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Ancient Roman platform for speakers

The Rostra was a large platform built in the city of Rome that stood during the republican and imperial periods. Speakers would stand on the rostra and face the north side of the Comitium towards the senate house and deliver orations to those assembled in between. It is often referred to as a suggestus or tribunal, the first form of which dates back to the Roman Kingdom, the Vulcanal. It derives its name from the six rostra (plural of rostrum, a warship's ram) which were captured following the victory which ended the Latin War in the Battle of Antium in 338 BC and mounted to its side. Originally, the term meant a single structure located within the Comitium space near the Roman Forum and usually associated with the Senate Curia. It began to be referred to as the Rostra Vetera ("Elder Rostra") in the imperial age to distinguish it from other later platforms designed for similar purposes which took the name "Rostra" along with its builder's name or the person it honored.

Magistrates, politicians, advocates and other orators spoke to the assembled people of Rome from this highly honored, and elevated spot. Consecrated by the Augurs as a templum, the original Rostra was built as early as the 6th century BC. This Rostra was replaced and enlarged a number of times but remained in the same site for centuries. In 338 BC the Rostra got its name when, following the defeat of Antium by the consul Gaius Maenius, the Antiate fleet was confiscated by Rome, of which the prows (literally rostra in Latin) of six ships were set upon the Rostra. Maenius paid for it out of his share of war booty. He also erected a victory column, the Columna Maenia, close to the Rostra. Julius Caesar rearranged the Comitium and Forum spaces and repositioned the Senate Curia at the end of the republican period. He moved the Rostra out of the Comitium. This took away the commanding position the curia had held within the whole of the forum, having advanced extremely close to the Rostra during its last restoration. Augustus, his grand nephew and first Roman emperor, finished what Caesar had begun, as well as expanded on it. This "New Rostra" became known as the Rostra Augusti. What remains in the excavated forum today, next to the Arch of Septimius Severus, has endured several restorations and alterations throughout its historical use. While a few different honorary names are attributed to those restorations, scholars, archeologists and the government of Italy recognise this platform as the "Rostra Vetera" encased inside the "Rostra Augusti". The term rostrum, referring to a podium for a speaker is directly derived from the use of the term "Rostra". One stands in front of a Rostrum and one stands upon the Rostra. While, eventually, there were many rostra within the city of Rome and its republic and empire, then, as now, "Rostra" alone refers to a specific structure. Before the Forum Romanum, the Comitium was the first designated spot for all political and judicial activity and the earliest place of public assembly in the city. A succession of earlier shrines and altars is mentioned in early Roman writings as the first suggestum. It consisted of a shrine to the god Vulcan, that had two separate altars built at different periods. This early Etruscan mundus altar originally sat in front of a temple that would later be converted into the Curia Hostilia. During the late Republic the rostra was used as a place to display the heads of defeated political enemies. Gaius Marius and consul Lucius Cornelius Cinna captured Rome in 87 BC and placed the head of the defeated consul, Gnaeus Octavius, on the Rostra. The practice was continued by Sulla and Mark Antony, who ordered that Cicero's hands and head be displayed on Caesar's Rostra after the orator's execution as part of the Proscription of 43 BC. Brutus and Cassius spoke from the Rostra to an unenthusiastic crowd in the Forum after the assassination of Caesar in 44 BC. Millar comments that during the late Republic, when violence became a regular feature of public meetings, physical control and occupation of the Rostra became a crucial political objective.

In form, the original Rostra may have been a simple raised platform made of wood, similar to the Roman tribunal. The Rostra had a curved form, possibly along the outer south rim of an amphitheatre. The structure was described by Christian Charles Josias Bunsen, based on his examination of two Roman coins depicting the Rostra, as "a circular building, raised on arches, with a stand or platform on the top bordered by a parapet; the access to it being by two flights of steps, one on each side. It fronted towards the Comitium, but later speakers often faced in the opposite direction to address larger audiences in the Forum. The Rostra Vetera's form has been in all the main points preserved in the ambones, or circular pulpits, of the most ancient churches, which also had two flights of steps leading up to them, one on the east side, by which the preacher ascended, and another on the west side, for his descent. Specimens of these old churches are still to be seen at Rome in the churches of San Clemente al Laterano and San Lorenzo fuori le Mura. As part of his reconstruction of the Roman Forum in 44 BC, Julius Caesar is believed to have moved the republican Rostra Vetera. This Rostra, referred to as the "Rostra Nova" or "Caesarian Rostra", reused and incorporated nearly all of the original Rostra. Located on the southwest side of the new Julian Forum (Forum Iulium), the new Rostra was no longer subordinated to his new Senate House, the Curia Julia (still standing); Caesar had it placed on the central axis of the Forum, facing toward the open space. Left uncompleted at Caesar's death, Augustus finished and extended the new Rostra into a rectangle at the front, the dimensions being long, broad and above the level of the forum pavement. Traces of this Rostra can be seen today. At the opposite end of the open Forum, the Temple of Caesar, completed by Augustus in 29 BC, included another Rostra at the front of its elevated base, facing the Caesarian Rostra. This Rostra was decorated with the rams from the Battle of Actium. John E. Stambaugh, professor of classics at Williams College, described the new arrangement as "a reflection of contemporary taste and the relentless Augustan desire for order."

In November 2008 heavy rain damaged the concrete covering that has been protecting the Vulcanal and its monuments located in the Imperial comitium space since the 1950s. This includes the stele accorded the name of "The Black Rock" or Lapis Niger. The marble and cement covering is a mix of the original black marble, said to have been used to cover the site by Sulla, and modern cement used to create the covering and keeping the marble in place. Professor Angelo Bottini, Superintendent of Archeology in Rome, stated that an awning or tent covering is in place to protect the ancient relics until the covering is repaired, giving tourists of this millennium a look at the original suggestum for the first time in 50 years.

In 29 BC Augustus ordered the construction of another Rostra in front of the Temple of Caesar, at the opposite end of the Forum Iulium from Caesar's Rostra. This was used as a tribunal and was adorned with the prows of galleys captured at the Battle of Actium.