Қанды үй және қарапайым детектив

1996 American horror comedy film
The film was developed by Gale and Zemeckis in the 1970s after their college graduation. The duo conceived the original script as an exploitation film designed to break the duo into the film industry, but it went unproduced. The film received generally negative reviews from critics and fans of the series.

A group of treasure hunters led by Vincent Prather explore a forest, encountering a cave containing the coffin of Lilith, mother of all vampires. Vincent takes out a box containing the four sections of her heart and inserts it in her body, reviving her. Lilith awakens and kills the other treasure hunters, but Vincent subdues her with the key from Demon Knight.

The Crypt Keeper is having lunch with the Mummy, who is boring him about film industry life. The Mummy challenges the Crypt Keeper to a contest of rock, paper, scissors which the Mummy wins, and he slices off the Keeper's hand with a meat cleaver similar to what happened in "The Assassin" episode of the TV series. The Crypt Keeper laughs (as it didn't hurt him at all) and the Mummy gets ready for the next round. The Crypt Keeper addresses the audience, and the movie continues.

After fighting with his sister Katherine, Caleb Verdoux goes to a dive bar, where an odd man named Jenkins tells him of a brothel hidden in a funeral home. Caleb and his friend Reggie visit the address, where they are forced at gunpoint by mortician McCutcheon to climb into a coffin leading to said brothel, unaware the prostitutes are all vampires led by Lilith. A prostitute named Tallulah seduces Reggie, whom Lilith kills before vampirizing Caleb. When the police fail to find Caleb, Katherine reluctantly hires cynical and sarcastic private investigator Rafe Guttman, who tracks Caleb's trail to the bar, where Caleb's friends direct him to the funeral home. After a tip from Jenkins, Rafe revisits the funeral home that night. Initially, it appears as just a funeral home. Rafe overhears Lilith interview a woman, Tamara, followed by Tamara's scream and a body hitting the floor. He finds Caleb's nose ring and escapes. The next day he takes it to Katherine and tells her he's going to stake out the funeral home that evening. Unbeknownst to Rafe, the funeral home conceals a corrupt organization run by Reverend J. C. Current. Rafe is admitted into the brothel and approached by the now vampirized Tamara, whom he tricks into letting him strap her to a torture rack so he can investigate further, finding Jenkins decapitated in a coffin. While fleeing, Rafe drops his wallet, allowing Lilith to find his address. Having tasted Rafe's blood, Lilith takes an interest and tries to seduce him. When Katherine arrives, Rafe follows and describes the brothel's activity to her. They alert the police, who dismiss Rafe as a fraud due to lack of evidence. Meanwhile, Vincent destroys the key, freeing Lilith. As Katherine reviews footage where she confronted Lilith, she notices Lilith is not in the shot. Realizing that Rafe might be right, she calls him over. Caleb calls for help, asking them to meet him at the power plant. Upon arrival, they discover the vampirized Caleb and flee, but Rafe falls out a window, landing on the police chief's car. The vampires catch Katherine and return her to the brothel. Awakening in a hospital, Rafe is nearly killed by Tamara, who is posing as a nurse, but exposes her to sunlight, killing her. Katherine awakens and begs Caleb to free her, who refuses, too ingrained as Lilith's servant and having fully embraced his newfound vampiric lifestyle. Lilith prepares to feed on Katherine while Caleb watches. Rafe loads up on Super Soakers filled with holy water and raids the brothel, killing Vincent and McCutcheon. He meets up with Current, who, having realized his error and attempting to rectify it, has brought stakes and mallets to kill the vampires. Current tells Rafe that Lilith's heart must be removed from her body and quartered, as before she was found. Rafe gives him a spare water gun and the two enter the brothel and spray the vampires, including Caleb and Tallulah, who burn and explode. They find Lilith, who mortally wounds Current and flees after Rafe attacks her with an axe. Rafe finds Katherine, and they head to Current's church to reveal the existence of vampires with its media equipment. Lilith returns, handcuffs Rafe to a railing, and attacks Katherine. Rafe uses a nearby laser to hit Lilith in the heart, quartering it. However, as the pieces remain in her body, Lilith remains alive. As Lilith devolves into a hideous form (her true form) and attacks Rafe, Katherine grabs a candle stand and stabs out Lilith's heart. After Lilith's body burns and collapses to the ground, the two burn her remains and lock away the box with the heart pieces. Later, in his car, Rafe fondles Katherine, which she seems oddly more accepting of now, having been disgusted by him earlier. He notices the scent she's wearing. She remarks, "It's not perfume. It's sunblock." When he pulls back her skirt, he notices bite marks on her thigh, indicating that Katherine had been vampirized by Lilith while hostage. She then flashes her fangs and bites Rafe in the neck.

The Crypt Keeper jokes that if Rafe and Katherine got married, she'd know "what's eating him She is!". He has also apparently bested the Mummy at the game and reduced him to nothing but a head. The Crypt Keeper tells him to "quit while he's 'a head'" before laughing.

The production budget was $2.5 million. and Robin Givens to play Lilith. Miller disliked his character's scripted dialogue and once he started filming, he proceeded to improvise nearly all of his dialogue. The Bordello of Blood shoot was rescheduled to work around the shooting of Dennis Miller Live, and the Canadian crew became angry at Miller because the filming schedule prevented their seeing their families on the weekends. According to Katz, after filming began, Erika Eleniak's manager told the production that she would not travel to the set unless significant portions of the script that she found unacceptable were rewritten. Eleniak had left Baywatch because she wanted to be taken seriously as an actress, and allegedly did not want to play the character of Katherine as previously written. Katz claimed Katherine was scripted as being a stripper, and Adler and Katz frantically rewrote the script and changed these aspects of the character so she would travel to the set. However, Eleniak disputes this claim, saying that her argument with the producers was due to Joel Silver wanting to add a "sexy" scene between her and Everhart which had not been in the script, and that changes had been made to the script based on Eleniak's casting to make her character "sexier".

Upon release, the film was poorly received by critics. Chicago Tribune reviewer Mark Caro wrote: "The Crypt tradition is ghoulish irreverence, but here it seems merely a hip excuse to stoop low". The Deseret News wrote: "For a horror comedy film to work, it's got to be both funny and scary. Tales From the Crypt Presents Bordello of Blood is neither. Instead, it's only a bath of blood and bare skin, with some lame wisecracks thrown in for bad measure". Variety panned the film, writing, "another cheesy goulash of smart alecky humor and full bore gore, spiced with more shots of topless lovelies than you'd find in a '60s sexploitation flick. Adolescent boys might groove to the mix, but most other ticketbuyers will avoid this tawdry opus like the plague". TV Guide gave the film 1 out of 5 stars: "Miller is the best thing about the film, but a little of him goes a long way, and he's on screen a lot. [ ] This is a travesty, and if Tales From the Crypt publisher Bill Gaines isn't spinning in his grave, it can only be because someone's already put a stake through his heart". Peter Stack of the San Francisco Chronicle wrote: "Bordello of Blood easily could have been called 'Bore dello of Blood'. This gory vampire spoof is remarkably free of jolts, hardly registering as a fright film, with a series of weak special effects involving many globs of guts". The New York Times critic Lawrence Gelder wrote: "Vampires aren't the only things in Bordello of Blood that can't stand up to daylight. Neither can the plot". Austin Chronicle critic Marc Savlov gave the film 1 out of 5 stars, calling it "The Dennis Miller Show with nekkid vampire vixens". Exclaim! writer Robert Bell gave the film 4 out of 10: "Tales from the Crypt was known for its twist endings, morality parables and askew sensibility; this feature shared none of those traits, and wouldn't be recognizable as a part of the series without the presence of the Cryptkeeper bookending the film". Allmovie also gave the film a score of two stars out of five: "Even with its obligatory Crypt Keeper bookends, the 87 minute Bordello of Blood seems as inflated as the many surgically enhanced breasts on display". Arrow in the Head also reviewed the film favorably, giving it a score of 6 out of 10, writing that "this second entry in the Tales From The Crypt big screen series doesn't fully measure up to its predecessor, but sill manages to deliver a mindless fun ride". ComingSoon. net wrote that "Bordello is in many ways a superior Tales from the Crypt entry. Adler had previously directed episodes of the show and the film feels like an amplified episode, brightly lit, garish and tricked out with even more sleaze, sex, blood and general luridness". In a 2015 interview, Bob Gale, who had co written the original screenplay with Robert Zemeckis, had said this about the film: "Bordello of Blood was the first thing that Bob and I ever collaborated on, even before we got out of film school. The movie that was made is so different than the movie that we conceived of, I'll tell you flat out I've never even seen the final version of it because the early cut of it I saw, I was so appalled by it that I just said, "Okay, I'll just leave that one to everybody else".