Сюита Дальнего Востока: Музыка Дюка Эллингтона и Билли Стрэйхорна

1967 album by Duke Ellington

Far East Suite is a 1967 concept album by American jazz musician Duke Ellington, inspired by his group's tour of Asia. Ellington and longtime collaborator Billy Strayhorn wrote the compositions. Strayhorn died in May 1967, making Far East Suite one of the last albums recorded during his life to feature his compositions. The album won the Grammy Award in 1968 for Best Instrumental Jazz Performance – Large Group or Soloist with Large Group. The album was reissued in 1995 with four previously unreleased alternate takes. In 2003, Bluebird Records issued the album on CD with additional bonus takes.

The album's title is something of a misnomer. As critics Richard Cook and Brian Morton wrote, "It really should have been The Near East Suite." Strictly speaking, only one track – "Ad Lib on Nippon", inspired by a 1964 tour of Japan – is concerned with a country in the "Far East". The rest of the music on the album was inspired by a world tour undertaken by Ellington and his orchestra in 1963, which included performances in Damascus, Amman, Ramall'ah, Kabul, New Delhi, Hyderabad, Bangalore (now Bengaluru), Madras (now Chennai), Bombay (now Mumbai), Calcutta (now Kolkata), Columbo, Kandy, Dacca (now Dhaka), Lahore, Karachi, Tehran, Isfahan, Abadan, Baghdad, and Beirut. The band arrived in Ankara but U. S. President John F. Kennedy was assassinated the day before its concert, and the State Department cancelled the tour. Scheduled performances in Istanbul, Nicosia, Cairo, Alexandria, Athens, Thessaloniki, and a week added to the tour for Yugoslavia were cancelled. In early 1964, while on tour in England, Ellington and Strayhorn performed four pieces of music for the first time ("Mynah", "Depk", "Agra", and "Amad"), which they called "Expressions of the Far East". By the time of the recording sessions in December 1966 Ellington and Strayhorn had added four more pieces. One, the latter's "Isfahan" was formerly known as "Elf", and had in fact been written months prior to the 1963 tour.

Ellington very rarely performed the pieces that made up The Far East Suite. Cook and Morton have suggested that "Isfahan", which later became a jazz standard, "is arguably the most beautiful item in Ellington's and Strayhorn's entire output." Participating in Down Beat' s Blindfold Test shortly after the album's release, composer arranger Clare Fischer was played track #7, "Agra." A longtime admirer and student of Ellington's work, Fischer had no trouble identifying the artist, awarding the track five stars, citing both "Duke's immensely creative writing" and his inexplicable ability to transcend "this same old tired instrumentation of trumpets, trombones and saxophones," while "perfect[ly] utilizing the men's specific sounds." In addition, Fischer praised Ellington's ability to "take an exotic sounding idea and create something – you might call it sophisticated crudity. It gives both qualities that I look for – an earthy quality and the sophisticated quality."