Сингапурдағы ЛГБТ тақырыбындағы әдебиеттер

This article deals with writing that deals with LGBT themes in a Singapore context. It covers literary works of fiction, such as novels, short stories, plays and poems. It also includes non fiction works, both scholarly and targeted at the general reader, such as dissertations, journal or magazine articles, books and even web based content. Although Singapore lacks a dedicated gay book publisher or gay bookshop, it does have at least one dedicated gay library, Pelangi Pride Centre, which is open weekly to the public. Many of the works cited here may be found both in Pelangi Pride Centre, as well as the National Library or other academic libraries in Singapore, as well as in some commercial bookshops under 'gender studies' sections.

The increasing boldness of Singapore writers in sympathetically addressing LGBT themes is intertwined with the growth of English language theatre from the mid 1980s. It was in theatre that writers first challenged the cultural taboo surrounding homosexuality. A fairly regular stream of gay plays were staged in Singapore throughout the 1990s, raising the public profile of sexual minorities. Lest the Demons Get To Me (1993) by Russell Heng depicts a dilemma in which a male to female transsexual resents having to dress up as a man to perform funeral rites as her dead father's only son. The play highlights a society that is rather crushing on the protagonist’s desire to be true to herself. Private Parts (1994), a comedy by Michael Chiang, addresses the theme of Singapore society’s capacity to come to terms with gender minorities in the form of transsexuals. The Straits Times reported that "Private Parts, with its remarkable performances and poignant message, is a special production that should not close until every person in this country has seen it". The play has also been performed in Mandarin. Invitation to Treat Trilogy by Eleanor Wong tells the story of Ellen Toh, a law partner, coming to terms with her homosexuality. Mergers and Accusations (1995) and Wills and Secession (1996), the first two instalments, tell the story of Ellen marrying a Jon, a fellow lawyer, then leaving him and falling in love with Lesley. In charting her protagonist's personal struggle to win acceptance from family and social circle, Wong pushes the 'coming out' message and moves closer to activism than seen in Heng or Chiang's more descriptive treatment of the subject. The final part, Jointly and Severably, sees Ellen struggling with forgetting Lesley and seeking courage to begin a new relationship with law professor Zee. A clever play wrought with legal puns and allusions, Invitation to Treat proves to be an insightful dramatical success. Asian Boys Trilogy (2001–2007) features three disparate plays written by Alfian Sa'at and directed by Ivan Heng. The first instalment Asian Boys Vol.1 was staged in 2001 to rave reviews, not only on its artistic merit but also its relevance to the incumbent societal concerns. Following this was Landmarks: Asian Boys Vol.2, which premiered in 2004. A collection of eight short stories, this montage explores the myriad gay experiences of Singaporeans, albeit mostly clandestine. One of the stories, Katong Fugue, was made into a short film in 2006. Finally, the last of the trilogy, Happy Endings: Asian Boys Vol.3, played at the Drama Centre, at National Library, Singapore from 11 to 29 July 2007.

The Yawning Bread is a collection of essays on various topics, particularly Singapore LGBT issues. It was started in November 1996 by activist Alex Au and has grown to be an influential site for intellectual comment on gay issues in Singapore. Founded by Sean Foo, Dear Straight People is an LGBT media platform that first made a name of itself through its coming out stories. Over the years, it has gained prominence as one of Asia's leading LGBT publications.