1928 жылғы «Алдыңғы бет» комедиясы

the stage play
1928 Broadway comedy

The Front Page is a Broadway comedy about newspaper reporters on the police beat. Written by former Chicago reporters Ben Hecht and Charles MacArthur, it was first produced in 1928 and has been adapted for the cinema several times. The play entered the public domain in the United States in 2024.

The play's single set is the dingy press room of Chicago's Criminal Courts Building, overlooking the gallows behind the Cook County Jail. Reporters from most of the city's newspapers are passing the time with poker and pungent wisecracks about the news of the day. Soon they will witness the hanging of Earl Williams, a white man and supposed Communist revolutionary convicted of killing a black policeman. Hildy Johnson, cocky star reporter for the Examiner, is late. He appears only to say goodbye; he is quitting to get a respectable job and be married. Suddenly the reporters hear that Earl Williams has escaped from the jail. All but Hildy stampede out for more information. As Hildy tries to decide how to react, Williams comes in through the window. He tells Hildy he is no revolutionary, and that he shot the police officer by accident. The reporter realizes this bewildered, harmless little man was railroaded — just to help the crooked mayor and sheriff pick up enough black votes to win re election. It is the story of a lifetime. Hildy helps Williams hide inside a roll top desk. His daunting challenge now is to get Williams out of the building to a safe place for an interview before rival reporters or trigger happy policemen discover him. Hildy has no choice but to ask for help from Walter Burns, managing editor of the Examiner — a devious tyrant who would do just about anything to keep Hildy with the newspaper.

The authors' expert plotting and rapid fire, streetwise dialogue delighted audiences and made their play an instant classic. Hecht and MacArthur strongly influenced many other American comic writers, especially in Hollywood. In the 1970s, film producer Dore Schary told film historian David Bordwell that The Front Page influenced studio writers and directors in the 1930s. The play popularized the image of American journalists as fast talking, wisecracking "hard boiled" types, excessively fond of alcohol and hard living in general, who would go to any lengths to get a story on the front page of their newspapers. The newspapers are modeled on the City News Bureau of Chicago (where MacArthur had worked), Chicago Daily News (where Hecht was a reporter), and William Randolph Hearst's Chicago's American. The character Earl Williams is loosely based on "Terrible" Tommy O'Connor. The character of Williams also was at least partially based on the case of Thomas Mooney, a radical leftist sentenced to death on the basis of questionable evidence. Walter Burns is a thinly disguised caricature of Hearst editor Walter Howey. The corrupt Mayor of Chicago seems to have been based on William Hale Thompson, who, like the mayor in the play, depended in part upon black voters to stay in office. Commenting on the play's seeming veracity, New York Times theater critic Brooks Atkinson wrote, "The authors and directors have packed an evening with loud, rapid, coarse and unfailing entertainment. No one who has ground his heels in the grime of a police headquarters press room will complain that this argot misrepresents the gentlemen of the press."

The play was restaged four more times on Broadway. The 1969–70 revival was the most successful of these. It was produced at the Ethel Barrymore Theatre and starred Robert Ryan and Bert Convy as Burns and Johnson, running for a total of 222 performances. The 1946 revival was directed by Charles MacArthur and ran for 79 performances. The 1986–87 revival was produced at the Vivian Beaumont at Lincoln Center, directed by Jerry Zaks and starred Richard Thomas as Hildy and John Lithgow as Burns. This production ran for 57 performances. A Broadway revival opened at the Broadhurst Theatre, in a limited engagement, starting on September 20, 2016, in previews and officially on October 20. Directed by Jack O'Brien, the cast starred Nathan Lane as Walter Burns, John Slattery as Hildy Johnson, John Goodman as Sheriff Hartman, Jefferson Mays as Bensinger, Holland Taylor as Mrs. Grant, Sherie Rene Scott as Mollie Malloy, Robert Morse as Silas Pinkus, and Christopher McDonald as Murphy. The production received generally good notices, especially for Lane, and became the first show of the season to recoup and turn a profit. It received two Tony nominations: Best Featured Actor in a Play (Lane) and Best Scenic Design of a Play (Douglas W. Schmidt). John Guare's theatrical adaptation of the film His Girl Friday was produced at The La Jolla Playhouse in San Diego, California, in 2013, directed by Christopher Ashley.

Year Award Category Nominee ResultRef. 1928 Burns Mantle's The Best Plays of 1928–29 The Front Page

Year Award Category Nominee ResultRef. 1987 Tony Awards Best Revival Best Scenic Design Tony Walton Drama Desk Award Outstanding Set Design

Year Award Category Nominee ResultRef. 2017 Tony Awards Best Featured Actor in a Play Nathan Lane Best Scenic Design of a Play Douglas W. Schmidt Drama Desk Award Outstanding Revival of a Play Outstanding Featured Actor in a Play Nathan Lane Outstanding Scenic Design of a Play Douglas W. Schmidt Outstanding Costume Design of a Play Ann Roth