a C rating, and Billy Wilder cut scenes from the original play to avoid a C for The Seven Year Itch. Spartacus underwent similar editing to avoid a C rating. Most condemned films were made outside of the studio system, being either exploitation films produced by Poverty Row studios or movies made outside the United States for audiences that were principally non American and non English speaking, often distributed by exploitation presenters. Of the 53 movies the Legion had placed on its condemned list by 1943, only Howard Hughes' The Outlaw was the product of a major U. S. studio and it would not receive a wide release until 1946. After The Moon is Blue (1953) and Baby Doll (1956) received C ratings, it was a decade before two more major Hollywood movies received the C rating: The Pawnbroker (1964) and Kiss Me, Stupid (1964). Films are often reported to have been condemned in general terms, that is, they were criticized or even denounced, when they did not receive the Legion's C rating. Some rely on a list of films that were condemned early in the 1930s by the Archdiocese of Chicago in advance of the Legion of Decency's rating system, Turner Classic Movies, for example, has programmed a festival of "Movies Condemned by the Catholic Legion of Decency" that included several that were not rated C by the Legion.

City of Sin, a sexploitation film The Legion said: "Vice is portrayed attractively; virtue ridiculed." Within a month Metro Goldwyn Mayer made changes sufficient for the Legion to revise its rating to B.
Volpone (film), a French film directed by Maurice Tourneur.

Passion Island, a Mexican import directed by Emilio Fernández as La Isla de la Pasiòn. a sexploitation film that purported to teach sexual hygiene.

Black Narcissus, a British import from the Powell and Pressburger team about Anglican nuns challenged by life in an exotic environment, initially condemned. Forever Amber, when 20th Century Fox encountered distribution problems because of the C rating, its president Spyros Skouras got the Legion to call off its pickets and boycott campaign by making cuts to the film, adding "an innocuous prologue", and making "a humiliating public apology" to the Legion. Nais, a French import.

The Bandit, an Italian import starring Anna Magnani. Devil in the Flesh, a French import condemned for its "sympathetic portrayal of illicit actions." Fric Frac, a French import produced a decade earlier. The Genius and the Nightingale, an Italian import produced in 1943 and titled Maria Malibran, a biopic of soprano Maria Malibran (1808–1836). When revised, its rating was changed to B for prints distributed in the U. S.
Germany, Year Zero, an Italian import from director Roberto Rossellini. Rozina, the Love Child, a Czech import. The Story of Bob and Sally, an exploitation film. for "Suggestive situations and costuming. Suicide in plot solution." Revisions earned a B rating, which applied only to prints in the U. S.
Flesh Will Surrender, an Italian import. No Orchids for Miss Blandish, a British gangster film. Le Roi (film, 1949), a French import starring Maurice Chevalier. Scandals of Clochemerle, a French import. Los Olvidados (also known as The Young and the Damned), a Mexican film directed by Luis Buñuel.

Behind Closed Shutters, an Italian import. It's Forever Springtime, an Italian import. Miss Julie, a Swedish import. The Raven, a French import. Scarred, an Italian import starring Anna Magnani. She Shoulda Said No!, a film about the dangers of marijuana. The Ways of Love, the umbrella title used for distributing three foreign language films, which the Legion condemned as a group. The principal film, both in length and in terms of the controversy it generated, was Roberto Rossellini's The Miracle (1948), distributed in Europe as L'Amore with a companion film, The Human Voice, also by Rossellini. The two other short films that The Ways of Love included were Jean Renoir's "A Day in the Country" (1936) and Marcel Pagnol's Jofroi (1933). White Cargo, a French film. Listed by the Legion of Decency as French White Cargo. Of Love and Bandits, an Italian import. Quai de Grenelle, a French import. Women Without Names, an Italian import.

Girls Marked Danger, an Italian import. Le Plaisir, a French anthology film import directed by Max Ophüls. Three Forbidden Stories, an Italian import. Times Gone By, an Italian import.

The Bed, a French import. Karamoja, a sexploitation film. Sensualità, an Italian import starring Marcello Mastroianni. Summer Interlude, a Swedish import directed by Ingmar Bergman. Condemned under the title Illicit Interlude. Violated, a U. S. crime drama. We Want a Child!, a Danish import.

Adorable Creatures, a French import. for its "basic story, characterization, dialogue and costuming". Rififi, a French import, initially condemned; assigned a B after "substantial revisions".

And God Created Woman, a French import directed by Roger Vadim and starring Brigitte Bardot. Letters from My Windmill, a French import directed by Marcel Pagnol. The Miller's Beautiful Wife, an Italian import. Rossana, a Mexican import. Sins of the Borgias, a French import. Stella, a Greek import starring Melina Mercouri.

The Flesh Is Weak (1957), a British import.

Boccaccio '70 The Legion objected to its "grossly suggestive concentration upon indecent costuming, situations and dialogue". By this time the Legion had adopted a policy of not reconsidering a film's rating once it was widely distributed, even if revised, but in this case the Legion allowed that the film's C rating would not be valid once the film was edited for television broadcast.

The Pawnbroker, condemned "for the sole reason that nudity has been used".

Blowup, Michelangelo Antonioni's first English language film. One of the known films that would eliminate the Hays Office Code in favor of the MPAA rating system in 1968. It was condemned for its explicit sexual content.

The Rocky Horror Picture Show, a musical comedy horror film with LGBT themes and sexuality.