Джордж Харрисон: 1979 жылғы студиялық альбом туралы

George Harrison is the eighth studio album by the English rock musician George Harrison, released in February 1979. It was written and recorded through much of 1978, a period of domestic contentment for Harrison, during which he married Olivia Arias and became a father for the first time, to son Dhani. Harrison wrote several of the songs in Hawaii, while the track "Faster" reflected his year away from music making, when he and Arias attended many of the races in the 1977 Formula 1 World Championship. The album also includes the hit single "Blow Away" and "Not Guilty", a song that Harrison originally recorded with the Beatles in 1968. Harrison co produced the album with Russ Titelman. The contributing musicians include Steve Winwood, Neil Larsen, Willie Weeks and Andy Newmark, with Eric Clapton and Gary Wright making guest appearances. The recording sessions took place at Harrison's FPSHOT studio in Oxfordshire. Issued on Dark Horse Records, George Harrison was well received by music critics on release. Commentators regularly cite it among the artist's best works after his 1970 triple album All Things Must Pass. The album was remastered in 2004 as part of Harrison's Dark Horse Years 1976–1992 reissues.

In February 1977, George Harrison completed the promotion for Thirty Three & ⅓, his 1976 debut on his Dark Horse record label and an album that was widely viewed as a return to form after the critical disappointments of Dark Horse and Extra Texture. Rather than follow up on this success, Harrison took a sabbatical, which he described as "what the English call 'skyving'". For much of the year, he travelled with his girlfriend, Olivia Arias, and became a regular presence at motor races in the Formula 1 World Championship. As a rare artistic project during that time, Harrison assisted comedian Eric Idle in developing his Beatles satire, the Rutles, into the 1978 TV film All You Need Is Cash. After a chance meeting with representatives from Genesis Publications at a hotel near Heathrow Airport in July 1977, he also began compiling his song manuscripts for a limited edition leather bound book, leading to his 1980 autobiography I, Me, Mine. Before resuming songwriting for the new album, Harrison had not written a song since 1976. He said he was compelled to return to making music to satisfy requests from his friends in the Formula 1 community. He also felt a sense of duty towards Warner Bros. Records, the company that had taken up the distribution of Dark Horse in 1976, when A&M Records chose to offload the label, particularly as the Warner's executives had not pressured him for a new album throughout 1977. Harrison said the project was informed by his contentment with how his life had progressed since Thirty Three & ⅓. In June 1977, he was granted a divorce from Pattie Boyd, who had left him for his friend Eric Clapton in 1974. Boyd's solicitor, a partner at the London firm Theodore Goddard, later remarked on the sensitivity shown by each party towards the other, and how rare this was in his experience of high stakes divorces. Among other "profound changes" that influenced the album's creation, according to author Ian Inglis, Harrison became a father for the first time when Arias gave birth to their son, Dhani, in August 1978, three months after the death of his father, Harry Harrison.

Harrison began writing "Love Comes to Everyone" in September 1977. Author Simon Leng comments that while familiar Harrison lyrical references to Krishna and Hindu spirituality appear to be absent on George Harrison, these themes are "rife" but stated subtly; he adds, "Hence, the 'love' that comes to everyone is, of course, God's." "Blow Away" was initially inspired by rain damage to a roof at Harrison's Friar Park estate in Henley on Thames, Oxfordshire. He turned the experience into one of positive thinking, reasoning that if he sought to be optimistic by expressing love, the problem would diminish in importance. He later said that he wrote "Blow Away" as a song that Niki Lauda, Jody Scheckter, Emerson Fittipaldi and others in the F1 "gang" might enjoy. He also wrote "Faster" in late 1977, The album credits listed former driver Jackie Stewart, whose autobiography was titled Faster, as the other source of inspiration. Harrison listened to his 1970 triple album All Things Must Pass for inspiration. He wrote "If You Believe", incorporating musical and lyrical elements familiar from All Things Must Pass, with American musician Gary Wright on New Year's Day 1978 at Friar Park. Harrison then met with Warner's staff producers Lenny Waronker, Russ Titelman and Ted Templeman in Los Angeles to discuss the new album and play them demos of his latest songs. He recalled that Templeman's appreciation of his 1971 B side "Deep Blue" inspired him to begin writing what became "Soft Hearted Hana". Harrison wrote or finished writing the album's songs while holidaying on the Hawaiian island of Maui in February 1978, The holiday was a highly creative time for Harrison and influenced the mood of the album. He wrote "Dark Sweet Lady" there as a Spanish style love song for Arias. "Your Love Is Forever" started as a guitar instrumental to which Harrison added lyrics that, furthering a common trait in his songwriting, expressed love to both a woman and his deity. In addition to revisiting "Not Guilty", a song he had first recorded with the Beatles in 1968, Harrison wrote "Here Comes the Moon" as a lyrical successor to his 1969 Abbey Road composition "Here Comes the Sun". As with "Here Comes the Moon", his inspiration for the lyrics to "Soft Hearted Hana" was a psychedelic mushroom experience he had on Maui. The song's title references the Tin Pan Alley standard "Hard Hearted Hannah" and the town of Hana on Maui. refn|group=nb|Harrison also wrote "Sooty Goes to Hawaii", an unreleased comedy song about Sooty, the popular glove puppet character from British television. while holidaying with Arias in the Virgin Islands. Harrison said the melody originated from him playing the horn line from the All Things Must Pass track "Run of the Mill" on acoustic guitar, after which he sought to convey the atmosphere around him: "the wind, the cool breeze blowing, the palm trees, the new moon rising".

Harrison decided to work with Titelman as his co producer on George Harrison. The project marked the first time that Harrison had shared the producer's role on one of his albums since working with Phil Spector in the early 1970s. While in Los Angeles in mid March, Harrison filmed his role as the narrator in Ringo Starr's TV special Ringo, a modern day adaptation of Mark Twain's The Prince and the Pauper. and recording for the album began at Harrison's home studio, FPSHOT, later that month. Although the album credits list only FPSHOT, Titelman has said that they first recorded "Dark Sweet Lady" at Amigos Studios in Los Angeles. In a 1996 interview, Titelman recalled that he initially had to get past his awe of Harrison, as an ex Beatle, and that while making the album he came to appreciate the precision and craft Harrison had applied to the band's music, and the "unique" quality of his guitar styles and sounds. He recognised Harrison's "fluid approach" in the guitar parts on "Dark Sweet Lady", "Love Comes to Everyone" and "Blow Away" as a legacy of his immersion in Indian music. Among the first songs recorded at FPSHOT, on 11 April, was "Flying Hour", Another outtake was "Circles", a song that Harrison wrote in 1968. Newmark recalled a far "mellower" Harrison in 1978, compared with his demeanour during the sessions for Dark Horse. Steve Winwood also contributed, on keyboards and backing vocals, and Ray Cooper played percussion. Leng says that the participation of these two English musicians reflected the apparent waning of American musical influences on Harrison, as suggested by the minimal presence of horns, previously a staple of the artist's sound since 1970. refn|group=nb|Wright thereby became the only musician to have appeared on all of Harrison's post Beatles solo albums. Harrison's lightheartedness extended to the usual questions about when the Beatles might re form; Dismissing the recent multi million dollar offers for a reunion concert, he said, "The Beatles can't save the world. I mean, we'll be lucky if we can save ourselves." When a reporter asked whether "something less than a full reunion" was likely, Harrison suggested they could meet for a cup of tea and televise the proceedings via satellite. He added that he and his former bandmates would have a "great time" together, and "the only thing that would spoil it would be all of you with the cameras and microphones!"

In the US, "Blow Away" peaked at number 16 on the Billboard Hot 100 and number 2 on Billboards Adult Contemporary chart, while George Harrison reached number 14 on the magazine's Top LPs & Tape chart The album was certified gold by the Recording Industry Association of America. There, "Blow Away" peaked at number 51 and George Harrison reached number 39. As a further impediment, according to author Elliot Huntley, the UK's fascination with new wave music meant that "interest in Beatle product was probably at an all time low". "Blow Away" was especially successful in Canada, where it peaked at number 7 on the singles chart. after he had formed HandMade Films in order to help Idle and the other members of Monty Python complete Life of Brian. In April, "Love Comes to Everyone" was issued as the album's second single. It failed to chart in the UK and, despite having been a popular choice on radio as an album track, in the US. The following month, Harrison, Starr and Paul McCartney performed together on stage at Clapton and Boyd's wedding reception in Surrey. In Huntley's description, it was a historic moment and "the closest the former Beatles had come to a live performance since the break up". Harrison participated in two fundraising weekends to benefit the cancer research project set up by former F1 driver Gunnar Nilsson In the second of these, in early June, he drove Stirling Moss's Lotus 18 from the early 1960s around the Donington Park circuit. In July, "Faster" was released as a charity single in the UK, to raise further funds for Nilsson's cause. In 2004, George Harrison was remastered and reissued both separately and as part of the deluxe box set The Dark Horse Years 1976–1992. The reissue added a demo version of "Here Comes the Moon" as a bonus track. Following the digital release of much of his catalogue in 2007, Harrison's demo of "Blow Away" became available as an iTunes exclusive download.

George Harrison received favourable reviews from music critics. During his interview with Harrison, Mick Brown said the critical reception had been "exceptionally good" in the UK and suggested that the new album was the artist's best since All Things Must Pass, a contention that several critics supported. Billboard featured George Harrison as its "Spotlight" album (meaning "the most outstanding new product of the week's releases") and highlighted "Love Comes to Everyone", "Here Comes the Moon" and "Not Guilty" among the "best cuts". Rolling Stones album reviewer, Stephen Holden, deemed it "refreshingly light hearted" and wrote: "After several highly uneven LPs that saw the audience for his mystic musings dwindle dramatically, Harrison has come up with his finest record since All Things Must Pass. A collection of ten catchy pop songs, George Harrison reminds us that this artist was always a much better tunesmith than priest." Writing in Melody Maker, E. J. Thribb said it was an album that "grows in its effect" and highlighted "Love Comes to Everyone", "Blow Away" and "Not Guilty" as songs in which "the chords roll and tumble, the melodies are good to chant, and the lyrics are simple but tell their story." Harry George of the NME likened George Harrison to Bob Dylan's New Morning and Van Morrison's Tupelo Honey and said that Harrison's "guileless romanticism surprisingly carries the album". He recognised "Faster" and "Not Guilty" as examples of Harrison's growth as a songwriter, and identified "melodies of unassuming completeness" in other tracks where "Crafty harmonies and skilfully layered guitars recall the sun soaked vistas of [the Beatles]' 'Because' and 'Sun King' on Abbey Road." Bob Spitz of The Washington Post praised the album for its "sense of structure", a quality he found lacking in Harrison's four "dreadful" LPs since All Things Must Pass, and said that it re established him as a "first rate composer". Less impressed, Peoples reviewer found the music "arch Harrison: lyrically cheery and thematically uplifting" but "so restrained and subdued that the tunes track through a whole side unnoticed and indistinguishable". Robert Christgau was more critical in Christgau's Record Guide: Rock Albums of the Seventies (1981), giving it a "C" grade and singling out "Faster" as the record's only good song. According to authors Chip Madinger and Mark Easter, further to the welcome "lightening up" evident on Thirty Three & ⅓ in 1976, Harrison's self titled album completed his "musical rehabilitation".

Following Harrison's death in November 2001, Carol Clerk of Uncut referred to his 1979 LP as the "acclaimed George Harrison album", while Greg Kot's assessment for Rolling Stone read in part: "'Here Comes the Moon' is a dreamy little wonder, the kind of incantation that underscores the [album's] romantic subtlety Harrison is breezingly ingratiating on 'Blow Away' and 'Faster.'" Writing for Goldmine magazine in 2002, Dave Thompson deemed it Harrison's "most natural sounding album" since All Things Must Pass and an "exquisite" work that reflected changes in the artist's life as profound as those in John Lennon's during the latter's five year hiatus from recording between 1975 and 1980. Among reviews of the 2004 reissue, Kit Aiken of Uncut gave George Harrison a rating of four stars out of five, and described it as "a freshly enthused, minor treat – a fulsome acoustic rocker replete with sunshine melodies and gorgeous slide guitar". PopMatters Jason Korenkiewicz similarly welcomed the reissue, saying that the album's "languid and addictive" mood conveyed Harrison's humour and a "new found sense of calm and peace that speaks through his ever emotive guitar". Writing in The Rolling Stone Album Guide that same year, Mac Randall highlighted "Not Guilty" and the "understated gem" "Your Love Is Forever" as the album's best songs, but considered that "elsewhere mellowness overwhelms musicality". An unimpressed Richard Ginell of AllMusic gives the album two and a half stars, describing it as "a painstakingly polished L. A. made product" and "an ordinary album from an extraordinary talent". Ginell writes of the preponderance of "halfhearted songs lurking here, although some are salvaged by a nice instrumental touch", and while he considers "Blow Away" the album's "most attractive" song, he finds Harrison's new reading of "Not Guilty" "an easy listening trifle". Reviewing Harrison's solo releases for Mojo in 2011, John Harris considered George Harrison to be "millionaire soft rock to the max" although he recognised "Here Comes the Moon", "Faster" and "Not Guilty" among the album's successful musical statements. In a similar overview of Harrison's solo career, on his website Elsewhere, New Zealand Herald critic Graham Reid wrote that the album "has its moments" and concluded: "He still crafted beautiful melodies but it's a lyrically patchy album and the start of the artistic decline. A sound three stars." On the occasion of the LP's 40th anniversary in 2019, Morgan Enos of Billboard described it as Harrison's "most peaceful album", with songs that showed him "happier than he'd been in years", and where "inner tranquility and outer splendor were one and the same". Enos added that "The results don't get as much play as agreed upon classics, such as All Things Must Pass or Cloud Nine, but George Harrison conjures an intoxicating world all its own."