Қытай жазушысы, аудармашы және фольклоршісі – Сюй Дишань

Chinese author, translator and folklorist

Xu Dishan (; given name: ; pen name: Luo Huasheng; ; 3 February 1893 – 4 August 1941) was a Chinese author, translator and folklorist. He received his education in China, the United States, Britain, and India; while in school, he studied diverse topics in religion, philosophy, and literature. Upon his return to China, he was an active member of the May Fourth Movement, and published literary journals with his academic peers. He wrote a plethora of academic and fictitious works during his life, many of which he published under the pen name Luo Huasheng. He was best known for his short stories that focus on the people from the southern provinces of China and Southeast Asia. The protagonists of his stories were often women. Xu Dishan was a strong proponent of the Latinization Movement and believed that writing Chinese with a phonetic alphabet would greatly increase literacy. He died at age 47 from a heart attack.

Xu Dishan was born in Tainan, Taiwan on 14 February 1893. He was one of eight children born to his father, Xu Nanying, and mother, Wu Shen. After returning from Southeast Asia, Xu Nanying moved his family to Fujian, and in 1897 they settled down in Guangzhou where Xu Dishan received his education. Xu Dishan died of a heart attack on 4 August 1941.

In 1917, Xu Dishan attended Yenching University for his undergraduate studies. He graduated in 1920 with his bachelor's degree in literature and enrolled in the seminary at Yenching University to continue his study of comparative religion. Upon his graduation, he moved to New York City to pursue a master's degree at Columbia University's Department of Indo Iranian languages; he graduated in 1924 with a master's degree in comparative religion and the history of religion. Xu Dishan takes up Southeast Asian communities as his subjects in many of his stories. Additionally, many of his earliest writings showcase powerful women and explore religious themes. Often, these women gain strength from the teachings of multiple religions, rather than strictly adhering to the dogma of just one; in this way Xu Dishan's female protagonists are world citizens who make their own way in the world. His works with religious underpinnings tend to focus on such themes as love, charity, and other values fundamental to religion; through his writing, he illustrates the omnipresence of religion in all life. His fascination with Theravada Buddhism influences his work, and many of his stories draw inspiration from Buddhist, Hindu, and Christian myths. Many May Fourth Era writers write about myths individually, but Xu Dishan incorporates mythic elements into his stories. Xu Dishan's fiction tends to be romantic and involve sophisticated plot lines which deal with human nature and how to live a good life. They often engage a moral message that usually engages with the idea that how one attains his goal is just as important as the goal itself; in other words, the means are just as important as the ends.

While at Yenching University, Xu Dishan was an active part of the May the Fourth Movement and the New Culture Movement; he participated by attending meetings and organizing conversations with his fellow students. Xu Dishan, Qu Qiubai, and Zheng Zhenduo edited Xin shihue xunkan (New Society Thrice Monthly), a journal that was in publication from November 1919 to May 1920. In 1921, Xu Dishan, Zheng Zhenduo, Mao Dun, and Ye Shaojun founded the literary society Wenxue yanjiu hui (Literary Research Association). Also in 1921, Xu Dishan and Zheng Zhenduo established the Taige'er yanjiu hui (Tagore Research Society), which operated as a subsidiary of the Literary Research Association.

"Big Sister Liu." In Stories from the Thirties. 2 volumes. Beijing: Panda Books, 1982, 1: 111–41. "Blooms on a Dried Poplar." In Stories from the Thirties. 2 volumes. Beijing: Panda Books, 1982, 1: 71–97. "Director Fei's Reception Room." In Stories from the Thirties. 2 volumes. Beijing: Panda Books, 1982, 1: 98–110. "I think." Tr. Yunte Huang. In The Big Red Book of Modern Chinese Literature. Ed, Yunte Huang. New York: Norton, 2016. "The Iron Fish With Gills." In Stories from the Thirties. 2 volumes. Beijing: Panda Books, 1982, 1: 141–57. "The Merchant's Wife." Tr. William H. Nienhauser, Jr. In Modern Chinese Stories and Novellas, 1919–1949. Eds, Lao, Hsia, Lee. New York: Columbia University Press, 1981, 41–50. "The Peanut." Tr. Yunte Huang. In The Big Red Book of Modern Chinese Literature. Ed, Yunte Huang. New York: Norton, 2016. "Spring Peach." Tr. Zhihua Fang. In Chinese Stories of the Twentieth Century. Ed, Zhihua Fang. New York: Garland Publishing, 1995, 173–201. "Yu kuan." Tr. Cecile Chu chin Sun. In Modern Chinese Stories and Novellas, 1919–1949. Eds, Lao, Hsia, Lee. New York: Columbia University Press, 1981, 51–87.