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1991 film by Tony Scott

The Last Boy Scout is a 1991 American buddy action comedy film directed by Tony Scott from a screenplay by Shane Black, and produced by Joel Silver. It stars Bruce Willis and Damon Wayans, with Noble Willingham, Chelsea Field, Taylor Negron, Danielle Harris and Halle Berry. The film follows a washed up private investigator (Willis) who teams up with a scandalized football star (Wayans) to uncover a political conspiracy involving their former employers. The film was released by Warner Bros. Pictures in the United States on December 13, 1991, to mixed reviews and a lukewarm commercial reception. Retrospective reviews have been more positive, and the film has developed a cult following. Singer Bill Medley, and sports commentators Verne Lundquist, Dick Butkus and Lynn Swann appear as themselves.</blockquote>

Roger Ebert, commenting on the script, said "The original screenplay for The Last Boy Scout set a record for its purchase price; that was probably because of the humor of the locker room dialogue, since the plot itself could have been rewritten out of the Lethal Weapon movies by any film school grad." Silver said in a Q&A for The Nice Guys (2016) that Shane Black's original title was Die Hard. Silver asked if he could take the title for a project he was working on at the time called Nothing Lasts Forever, which eventually became Die Hard (1988).

The Last Boy Scout was filmed in 90 days between March 11 and June 9, 1991. Filming took place primarily in and around Los Angeles, California. The football stadium scenes were filmed at the Los Angeles Memorial Coliseum and San Diego Stadium. Silver was described as "insane, with long, horrible fits of sanity," and was compared to a fighter pilot riding as a passenger. "As soon as you hit a little bit of turbulence, he's right away going to throw the guy out of the window and take over the steering." Taylor Negron also remarked that Silver was directly involved throughout the production. Assistant director James Skotchdopole attributed the tension on set to an "overabundance of alpha males on that project. Bruce was at the height of his stardom, so was Joel, so was Tony and so was Shane. There were a lot of people who had a lot of opinions about what to do. There were some heated, early Nineties, testosterone charged personalities on the line. It was a 'charged environment,' shall we say." Writer Shane Black had to wrestle with the script. "I was forced to do more rewriting on that movie than on anything else I've done. There was tremendous pressure from the studio to get Bruce Willis and have this be a follow up to Die Hard. He was reluctant, and rightly so: 'This whole movie is about me saving my wife. I just did that in Die Hard.' So they said, 'OK, let's minimize the wife and, and while we're at it, add a big finale.' There was a general pressure to somehow make it bigger."

More problems emerged during post production, when the original cut of the film turned out be a "borderline unwatchable workprint." Different editors were hired in an attempt to address Scott's tendency for filming excessive coverage with multiple cameras. Editor Mark Helfrich described sorting through "mountains of raw material" to edit the first cut: "There was more footage shot for The Last Boy Scout than on any film I had ever worked on." He recalled with incredulity that the work of previous editors appeared to have been rejected, taken apart and put back into the daily reels: "There were still splices all over the place." Veteran action film editor Mark Goldblatt was also brought in to work on the film. He later referred to the experience as one of the most frustrating jobs of his career and has often declined to discuss it in detail, although he did mention in a podcast interview that several editors were hired and then fired before him, and that Warner Bros. began testing the movie before it was completely finished. Studio executives fretted about the expanding budget, while less than enthusiastic reactions from a test screening audience, as well as the unlikeable character played by Willis, did little to allay these concerns. When editor Stuart Baird was hired, the film finally took a positive turn. Baird had been brought in to help re edit other troubled productions, including Tango & Cash (1989) and Demolition Man (1993). Some later cuts were done with the film's graphic scenes after it was originally rated NC 17, which explains quick cut edits in some of the death scenes in the film.

The film's score was composed and conducted by Michael Kamen (who also scored Hudson Hawk that year), his only work for Tony Scott. Bill Medley performed the song "Friday Night's A Great Night For Football", written by Steve Dorff and John Bettis, on screen during the opening credits (the song is also reprised over the end titles); the song was released as a CD single by Curb Records. On August 25, 2015, La La Land Records released a limited edition soundtrack album featuring most of Kamen's score, plus Medley's song.

The film under performed expectations given the star power and hype surrounding the then record price paid for the screenplay by Shane Black ($1.75 million). It grossed $7.9 million in its opening weekend, and the total gross in the United States and Canada was $59.5 million. Internationally, the film grossed $55 million for a worldwide gross of $114.5 million. Reviews were mixed, and some critics cited the Christmas time release for such a violent film as a reason for its somewhat underwhelming box office. Although the film was not a blockbuster, it helped Bruce Willis recover his star status after the disastrous Hudson Hawk and became hugely popular in the video rental market.

On Rotten Tomatoes the film has an approval rating of based on reviews, with an average rating of The site's critical consensus reads: "The Last Boy Scout is as explosive, silly, and fun as it does represent the decline of the buddy cop genre." On Metacritic the film has a weighted average score of 52 out of 100, based on 22 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. Roger Ebert gave the film three stars out of four, saying it was "a superb example of what it is: a glossy, skillful, cynical, smart, utterly corrupt and vilely misogynistic action thriller." Owen Gleiberman praised it as "a cheerfully disreputable buddy thriller that also happens to be one of the most entertaining movies of the season [and] gives the actors room to stretch out." In 2022, Alan Sepinwall from Rolling Stone included The Last Boy Scout on The Best of Bruce Willis: 10 Memorables TV and Movie Performances and said: "The neo noir thriller The Last Boy Scout is on some level (also) trash — bookended by wildly over the top action sequences at football stadiums — elevated not only by director Tony Scott's self awareness of how ridiculous it all is, but by the sheer force of Willis' performance as a disgraced Secret Service agent turned seedy private detective"

Shane Black and Tony Scott both expressed dissatisfaction with the final film, and said in later years how the original script was far better. Scott accused Joel Silver of interfering with the production and swore off working with the producer again. His next film, True Romance, features an unflattering film producer character patterned after Silver.