"Жас сәуір Гитлер: Сатиралық мюзикл"

Fictional musical in the 1967 film The Producers
Springtime for Hitler: A Gay Romp With Adolf and Eva at Berchtesgaden is a fictional musical in Mel Brooks' 1967 film The Producers, as well as the stage musical adaptation of the movie and the 2005 movie adaptation of the musical. It is a musical about Adolf Hitler, written by Franz Liebkind, an unbalanced Nazi originally played by Kenneth Mars (and later by Brad Oscar and Will Ferrell in the stage musical and the 2005 film, respectively). In the film, the play is chosen by the producer Max Bialystock and his accountant Leo Bloom in their fraudulent scheme to raise substantial funding by selling 25,000% of a play, then causing it to fail, and finally keeping all of the remaining money for themselves. To ensure that the play is a total failure, Max selects an incredibly tasteless script (which he describes as "practically a love letter to Adolf Hitler"), and hires the worst director he can find (Roger DeBris), a stereotypical homosexual and transvestite caricature. He casts an out of control hippie named Lorenzo St. Dubois, also known by his initials "L. S. D.", in the role of Hitler (after he had wandered into the wrong theatre by mistake during the casting call – "That's our Hitler! ").

The play starts with the musical number, "Springtime for Hitler". Accompanied by dancing stormtroopers, who at one point form a Busby Berkeley–style swastika, reminiscent of Judy Garland. Author Liebkind is originally chosen by Max to play Hitler but due to an unfortunate accident, he breaks his leg (ironic as the term 'break a leg' is used to mean 'good luck' in the theater world) and Max then asks DeBris to play Hitler. The swastika choreography at the end is displayed to the audience via a large mirror that is raised, à la A Chorus Line. In the climactic final chorus, the 2005 film orchestration quotes the climax of the invasion theme from the first movement of Dimitri Shostakovich's Seventh symphony "Leningrad", depicting the 1941 German invasion of the Soviet Union. In the musical version, Franz does not interrupt the play, but waits until after the performance to confront the producers, and then attempts to kill them under the accusation of making a fool out of Hitler ("He didn't need our help!"). He breaks his other leg while trying to run away from the police.