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Bosnian rock band

Zabranjeno Pušenje is a Bosnian rock band formed in Sarajevo in 1980. The group's musical style primarily consists of a distinctive garage rock sound with folk influences, often featuring innovative production and complex storytelling. Currently, the band consists of founding member, vocalist and guitarist Sejo Sexon, longtime drummer Branko Trajkov, guitarist Toni Lović, bassist Dejan Orešković, and violinist and keyboardist Robert Boldižar. The band was formed contrary to the then prevalent Yugoslav punk rock and new wave, closely associated with the New Primitivism cultural movement and the radio and television satire and sketch comedy show Top lista nadrealista. They were one of the most popular musical acts of the 1980s in Yugoslavia, selling hundreds of thousands of records. Many times they got in trouble with the authorities for their, usually mild and sympathetic, criticism of the socialist system, and the habit of making light of issues considered sensitive at the time. The band's first lineup, originally named Pseudobluz bend Zabranjeno Pušenje, featured guitarist Sejo Sexon and vocalist Nele Karajlić, alongside drummers Fu Do then Šeki Gayton, bassist Munja Mitić, keyboardist Seid Mali Karajlić, saxophonist and flutist Ognjen Gajić, guitarist Mustafa Čengić, and synthesizerist Zoran Degan. Their debut studio album Das ist Walter (1984) was initially released in limited circulation; the final count was 100,000 copies sold, setting a record for exceeding the initial release by 30 times. Their subsequent album Dok čekaš sabah sa šejtanom (1985), also released through Jugoton, was boycotted by the mainstream media due to troubles with Communist authorities. In 1986, Šeki Gayton, Mitić and Čengić chose to leave the group, while drummer Faris Arapović, bassist Darko Ostojić, guitarist Kowalski and keyboardist Dado Džihan joined in. released the fifth studio album Fildžan viška (1997) with the changed lineup. The band's 1990s lineup alongside Sejo Sexon featured the leader of the New Primitivism movement Elvis J. Kurtović, vocalist Marin Gradac, a guest on the 1987 album bassist Dragan Bobić, guitarist Sejo Kovo and violinist Bruno Urlić. After one temporary drummer, Branko Trajkov joined the group in 1996. The same lineup recorded the album Agent tajne sile (1999). In 2000, Kurtović, Kovo, and Gradac left the group, while guitarist and producer Dragianni joined the group and played on their subsequent album, Bog vozi Mercedes (2001). That album was followed five years later by Hodi da ti čiko nešto da (2006). In the mid 2000s, Dragianni, Bobić, and Urlić chose to leave the group, while guitarist Toni Lović, bassist Dejan Orešković, and violinist Robert Boldižar came to their seats. The band's ninth studio album, Muzej revolucije (2009), was released on the Anniversary of the October Revolution in almost all former Yugoslav countries, on the same day. The band released their tenth studio album, Radovi na cesti, in 2013. Their eleventh studio album was released in 2018, titled Šok i nevjerica. The twelfth and another double studio album Karamba! was released in 2022.

What would eventually become Zabranjeno Pušenje was started in 1979 by sixteen year old Nenad Janković (later to become known as dr. Nele Karajlić) and eighteen year old Davor Sučić (later Mr. Sejo Sexon), two teenage friends and neighbors who had been attending Sarajevo Second Gymnasium secondary school while residing in the same apartment building on Fuad Midžić Street in the Sarajevo neighborhood of Koševo. Already infatuated with and deeply immersed in rock and roll, the two fanatically absorbed various musical influences from Yugoslavia and abroad, all the while desperately trying to achieve a basic level of technical proficiency on their instruments—at this stage, Nele Karajlić played the piano, an instrument he had previously studied in music school for a short time before dropping out, while Sejo Sexon played the guitar. Both possessing very limited musical knowledge, despite displaying boundless enthusiasm, the duo struggled with everything from simply tuning their instruments to producing the simplest of melodies. Sexon and Karajlić soon expanded their setup by adding Ognjen Gajić, another neighborhood teenage friend who possessed some basic musical knowledge having attended a music school. Though by Karajlić's own admission, Gajić played the piano better than him, Gajić decided to switch over to flute as an homage to his favorite band Jethro Tull. He managed to become comfortable on a new instrument fairly quickly, soon becoming a bit of a musical authority among this now three piece. Since each of the three teenage members of the group (by now informally known as Pseudobluz bend) lived with their parents, the band rehearsals also took place in their parents' apartments, mostly Karajlić's and Gajić's. Before long, Sexon brought in Zenit Đozić (a. k. a. Zena, later to become known as Fu Do), his new classmate at Second Gymnasium who had recently moved to Sarajevo from Bugojno, to be the band's drummer. Adding percussions, that actually consisted of pots and pans, to their setup created new problems as the noise during rehearsals became unbearable for Karajlić's parents and Gajić's mother so the members set about looking for a suitable rehearsal space.

In fall 1980, in accordance with the newly passed Yugoslav law requiring high school graduates to immediately report for their compulsory military service in the Yugoslav People's Army, nineteen year old Sexon left Sarajevo and was away from the band for a whole year. With Sexon temporarily gone, the band got a new member – Mustafa Čengić (a. k. a. MuČe or Mujo Snažni) who, in turn, brought in Mladen Mitić (a. k. a. Munja or Mitke) on bass guitar. They were occasionally accompanied by Mirko Srdić (later to become known as Elvis J. Kurtović), Zoran Degan, Boris Šiber, Samir Ćeremida, etc. In December 1980, MuČe and Munja managed to get the band on the bill of a Želimir Altarac Čičak organized new music showcase at Sarajevo's Dom mladih, held under the "Nove nade, nove snage" ('New Blood, New Hopefuls') mantra. The event would be the band's first ever live public performance though they did play a small show at Sarajevo's Fifth Gymnasium for their social circle a few days earlier on 30 November 1980 as preparation for the Dom mladih gig. Shortly before Čičak's show at Dom mladih, the band changed its name to Pseudobluz bend Zabranjeno Pušenje. Over time, they dropped the first part and continued as just Zabranjeno Pušenje for brevity. Their first recording, song "Penzioneri na more idu zimi" , was made for Radio Sarajevo in early 1981.

The band performed around Sarajevo for two years before beginning to record material for a debut album during Fall 1983 in producer a modest studio owned by "Paša" Ferović. The shambolic recording process took seven months before the album named Das ist Walter got released by Jugoton in April 1984 in the small print of 3,000 copies, clearly indicative of the label's extremely low commercial expectations. The line up was altered and now Nenad Janković's younger brother keyboardist Dražen Janković (a. k. a. Seid Mali Karajlić) and drummer Predrag Rakić (a. k. a. Šeki Gayton). Though the album was initially released in the small print, the final count was 100,000 copies sold, setting a record for exceeding the initial release by 30 times. In Autumn 1984, they embarked on a 60 concert nationwide concert tour, making them one of the biggest Yugoslav rock attractions after just one album. The affair got attention of the Yugoslav Security Administration (UDBA), as well. They were rescued by some leading liberal intellectuals, and magazines such as Polet, Mladina and Slobodna Dalmacija, who raise their voices in the defense of the group members and that affair snaps without prison sentences. In this atmosphere, the band recorded their second, double album Dok čekaš sabah sa šejtanom The album has received widespread acclaim from critics, but was boycotted by the media. Following promotional tour had extreme difficulties due to concern of the concert hosts and the enormous presence of the state police, as a reflection of the Marshall Affair. Diskoton censors had some objections and the song "Our Proposal for the Eurovision Song Contest" had to be renamed, since the song included comments on the depressed state of the economy and the lack of freedom of expression. The album again included a number of hit songs, such as "Pišonja i Žuga", "Hadžija ili bos", "Fikreta", "Dan Republike", and returned the band to stardom. The album was recorded in Sarajevo and mixed in London, UK, while the record producer was Sven Rustempašić, a Seattle based producer born in Sarajevo. The following tour, which included 87 concerts, was the largest Zabranjeno Pušenje tour thus far and the band was by that time regarded as one of the Yugoslav rock powerhouse alongside Azra, Bijelo Dugme and Parni Valjak. In January 1988, the band received a gold record for 100,000 copies sold. The songs were mostly written and produced by Sejo Sexon. The album featured opera singer Sonja Milenković, violinist Dejan Sparavalo and Goran Bregović as backing vocal and guitar player. The album was an average success. The band embarked on the tour with Bombaj štampa and the rest of Top lista nadrealista crew (those who didn't play in the band already). The tour (a combination of theatre and rock and roll, an idea by Sejo Sexon, was a great success and regarded as the best tour of 1989 with around 60 concerts and more than 200,000 visitors.

Nele Karajlić and Sejo Sexon, the band's leading duo, were getting on increasingly colder terms and the Yugoslavia wide tour with Bombaj Štampa and Top lista nadrealista during early 1990, though hugely commercially successful, only exacerbated their fractured business and personal relationship. The band broke up in late summer 1990 when Sejo Sexon informed Karajlić about no longer being interested in playing with him. Sejo Sexon, Darko Ostojić and Faris Arapović left the band due to different views on the band vision more than the political differences in Yugoslav leadership in the late 1980s. In late June 1992, Top lista nadrealista crew started to work on a 15 minute weekly radio shows. In August 1993, after 50 odd shows on radio, the group shot and aired four television episodes. Sejo Sexon produced a soundtrack for TV series and a theater play Top lista nadrealista. That tour was supported by the USAID office in Sarajevo.

In 1996, Sejo Sexon and Elvis J. Kurović accompanied with members of the Top lista nadrealista pit orchestra such as Sejo Kovo, Đani Pervan, Dušan Vranić, and Samir Ćeremida had become the core of the renewed band's lineup. During that time, the band works on their new studio album. The fifth album of Zabranjeno Pušenje Fildžan viška is released through Dallas Records and Nimfa Sound in 1997. Sejo Sexon produced the album and wrote all songs with some help of Elvis J. Kurtović. Fildžan viška was produced four singles; "Možeš imat' moje tijelo", "Mile Hašišar", "Pubertet" and "Fildžan viška". Music videos for those single are produced by the band members. Production know how from Top lista nadrealista has proven to be valuable in recording music videos, through TLN Europa, an independent record label founded and own by Sejo Sexon. The record produced four singles; "Pos'o, kuća, birtija", "Agent tajne sile", "Jugo 45" and "Pupoljak". The record's third single, "Jugo 45", was the band's fastest selling single, debuting on top of the Bosnian and Croatian charts. The band began another tour in support of Agent tajne sile in 1999, beginning with promotional concerts in Bosnia and Croatia with the touring lineup: Sejo Sexon, Marin Gradac, Elvis J. Kurtović, Predrag Bobić, Bruno Urlić, Dragomir Herendić, and Branko Trajkov. In a short while, Marin Gradac and Elvis J. Kurtović chose to leave the group due to other commitments. Gradac went to finish Sarajevo Music Academy and joined Radio Sarajevo Orchestra, while Elvis J. Kurtović began writing his solo album. In early 2000, the band came back to the Bjelolasica Olympic Centre to work on the band's seventh album. In the meantime, the band got a new member; world class percussionist Albin Jarić, better known as Jimi Rasta, who worked previously with musicians such as Dave Stewart and Eric Clapton. For the song "Arizona Dream" the band won the 2002 Davorin Award for the best rock song. The concert tour by the band in support of their seventh studio album had 250 concerts. In 2001, the band members took a part in a social responsibility project in which they organized music workshops for children and youth who were victims of land mines. Project was supported by embassies of Canada, Norway and the U. S. in Zagreb. In 2004, the band released Live in St. Louis. This live album featured two new music videos, "Zenica Blues" and "Posljednja oaza (Fikreta)". They made the video for their 1980s hit Zenica Blues following the 20th Anniversary of the song's release. The video was shot in the Zenica prison. In 2003, Zabranjeno Pušenje was awarded for their outstanding live performance on the Baščaršija Nights festival in Sarajevo. and started his studio music and production career. In a short period without guitarists and violinists, Sejo Sexon, Trajkov, and Bobić began the writing and formation on sketches of something that will evolve in three years to the double full length studio album. In a short period of time, violinist Robert Boldižar and guitarist Toni Lović joined in. , their first double album since Dok čekaš sabah sa šejtanom (1985). Although the concert tour was truly enviable as in the time before, the period after the 2006 album release, next to the Australian Tour and the concerts in Paris and London, brought two great disappointments to the band, cancellations of the significant concerts in Belgrade and Sarajevo. At the first, there was a cancellation of the Sarajevo Concert as a result of the voracity of the Sarajevo Film Festival Board, who managed to redirect the concert's sponsorships to the Festival's budget. Next hit was wresting the 29 November Concert in Belgrade by former band members settled in Belgrade and gathered around The No Smoking Orchestra. The band had the Day of the Republic project in which 29 November should become the traditional concert date for Belgrade fans. Afterwards, guitarist Dejan Orešković, former bassist of Divlje jagode, joined the group and played on their subsequent album. The ninth studio album Muzej revolucije is released on November 7, 2009, on the 92nd anniversary of the October Revolution. The album is released on the same day through various record labels in Bosnia and Herzegovina, Croatia, Montenegro, Serbia and Slovenia. The record produced five singles; "Modni Guru", "Kladimo se", "Kada Sena pleše", "Tvoja bosa stopala" and "Samir time". In 2011, Sejo Sexon directed a music video for the third single of Muzej revolucije, entitled "Kada Sena pleše". It was his directorial debut. Also, he wrote the script for the same music video. On June 25, 2012, the band released the video for "Samir time", the fifth and last single of Muzej revolucije.

In 2012, Sejo Sexon and Toni Lović entered the studio to begin writing for their tenth studio album. On October 10, 2013, Radovi na cesti was released through Croatia Records and Dallas Records. The album was met with mostly positive reviews from the critics. The record produced six singles; "Boško i Admira", "Ti voliš sapunice", "Tri kile, tri godine", "U Tvoje ime", "Klasa optimist" and "Kafana kod Keke". On December 28, 2013, Sejo Sexon and Zabranjeno Pušenje celebrated 30th Anniversary of the band with their fans on a concert in Skenderija, Sarajevo. In January 2016, saxophonist and flautist Lana Škrgatić joined the band. As a new band member, she appeared for the first time in the 2016 music video for the fifth Radovi na cesti single "Klasa optimist". Keyboardist Paul Kempf left the band in early 2017. The band appeared on two biggest Serbian music festivals in 2017, they performed live at the EXIT Summer of Love 2017 in Novi Sad, and at the Belgrade Beer Fest. On October 31, 2018, the band released their eleventh studio album Šok i nevjerica The songs were mostly written and produced by Sejo Sexon and Toni Lović. The album featured Bosnian rapper Sassja and Bosnian singer and composer Damir Imamović. In November 2019, Lana Škrgatić parted ways with the band to join a female music band. In 2020 and 2021, during the COVID 19 pandemic, band members recorded 16 new songs for the new studio album. All songs were written and produced by Sejo Sexon and Toni Lović, while the arrangement is jointly signed with other band members. For the first time in 15 years, they collaborated with Elvis J. Kurtović, a former band member. Thus, in June 2020, they released a single and a music video for the song "Korona hit pozitivan" , which was made in collaboration with Kurtović. In April 2022, the third live album Live in Skenderija Sarajevo 2018 was released. The new studio album, the twelfth and the double, Karamba!, was released on June 3, 2022. The album was announced with the song "Ekrem" and its new music video, directed by Tomislav Fiket, and in the title role of Ekrem was the actor Asim Ugljen.