Корабль, который поёт

1969 novel by Anne McCaffrey

The Ship Who Sang (1969) is a science fiction novel by American writer Anne McCaffrey, a fix up of five stories published 1961 to 1969. It is also the title of the 1961 novelette which is the first of these stories. The series started by the book, the "Brain & Brawn Ship series", is sometimes called the "Ship Who Sang series". The protagonist of the 1969 novel and all the early stories is a cyborg, Helva, a human being and a spaceship, or "brainship". The five older stories are revised under their original titles as the first five chapters of the book and the sixth chapter is entirely new. McCaffrey dedicated the book "to the memory of the Colonel, my father, George Herbert McCaffrey, citizen soldier patriot for whom the first ship sang". In 1994 she named it as the book she is most proud of. Subsequently, she named the first story her best story and her personal favorite work. During the 1990s McCaffrey made The Ship Who Sang the first book of a series by writing four novels in collaboration with four co authors, two of whom each later completed another novel in the series alone. By 1997 there were seven novels, one old and six more recent. After medication and surgery, general education, and special training, shell children come of age with heavy debts which they must work off in order to become free agents. They are employed as the "brains" of spacecrafts ("brainships"), hospitals, industrial plants, mining planets, and so on, even cities—in the books, primarily spaceships and cities. A brainship is able to operate independently but is usually employed in partnership with one "normal" person called a "brawn" who travels inside the ship much as a pilot would. A brawn is specially trained to be a companion and helper, the mobile half of such a partnership. The nickname is relative: the training is long and intense and the brawns must be brainy people in fact. Commonly the brain and brawn are paired at will and, for a fee, a brainship may terminate an assigned partnership. McCaffrey explained the origin of the brainship premise to SFFworld in a 2004 interview: "I remember reading a story about a woman searching for her son's brain, it had been used for an autopilot on an ore ship and she wanted to find it and give it surcease. And I thought what if severely disabled people were given a chance to become starships? So that's how The Ship Who Sang was born". About that time, she called it her own favorite story, "possibly because I put much of myself into it: myself and the troubles I had in accepting my father's death [1954] and a troubled marriage".

Joanna Russ noted the steady increase in McCaffrey's command of her craft over the writing of the stories, saying "one of the pleasures of reading Ship is watching it progress from some rather awful gaucheries through the middling treatment of middling ideas to the final two sections in which the author at last begins to dramatize scenes with ease and some polish". Russ concluded that while the book suffers from a failure to rewrite the earlier work into a coherent whole, "even at its silliest the book has a contagious joyfulness".

In a 2010 essay, "The Future Imperfect", published in Redstone Science Fiction, disability rights advocate Sarah Einstein criticizes the "Brain & Brawn Ship" series as a stand in for science fiction in general for its use of disability. Regarding one novel in the series, The Ship Who Searched (1992) by McCaffrey and Mercedes Lackey, Einstein observes that in fact they have:

bquote|many more technological wonders than McCaffrey had imagined. The protagonists in the story would have been much helped, for instance, by a secure communications channel and a GPS system, both of which I have in my battered old car. But most of all, the heroine of this book would have been helped by a future shaped by the actions of today's disability activists. Because, at its heart, this series of books tells the story of the enslavement of extremely promising children who have the bad luck to be born—or in this one case alone, become—disabled. Both awards define the novella by word count 17,500 to 40,000.