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Tomb in Delhi, India

Humayun's tomb (Persian: Maqbara i Humayun) is the tomb of Mughal emperor, Mirza Nasir al Din Muhammad commonly known as Humayun situated in Delhi, India. The tomb was commissioned by Humayun's first wife and chief consort, Empress Bega Begum under her patronage in 1558, and designed by Mirak Mirza Ghiyas and his son, Sayyid Muhammad, Persian architects chosen by her. and is located in Nizamuddin East, Delhi, close to the Dina panah Citadel, also known as Purana Qila (Old Fort), that Humayun found in 1538. It was also the first structure to use red sandstone at such a scale. The tomb was declared a UNESCO World Heritage Site in 1993, Besides the main tomb enclosure of Humayun, several smaller monuments dot the pathway leading up to it, from the main entrance in the West, including one that even pre dates the main tomb itself, by twenty years; it is the tomb complex of Isa Khan Niazi, an Afghan noble in Sher Shah Suri's court of the Suri dynasty, who fought against the Mughals, constructed in 1547 CE. The complex encompasses the main tomb of the Emperor Humayun, which houses the graves of Empress Bega Begum, Hajji Begum, and also Dara Shikoh, great great grandson of Humayun and son of the later Emperor Shah Jahan, as well as numerous other subsequent Mughals, including Emperor Jahandar Shah, Farrukhsiyar, Rafi Ul Darjat, Rafi Ud Daulat, Muhammad Kam Bakhsh and Alamgir II. It represented a leap in Mughal architecture, and together with its accomplished Charbagh garden, typical of Persian gardens, but never seen before in India, it set a precedent for subsequent Mughal architecture. It is seen as a clear departure from the fairly modest mausoleum of his father, the first Mughal Emperor, Babur, called Bagh e Babur (Gardens of Babur) in Kabul (Afghanistan). Though the latter was the first Emperor to start the tradition of being buried in a paradise garden. Modelled on Gur e Amir, the tomb of his ancestor and Asia's conqueror Timur in Samarkand, it created a precedent for future Mughal architecture of royal mausolea, which reached its zenith with the Taj Mahal, at Agra. The site was chosen on the banks of Yamuna River, due to its proximity to Nizamuddin Dargah, the mausoleum of the celebrated Sufi saint of Delhi, Nizamuddin Auliya, who was much revered by the rulers of Delhi, and whose residence, Chilla Nizamuddin Auliya lies just north east of the tomb. In later Mughal history, the last Mughal Emperor, Bahadur Shah Zafar took refuge here, during the Indian Rebellion of 1857, along with three princes, and was captured by Captain Hodson before being exiled to Rangoon. At the time of the Slave Dynasty this land was under the 'KiloKheri Fort' which was capital of Sultan Qaiqabad, son of Nasiruddin (1268–1287). The Tombs of Battashewala Complex lie in the buffer zone of the World Heritage Site of the Humayun Tomb Complex; the two complexes are separated by a small road but enclosed within their own separate compound wall.

After his death on 27 January 1556, Humayun's body was first buried in his palace in Purana Quila at Delhi. Thereafter it was taken to Sirhind, in Punjab by Khanjar Beg and, in 1558, it was seen by Humayun's son, the then Mughal Emperor, Akbar. Akbar subsequently visited the tomb in 1571, when it was about to be completed. The tomb of Humayun was built by the orders of his first wife and chief consort, Empress Bega Begum (also known as Haji Begum). Construction began in 1565 and was completed in 1572; it cost 1.5 million rupees, Bega Begum had been so grieved over her husband's death that she had thenceforth dedicated her life to a sole purpose: the construction of a memorial to him that would be the most magnificent mausoleum in the Empire, at a site near the Yamuna River in Delhi. According to Ain i Akbari, a 16th century detailed document written during the reign of Akbar, Bega Begum supervised the construction of the tomb after returning from Mecca and undertaking the Hajj pilgrimage. According to Abd al Qadir Bada'uni, one of the few contemporary historians to mention construction of the tomb, it was designed by the Persian architect Mirak Mirza Ghiyas (also referred to as Mirak Ghiyathuddin), who was selected by the Empress and brought from Herat (northwest Afghanistan); he had previously designed several buildings in Herat, Bukhara (now Uzbekistan), and others elsewhere in India. Ghiyas died before the structure was completed and it was completed by his son, Sayyed Muhammad ibn Mirak Ghiyathuddin. In 1882, the official curator of ancient monuments in India published his first report, which mentioned that the main garden was let out to various cultivators; amongst them till late were the royal descendants, who grew cabbage and tobacco in it. In Ronaldshay's biography of Lord Curzon a letter is quoted from Lord Curzon to his wife in April 1905: "You remember Humayun's tomb? I had the garden restored, the water channels dug out and refilled and the whole place restored to its pristine beauty. I went to England last summer and, the eye of the master being away, the whole place has been allowed to revert. The garden has been let to a native and is now planted with turnips and the work of four years is thrown away! I shall drive out there, and woe betide the deputy commissioner whose apathy has been responsible." During the Partition of India, in August 1947 the Purana Qila together with Humayun's Tomb, became major refugee camps for Muslims migrating to the newly founded Pakistan, and was later managed by the government of India. These camps stayed open for about five years, and caused considerable damage not only to the extensive gardens, but also to the water channels and the principal structures. The camps were raided many times by jathas which caused vandalism to occur during the early partition days in 1947. Eventually, to avoid vandalism, the cenotaphs within the mausoleum were encased in brick. In the coming years, the Archaeological Survey of India (ASI) took on responsibility for the preservation of heritage monuments in India, and gradually the building and its gardens were restored. Until 1985, four unsuccessful attempts were made to reinstate the original water features. An important phase in the restoration of the complex began around 1993, when the monument was declared a World Heritage Site. This brought new interest to its restoration, and a detailed research and excavation process began under the aegis of the Aga Khan Trust and the ASI. This culminated in 2003, when much of the complex and gardens were restored, with the historic fountains running once again after several centuries of disuse. The restoration has been a continuous process ever since, with subsequent phases addressing various aspects and monuments of the complex. The symmetrical and simple design on the exterior is in sharp contrast with the complex interior floor plan, of the inner chambers, which is a square ninefold plan, where eight two storied vaulted chambers radiate from the central, double height domed chamber. It can be entered through an imposing entrance iwan (high arc) on the south, which is slightly recessed, while other sides are covered with intricate jaalis, stone latticework. Underneath this white dome in a domed chamber (hujra), lies the central octagonal sepulcher, the burial chamber containing a single cenotaph, that of the second Mughal Emperor, Humayun. The cenotaph is aligned on the north south axis, as per Islamic tradition, wherein the head is placed to the north, while the face is turned sideways towards Mecca. The real burial chamber of the Emperor, however, lies in an underground chamber, exactly beneath the upper cenotaph, accessible through a separate passage outside the main structure, which remains mostly closed to visiting public. This burial technique along with pietra dura, a marble and even stone inlay ornamentation in numerous geometrical and arabesque patterns, seen all around the facade is an important legacy of Indo Islamic architecture, and flourished in many later mausolea of the Mughal Empire, like the Taj Mahal, which also features twin cenotaphs and exquisite pietra dura craftsmanship. The main chamber also carries the symbolic element, a mihrab design over the central marble lattice or jaali, facing Mecca in the West. Instead of the traditional Surah 24, An Noor of Quran being inscribed on the mihrabs, this one is just an outline allowing light to enter directly into the chamber, from Qibla or the direction of Mecca, thus elevating the status of the Emperor above his rivals and closer to divinity.

While the main tomb took over eight years to build, it was also placed in centre of a Charbagh, a Persian style garden with a quadrilateral layout. It was the first of its kind in South Asia on such a scale.

Before the restoration work was undertaken, vandalism and illegal encroachments were rampant at the site of the tomb, presenting a serious danger to the preservation of the tomb. At the main entrance of Humayun's Tomb, dingy stalls had been put up under a very corrupt system of municipal patronage known as tehbazari, and all sorts of heavy vehicles were allowed to be parked illegally in these open spaces. On the Nila Gumbad side was a huge citadel of India's vote bank politicsthousands of "slum dwellers" were kept by an influential section of the political leadership to serve as "bonded voters" during elections. The environment of the dargah of Hazrat Nizamuddin Auliya had also been ruthlessly degraded and the holy tank had become a messy cesspool. Restoration work by the Aga Khan Trust for Culture (AKTC), in collaboration with Archaeological Survey of India (ASI), began around 1999 after research work, which started in 1997, and was completed in March 2003. Around 12 hectares of lawns were replanted, and over 2500 trees and plants, including mango, lemon, neem, hibiscus and jasmine cuttings, were planted in the gardens. Installation of a new water circulation system for the walkway channels was also undertaken. To ensure that water flowed naturally through the channels and pools on the 12 hectare (30 acre) site without the aid of hydraulic systems, the water channels were re laid to an exacting grade of one centimetre every 40 metres (1:4000 slope). This eventually enabled water to flow through the watercourses in the gardens, and dormant fountains to start functioning once again. Other tasks in this mammoth restoration project included setting up a rainwater harvesting system using 128 ground water recharge pits, and desilting and revitalising old wells that were discovered during the restoration work. This was first a privately funded collaborative effort under the aegis of the National Cultural Fund (NCF) by the ASI. Funding included a sum of $650,000 from the Aga Khan Trust for Culture of His Highness the Aga Khan, with help from the Oberoi Hotels Group. In addition, AKTC is conducting a more significant restoration at Babur's tomb, the resting place of Humayun's father in Kabul. After the restoration work, the conditions in and around this complex underwent a sea change. All the stalls and other intrusions were removed and the monuments and green spaces restored. Elegant gardens now surround the monuments, adding to their dignity and grace. When illuminated at night, the monument looks truly magnificent. In 2009, as a part of the ongoing restoration work, the ASI and AKTC, after months of manual work using hand tools, removed from the roof a thick layer of cement concrete that had been exerting pressure of about 1,102 tons on the structure. The cement concrete was originally laid in the 1920s to prevent water seepage, and led to a blockage in water passages. Subsequently, each time there was leakage, a fresh layer of cement was added, leading to an accumulated thickness of about 40 cm; this has now been replaced with a traditional lime based roof layer. In the next phase, similar treatment was given to the tomb's first chabutra (plinth), which was originally paved with large blocks of quartzite stone, some weighing over a 1,000 kg. In the 1940s, an uneven settlement in the lower plinth had been corrected by covering it with a layer of concrete, adding to the disfigurement of the original Mughal flooring, which matched with that at the West Gate.

Letitia Elizabeth Landon published the poetical illustration The Tomb of Humaioon, Delhi in Fisher's Drawing Room Scrap Book, 1833. This reflects on the scene and is based on an engraving of a painting by William Purser, showing a somewhat distant view of the tomb.

Ill thought out construction plans like The Delhi Government's plans in 2006–2007 to build a new tunnel to connect East Delhi to Jawaharlal Nehru Stadium, Delhi in South Delhi, and to widen the roads near the tomb for the 2010 Commonwealth Games to connect National Highway 24 with Lodhi Road, also posed a serious threat to the monument. Urban planners feared that the historic monument would not have been able to withstand the vibrations ensuing from the construction work in such close proximity. Finally, the Archaeological Survey of India was able to halt the plans. On 30 May 2014, the finial of the tomb was knocked off the dome by a heavy storm which struck the city. On 19 April 2016, India's Union Culture Minister Dr. Mahesh Sharma unveiled the restored finial of the monument. The original finial will be conserved.