"Жаугершіктер мен Шетелдіктер: Турастыру тарихы"

2004 film by Paul W. S. Anderson

The concept of Alien vs. Predator originated from the Aliens versus Predator comic book in 1989 and subsequent novelisations and novels. It was also hinted at when an Alien skull appeared in a trophy case aboard the Predator ship in Predator 2. Shortly after the release of Predator 2, Predator co writer Jim Thomas discussed the possibilities of a Predator franchise and commented on the prospect of a crossover film, stating, "I think Predator vs. Alien is a good idea that will probably never happen". Screenwriter Peter Briggs created the original spec screenplay in 1990–1991, which was based on the first comic series. The project was delayed chiefly because the studio was working on Alien Resurrection. A draft penned by James DeMonaco and Kevin Fox described as "pretty much word for word like the Dark Horse comic book" was rejected by producer John Davis, who hoped to give the film an original approach by setting it on Earth. As there were six producers between the film franchises, Predator producer John Davis had difficulty securing the rights as the producers were worried about a film featuring the two creatures. Paul W. S. Anderson pitched Davis a story he worked on for eight years, adapting the Machiko Noguchi series, and showed him concept art created by Randy Bowen. Impressed with Anderson's idea, Davis thought the story was like Jaws in that it "just drew you in, it drew you in". Anderson started to work on the film after completing the script for Resident Evil: Apocalypse, with Shane Salerno co writing. Salerno spent six months writing the shooting script, finished its development, and stayed on for revisions throughout the film's production. Dan O'Bannon and Ronald Shusett received story credit on the film based on elements from their work on the original Alien.

Early reports claimed the story was about humans who tried to lure Predators with Alien eggs, although the idea was scrapped. Influenced by the work of Erich von Däniken, Anderson researched von Däniken's theories on how he believed early civilizations were able to construct massive pyramids with the help of aliens, an idea long debunked and based on misinterpretations of Aztec mythology. Anderson wove these ideas into Alien vs. Predator, describing a scenario in which Predators taught ancient humans to build pyramids and used Earth for rite of passage rituals every 100 years in which they would hunt Aliens. To explain how these ancient civilisations "disappeared without a trace", Anderson came up with the idea that the Predators, if overwhelmed by the Aliens, would use their self destruct weapons to kill everything in the area. Anderson's initial script called for five Predators to appear in the film, although the number was later reduced to three. He chose to set the film on the remote Norwegian Antarctic island of Bouvet commenting, "It's definitely the most hostile environment on Earth and probably the closest to an Alien surface you can get." Anderson thought that setting the film in an urban environment like New York City would break continuity with the Alien series as the protagonist, Ellen Ripley, had no knowledge the creatures existed. "You can't have an Alien running around the city now, because it would've been written up and everyone will know about it. So there's nothing in this movie that contradicts anything that already exists." Anderson opted for a European cast including Italian actor Raoul Bova, Ewen Bremner from Scotland, and English actor Colin Salmon. Producer Davis said, "There's a truly international flavor to the cast, and gives the film a lot of character." Several hundred actresses attended the auditions to be cast as the film's heroine Alexa Woods, loosely based on the comic and novel protagonist Machiko Noguchi. Sanaa Lathan was selected, and one week later she flew to Prague to begin filming. The filmmakers knew there would be comparisons to Alien heroine Ellen Ripley and did not want a clone of the character, but wanted to make her similar while adding something different. Schwarzenegger, however, won the election with 48.58% of the votes and was unavailable to participate in Alien vs. Predator. Actress Sigourney Weaver, who starred as Ellen Ripley in the Alien series, said she was happy not to be in the film, as a possible crossover was "the reason I wanted my character to die in the first place", and thought the concept "sounded awful".

Production began in late 2003 at Barrandov Studios in Prague, Czech Republic, where most of the filming took place. Production designer Richard Bridgland was in charge of sets, props and vehicles, based on early concept art Anderson had created to give a broad direction of how things would look. 25 to 30 life sized sets were constructed at Barrandov Studios, many of which were interiors of the pyramid. The pyramid's carvings, sculptures, and hieroglyphs were influenced by Egyptian, Cambodian, and Aztec civilisations, while the regular shifting of the pyramid's rooms was meant to evoke a sense of claustrophobia similar to the original Alien film. According to Anderson, if he was to build the sets in Los Angeles they would have cost $20 million. However, in Prague they cost $2 million, an important factor when the film's budget was less than $50 million. A scale 25 meter miniature of the whaling station was created in several months. It was designed so the model could be collapsed and then reconstructed, which proved beneficial for a six second shot which required a re shoot. The queen alien's inner mouth was automated though, and was powered by a system of hydraulics. Anderson praised Alien director Ridley Scott's and Predator director John McTiernan's abilities at building suspense by not showing the creatures until late in the film, something Anderson wanted to accomplish with Alien vs. Predator. "Yes, we make you wait 45 minutes, but once it goes off, from there until the end of the movie, it's fucking relentless".

Austrian composer Harald Kloser was hired to create the film's score. After completing the score for The Day After Tomorrow, Kloser was chosen by Anderson as he is a fan of the franchises. It was recorded in London, and was primarily orchestral as Anderson commented, "this is a terrifying movie and it needs a terrifying, classic movie score to go with it; at the same time it's got huge action so it needs that kind of proper orchestral support." and on CD on 31 August 2004 and received mixed reviews. James Christopher Monger of Allmusic thought Kloser introduced electronic elements well, and called "Alien vs. Predator Main Theme a particularly striking and serves as a continuous creative source for the composer to dip his baton in." Mike Brennan of Soundtrack, however, said it "lacks the ingenuity of the previous trilogy (Alien) and the Predator scores, which all shared a strong sense of rhythm in place of thematic content. Kloser throws in some interesting percussion cues ("Antarctica" and "Down the Tunnel"), but more as a sound effect than a consistent motif." John Fallon of JoBlo. com compared it to character development in the film, "too generic to completely engage or leave a permanent impression."

Alien vs. Predator was released on VHS, DVD, and PSP UMD Movies in North America on 25 January 2005. The DVD contained two audio commentaries. The first featured Paul W. S. Anderson, Lance Henriksen, and Sanaa Lathan, while the second included special effects supervisor John Bruno and ADI founders Alec Gillis and Tom Woodruff. A 25 minute "Making of" featurette and a Dark Horse AVP comic cover gallery were included in the special features along with three deleted scenes from the film. On release, Alien vs. Predator debuted at number 1 on the Top DVD Sales and Top Video Rental charts in North America. A two disc "Extreme Edition" was released on 7 March 2005, featuring behind the scenes footage of the conception, pre production, production, post production, and licensing of the film. An "Unrated Edition" was released on 22 November 2005, containing the same special features as the Extreme Edition as well as an extra eight minutes of footage in the film. John J. Puccio of DVD Town remarked that the extra footage contained "a few more shots of blood, gore, guts, and slime to spice things up and tiny bits of connecting matter to help us follow the story line better, but none of it amounts to much."

Alien vs. Predator was released in North America on 13 August 2004 in 3,395 theatres. The film grossed $38.2 million over its opening weekend for an average of $11,278 per theatre, and was number one at the box office. The film spent 16 weeks in cinemas and made $80,282,231 in North America. It grossed $9 million in the United Kingdom, $16 million in Japan, and $8 million in Germany and totalled $97,144,859 at the international box office. This brought the film's worldwide gross to $177,427,090, making it the second highest grossing film in either the Predator or Alien franchises, behind Prometheus, which grossed over $403 million worldwide. It ranks third behind Aliens and Prometheus at the domestic box office.

On Metacritic the film has a weighted average score of 29 out of 100, based on 21 critics, indicating "generally unfavorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale. Rick Kisonak of Film Threat praised the film stating, "For a big dumb production about a movie monster smackdown, Alien vs. Predator is a surprisingly good time". Ian Grey of the Orlando Weekly felt, "Anderson clearly relished making this wonderful, utterly silly film; his heart shows in every drip of slime." Staci Layne Wilson of Horror. com called it "a pretty movie to look at with its grandiose sets and top notch creature FX, but it's a lot like Anderson's previous works in that it's all facade and no foundation." Gary Dowell of The Dallas Morning News called the film, "a transparent attempt to jumpstart two run down franchises". Ed Halter of The Village Voice described the film's lighting for fight sequences as, "black on black in blackness", while Ty Burr of The Boston Globe felt the lighting "left the audience in the dark".

A sequel titled Aliens vs. Predator: Requiem was released in December 2007.

A fourth Predator film, titled The Predator, was released in September 2018, featuring Lex Wood's Xenomorph bone spear from the conclusion of Alien vs. Predator on display at Project Stargazer.