Грегори Крюдсон: Кинематографичные сцены американской жизни

American photographer

Gregory Crewdson (born September 26, 1962) is an American photographer who makes large scale, cinematic, psychologically charged prints of staged scenes set in suburban landscapes and interiors. He directs a large production and lighting crew to construct his images.

Crewdson was born in the Park Slope neighborhood of Brooklyn, New York. As a child, he attended Brooklyn Friends School, and then John Dewey High School. As a teenager, he was part of a power pop group called the Speedies. Their song, "Let Me Take Your Foto" was in 2005 used by Hewlett Packard in advertisements to promote its digital cameras. Crewdson attended Purchase College, State University of New York, where he initially planned to study psychology. At Purchase, he enrolled in a photography course taught by Laurie Simmons and also studied with Jan Groover. He received an MFA in photography from the Yale School of Art.

Crewdson is a professor and the director of graduate studies in photography at Yale School of Art. Crewdson's photographs are elaborately planned, produced, and lit using crews familiar with motion picture production who light large scenes using cinema production equipment and techniques. He works with a lighting team, art director, make up and wardrobe department, props and effects to create mood, atmosphere, and open ended narrative images. He has worked with the same director of photography, Richard Sands, along with other core team members, for some 25 years. He works much like a director with a budget similar to that of a movie production, each image involves dozens of people and weeks to months of planning. Using shots that resemble film productions, Crewdson deconstructs American suburban life in his work. He has cited the films Vertigo, The Night of the Hunter, Close Encounters of the Third Kind, Blue Velvet, and Safe as having influenced his style, as well as the painter Edward Hopper and photographer Diane Arbus. Crewdson's most widely known bodies of work include Twilight (1998–2002), Beneath the Roses (2003–2008), Cathedral of the Pines (2013–2014) and An Eclipse of Moths. Crewdson's only body of work made outside of the U. S. was Sanctuary (2009), set at the abandoned Cinecittá studios outside of Rome. Nearly all of his other work before and since was made in the small towns and cities in Western Massachusetts. In 2012, he was the subject of the feature documentary film Gregory Crewdson: Brief Encounters. The film series followed the construction of and an explanation by Crewdson of his thought process and vision for pieces of Beneath the Roses.

Crewdson lives primarily in western Massachusetts in a former Methodist church. His partner, Juliane Hiam, is a writer and producer and the two work closely together. Hiam has also appeared as a subject in numerous of Crewdson's pictures. He has two children, Lily and Walker, from a previous marriage to Ivy Shapiro. Crewdson is an open water swimmer and has said that the meditative state he achieves with his daily swimming practice is fundamental to his creative process as an artist.

Hover. Artspace Books, 1995. Twilight: Photographs by Gregory Crewdson. Harry N. Abrams, 2002. With an essay by Rick Moody. Gregory Crewdson: 1985–2005. Hatje Cantz, 2005. Fireflies. Skarstedt Fine Art, 2007. Beneath the Roses. With Russell Banks. Harry N. Abrams, 2008. Dream House. With text by Tilda Swinton. John Rule, 2009. Sanctuary. With Anthony O. Scott. Hatje Cantz, 2010. In a Lonely Place. Hatje Cantz, 2011. Gregory Crewdson. New York: Rizzoli, 2013. Cathedral of the Pines. New York: Aperture, 2016. With a text by Alexander Nemerov. An Eclipse of Moths. New York: Aperture, 2020. With an introduction by Jeff Tweedy. Alone Street. New York: Aperture, 2021. With an essay by Joyce Carol Oates and an interview with the artist by Cate Blanchett. Gregory Crewdson: Eveningside, 2012–2022. Milan: Skira Editore, 2022. Text by Jean Charles Vergne.