Жамайка әншісі Алтон Эллис: Рокстедидің әкесі

Jamaican singer songwriter

Alton Nehemiah Ellis (1 September 1938 – 10 October 2008) was a Jamaican singer songwriter. One of the innovators of rocksteady, he was given the informal title "Godfather of Rocksteady". In 2006, he was inducted into the International Reggae And World Music Awards Hall Of Fame.

Born Alton Nehemiah Ellis in Trenchtown, Kingston, Jamaica, Ellis was raised within a musical family which included his older brothers Leslie [who performed as one of his back up singers and co wrote some of his songs], and Irving [known as 'Niney'] who was a popular singer and steel pan player on Jamaica's North Coast. He learned to play the piano at a young age. He attended Ebeneezer and Boys' Town schools, where he excelled in both music and sport. While at Boys' Town Ellis performed as a dancer (in a duo) in the first show that a school director called Mr Bailey had organized for Vere Johns who had been invited down to talent scout. He would later compete on Vere Johns' Opportunity Hour. After winning some competitions, he switched to singing, starting his career in 1959 as part of the duo Alton & Eddy with Eddy Parkins.

Ellis and Parkins recorded for Coxsone Dodd at Studio One, initially in the R&B style, having a hit in 1960 with "Muriel" (from Dodd's first commercially oriented recording session at Federal studios), a song Ellis had written while working as a labourer on a building site. recorded with Gladstone Anderson on piano, Paul Douglas on drums, Hux Brown on rhythm guitar, Lynn Taitt on guitar, and Jackie Jackson on bass is considered one of the foundational songs of the rocksteady genre. The bass line of "Girl I've Got a Date" was allegedly duplicated in other international hits "The Liquidator" (Harry J Allstars and "I'll Take You There" (The Staple Singers). Ellis continued to be active on the reggae scene until his health began to deteriorate. His latest works include performing all over Europe with a French backing band called ASPO (About Some Precioux Oldies) at the beginning of the 21st century. Recorded in Bordeaux, France, Live with Aspo: Workin' on a Groovy Thing is the only live album Alton Ellis ever released (2001). In 2004, Ellis was awarded the Order of Distinction by the Jamaican government in recognition of his achievements. Ellis died of cancer on 10 October 2008 at Hammersmith Hospital, London. His death prompted a statement from Jamaica's Minister of Information, Culture, Youth and Sports, Olivia "Babsy" Grange, who said "even as we mourn the great Alton Ellis, we must give thanks for his monumental contribution to the development of Jamaica's popular music". A funeral service and celebration of his life was held on 3 November, attended by family, fans, music industry personnel and government ministers, with tribute performances from stars including Mr. Fix It Winston Francis, Tinga Stewart, George Nooks, Tony Gregory, Ken Boothe, Judy Mowatt and Carlene Davis. In 2012 it was announced that the main hall of the new Trench Town Multi Purpose Building would be named the Alton Ellis Auditorium in his honour. He was the older brother of the late Hortense Ellis, and the father of more than twenty children, including Noel Ellis and Christopher Ellis, who are both reggae singers. He was also the uncle of the Jamaican comedians Owen "Blakka" Ellis and Ian "Ity" Ellis.

The "Mad Mad" riddim (the track "Mad Mad" by Alton Ellis and the Sound Dimension band was released in 1968 on the Coxsone label) has been reused or sampled by many hip hop, dancehall and reggae producers and artists. The recognizable three note descending horn line was reinterpreted by Henry "Junjo" Lawes, and eventually became known as the "Diseases" reggae riddim. "Diseases" is notably used in Yellowman's hit song "Zungguzungguguzungguzeng", which has in turn has been sampled and reinterpreted by a long list of popular hip hop artists, including KRS One, The Notorious B. I. G., Tupac Shakur, Sublime, and Blackstar. This constant reinterpretation and referencing has made Ellis a major but little known influence in the trajectory of dancehall, reggae and hip hop.