Американдық актерлер мен сахна шеберлерінің кәсіби одағы

American labor union for theater performers
the American labor union

The Actors' Equity Association (AEA), commonly called Actors' Equity or simply Equity, is an American labor union representing those who work in live theatrical performance. Performers appearing in live stage productions without a book or through storyline (vaudeville, cabarets, circuses) may be represented by the American Guild of Variety Artists (AGVA). The AEA works to negotiate quality living conditions, livable wages, and benefits for performers and stage managers. A theater or production that is not produced and performed by AEA members may be called "non Equity".

Leading up to the Actors' and Producers' strike of 1929, Hollywood and California in general had a series of workers' equality battles that directly influenced the film industry. The films The Passaic Textile Strike (1926), The Miners' Strike (1928) and The Gastonia Textile Strike (1929) gave audience and producers insight into the effect and accomplishments of labor unions and striking. These films were set apart by being current documentaries, not merely melodramas produced for glamor. In 1896, the first Actors Union Charter was recognized by the American Federation of Labor as an attempt to create a minimum wage for actors being exploited. It was not until January 13, 1913, that the Union Charter failed. It later reemerged as the Actors Equity Association, with more than 111 actors and Francis Wilson as its founding board president. Leading up to the association's establishment, a handful of influential actors—known as The Players—held secret organizational meetings at Edwin Booth's The Players at its Gramercy Park mansion. A bronze plaque commemorates the room in which The Players met to establish Actors' Equity. Members included Frank Gillmore, who from was the executive secretary of Actors' Equity from 1918 to 1929 and president from 1929 to 1937. Actors' Equity joined the American Federation of Labor in 1919, and called a strike seeking recognition as a labor union. Equity represented directors and choreographers until 1959, when they broke away and formed their own union.

The AEA allowed small numbers of contracts to be negotiated over the next few years. In 1933, the Screen Actors Guild was created and took the AEA's place as the main representative for movie actors and producers. This allowed the AEA to focus on live productions, such as theatrical performances, while the Screen Actors Guild focused on movie production and non scripted live performances, such as minstrel, vaudeville, and live radio shows.

In the 1940s, the AEA stood against segregation. In the 1960s, the AEA played a role in gaining public funding for the arts, including the founding of the National Endowment for the Arts (NEA). The AEA fought the destruction of historic Broadway theaters. Asides from Open Access, theatre workers may join Equity by being employed under an Equity contract, or by being a member of one of Equity's sister performing arts unions, the "Four A's": SAG AFTRA, AGMA, AGVA or GIAA. Such applicants must have been a member of said sister union for at least one year, be a member in good standing of that union, have worked as a performer under the union's jurisdiction on a principal or "under five" contract or at least three days of extra ("background") work, and must have completed non union theatrical work. These include, but are not limited to: Council of Resident Stock Theatres (CORST), Guest Artist, Letters of Agreement (LoA), League of Resident Theatres (LoRT) Small Professional Theatres (SPT), and Theatre for Young Audiences (TYA). AEA actors and stage managers are not allowed to work in non Equity houses or on any productions in which an Equity Agreement has not been signed anywhere within the AEA's jurisdiction.