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William Stewart Rose (1775–1843) was a British poet, translator and Member of Parliament, who held Government offices. From a Tory background, he was well connected in the political and literary world, and made a mark by his championing of Italian poets and a burlesque style of verse based on their influence as satirists.

Rose was born the second son of George Rose of Cuffnells near Lyndhurst in Hampshire, a senior civil servant and MP, and his wife Theodora Duer; George Henry Rose was his elder brother. He was educated at Hyde Abbey School under Charles Richards, and Eton College. He matriculated at St John's College, Cambridge in 1794, leaving without a degree, and entered Lincoln's Inn in 1796. He was uncle to Hugh Rose, 1st Baron Strathnairn, Sir William Rose and the Countess of Morton. Rose was successively appointed Surveyor of Green wax Monies (1797–1800), Clerk of Pleas at the Exchequer (1797–1837) and Reading Clerk to the House of Lords (1800–1824). He was also the Member of Parliament (MP) for Christchurch from 1796 to 1800, partnering his father. and Nathaniel Wraxall saw Rose's appointments as an example of his father's nepotism. In any case Rose treated all his posts as sinecures. During 1814–5 Rose travelled in continental Europe, while Napoleon was on Elba. On this trip he suffered an attack of apoplexy in Verona, reported in a letter of Countess of Albany to Ugo Foscolo, saying he had lost the use of one side, and had gone to the baths at Abano Terme. Rose helped Foscolo come to the United Kingdom in 1816, enlisting the support of Stratford Canning. In 1817 Rose went to the Veneto, for about a year. Henry Crabb Robinson's diary records Rose at a breakfast given by Samuel Rogers, 6 January 1834: "a deaf and rheumatic man, who looks prematurely old". Eventually there was a mental decline: according to Rogers, Rose was an imbecile by the time of his death in Brighton, on 29 April 1843. Rose was associated with wits of the Anti Jacobin circle, such as George Canning and John Hookham Frere, Tories who also gravitated to the group around the Quarterly Review. They were interested in the burlesque aspects of Italian poetry. Another possible influence on Rose was John Herman Merivale, translator of Luigi Pulci. and Rose knew Byron from encounters in 1817–8 in Venice. Byron understood that Rose was the author. Given the Tory provenance, from political opponents, of the "Whistlecraft" verse, Byron was as much provoked to competition as influenced.</blockquote>

Despite his Tory background, and personal connection to followers of William Pitt the younger, Rose came to join the Holland House set of Whigs.

Rose's major work was the translation of the Orlando Furioso of Ariosto, into English verse with notes, that he made in the years 1823 to 1831. The publisher John Murray II, seeing the success of Beppo as setting a new literary trend, commissioned the work, on which Rose had already made a start, for part publication. Margaret Fuller told Charles Sumner in the 1840s that Rose's translation, better than the one he had been reading by John Hoole, was in fact the best. A modern view calls it "lumpen and over literal", and it is not preferred to the Elizabethan version of John Harington. The Court and Parliament of Beasts (1819), was a free verse translation from Gli Animali Parlanti of Giovanni Battista Casti. Philip Hobsbaum in the Oxford Dictionary of National Biography called this animal tale Rose's main claim to critical attention. It is divided into seven cantos, each prefaced by a personal dedication. The 1819 edition by John Murray was preceded by a limited one, by William Bulmer (1816), which Rose may have shown Byron who knew the work by 1818. A translation of Amadis de Gaul (1803). This was in rhymed verse, and a free and concise translation from the first three books of the French romance (from the Spanish) by Herberay des Essarts. Rose added notes, in the style of Gregory Lewis Way, editor of French fabliaux. The Crusade of St. Louis and Edward the Martyr (1810), ballads. Apology, or Anecdotes of Monkeys (1815) This work amounted to a dry run for the Orlando Furioso translation, and was prompted by Henry Vassall Fox, 3rd Baron Holland.

From 1817, for around a year, Rose was in Venice, and there began in 1818 a relationship with a married woman, Countess Marcella Maria Condulmer Zorzi. She returned to England with him, and they lived as man and wife. After her husband had died, they were married in 1835, in Brighton, where they had settled. They had no children.