Rush тобының «Exit Stage Left» концерттік альбомы

the comic book

Exit Stage Left is the second live album by the Canadian rock band Rush, released as a double album in October 1981 by Anthem Records. After touring in support of their eighth studio album Moving Pictures (1981), the band gathered recordings made over the previous two years and constructed a live release from them with producer Terry Brown. The album features recordings from June 1980 on their Permanent Waves (1980) tour, and from March 1981 on their Moving Pictures tour. The album received a mostly positive reception from music critics and reached number 6 in the United Kingdom, 7 in Canada, and 10 in the United States. It was certified platinum by the Recording Industry Association of America for selling one million copies in the latter country. A same titled home video was released in 1982 that documents the band on the Moving Pictures tour. Exit Stage Left was voted the ninth best live album of all time by Classic Rock magazine in 2004.

Side two of Exit Stage Left was recorded from June 10–11, 1980 at The Apollo in Glasgow, Scotland, during the band's tour for their seventh studio album, Permanent Waves. The remaining three sides were recorded on March 27, 1981 at The Forum in Montreal, Canada during the subsequent tour of their eighth album, Moving Pictures. After the 1981 tour, the band retreated to Le Studio in Morin Heights in Quebec, Canada to edit and mix the recordings they had made on the two tours, which Neil Peart noted totalled over 50 reels of two inch tape. The band went through the material to find the best performances for inclusion for a live album. Whenever they found a technical fault or a wrong note affecting an otherwise acceptable performance, they replaced it using material from other shows in their collection of tapes. while Alex Lifeson for his part thought the album sounded too clean and not as raw as All the World's a Stage, and as a consequence the band aimed to reach a "middle ground" between the two with A Show of Hands, Rush's third live release. Nevertheless, the album remains a fan favorite. Rush performs a short rendition of "Ebb Tide" before "Jacob's Ladder". On the back cover, the puppet king from A Farewell to Kings sits atop a box stenciled with the band logo from Rush. Next to him is a painting of the Caress of Steel album cover, held by one of the movers from Moving Pictures, with another mover standing behind. Next to this is Dionysus, the nude man from Hemispheres. Behind this scene, the starman from 2112 hangs in the background, next to an "EXIT" sign. The scene was shot in Toronto's then abandoned Winter Garden Theatre. Rush's first live album, All the World's a Stage, is also represented by the cover's background image, taken at a concert at the Buffalo Memorial Auditorium in Buffalo, New York. Both album covers show Rush's live setup on an empty stage, although the band no longer used the white carpet by the time of Exit Stage Lefts release.

A limited edition promotional 6 track vinyl sampler: Rush 'N' Roulette, included excerpts of six tracks from Exit Stage Left. The promotional album used a unique mastering process in which concentric grooves were inscribed so that different material would be played depending on where the stylus was put down on the record's surface. Exit Stage Left was re released on CD in 1997 as part of the "Rush Remasters" series. The tray has a picture of three fingerprints, light blue, pink, and lime green (left to right, mirroring the cover art of Retrospective II) with "The Rush Remasters" printed in all capital letters just to the left. All remasters from Moving Pictures through A Show of Hands are like this. Includes the track "A Passage to Bangkok" which was left off the original CD issue due to time constraints. On some copies, each of the band members' photos are reversed from the original. This error has since been corrected on post 1997 reissues of Exit Stage Left. Exit Stage Left was remastered again in 2011 by Andy VanDette for the "Sector" box sets, which re released all of Rush's Mercury era albums. It is included in the Sector 2 set. Exit Stage Left was remastered for vinyl in 2015 by Sean Magee at Abbey Road Studios as a part of the official "12 Months of Rush" promotion. The high definition master prepared for this release was also made available for purchase in a 24 bit/48 kHz digital format at several high resolution audio online music stores. These remasters have significantly less dynamic range compression than the 1997 remasters and the "Sector" remasters by Andy VanDette. Sean Magee remastered the audio from an analog copy of the original digital master, using a 192 kHz sample rate. But since Exit Stage Left was originally mixed on digital equipment at 16 bit/44.1 kHz, no audio above 22 kHz exists in the original digital master or any of the remasters, which is why many digital music stores are only selling the album at a maximum sample rate of 48 kHz.

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