Жосеикан Будо: Әр түрлі жекпе-жек өнерінің синтезі

Yoseikan budō (養正館武道) (originally Yoseikan Ryu Gyokushin Jujutsu) may be classified as a sōgō budō form (総合武道, "composite" or "comprehensive" martial art), but is used here to indicate a martial art into which various martial ways have been integrated. It is probably most widely known for its descent from a pre war style of aikido; however, it has important connections to judo, karate, western boxing, savate, and a traditional forms of Japanese combat known as gyokushin ryū jujutsu and Tenshin Shōden Katori Shintō ryū. The name of the art yō sei kan is derived from three Japanese characters, yō meaning 'teaching', sei meaning "truth", kan meaning "place", which may be translated roughly into English as "the place where the truth is taught" or alternately "place for practising what is right". The intent of the name was not to assert an exclusive possession of the truth regarding the martial arts but rather to describe how the comprehensive nature of the Yoseikan training environment allows an individual to discover their own sense of "truth" by studying a wide range of differing martial techniques, philosophies and principles. Yoseikan budō originated in 1931 as the style created by its founder Minoru Mochizuki (1907–2003), a high ranking student and assistant to Kanō Jigorō, the founder of judo, and Morihei Ueshiba, the founder of aikido, in the pre World War II period. In addition to the very high ranks he held in these arts he was student of one of the oldest styles of traditional Japanese koryū budō, the Katori Shintō ryō, and studied with various karate teachers including Gichin Funakoshi, the man who brought karate from the Okinawan islands to mainland Japan.

The old Yoseikan style included mainly jujutsu, aikijujutsu, kobudo and a few karate techniques, such as: foot sweeps and trips (ashi waza), standing throws (nage waza) and groundwork (ne waza); punches, kicking and blocking techniques (kihon te waza, kihon uke waza, kihon geri waza); escapes (te hodoki), joints locks, bending or twisting (kansetsu waza), variation techniques (henka waza); sword, sticks and knife techniques; counter techniques (ura waza), chokes (shime waza) and exclusive sacrifice techniques (sutemi waza) as well as a number of solo and paired katas with and without weapons. A curious characteristic of the old style is that it did not support much of the esoteric ways that (some contend) evolved with post World War II traditional Aikido and some of its offshoots. At one point Kisshomaru Ueshiba, the headmaster and son of the aikido founder, reputedly asked Mochizuki to refrain from using the name aikido to refer to the aiki portion of his system. The system although still employing the term aikido is also known to use the term aiki budo to refer to this part of the art. Minoru Mochizuki's 1932 licence from Ueshiba was in Daitō ryū Aiki jūjutsu as Ueshiba had not yet renamed the art he was teaching (which would come to be called Aikido). Still Mochizuki continued to enjoy a warm relationship with Morihei Ueshiba even in his later years. Although perhaps philosophically most influenced by Ueshiba (in addition to his technical studies), Mochizuki’s method of teaching and systematizing his art seems to show a larger debt to the teachings of Kanō Jigorō, perhaps due to his own roots in judo. His method of developing kata and use of a scientific approach to explain the finer parts of his art seems to show the imprint of Kano's early teaching method. Indeed, it was Kano who originally sent Mochizuki, along with other judo teachers, to study aikido with Ueshiba for the purpose of bringing back the techniques for use in the Kodokan's self defense program. Many of these aikido inspired techniques can be seen preserved in Kodokan Goshin Jutsu kata or forms of self defense which were most likely introduced by Kenji Tomiki, another senior judo teacher, who trained with Mochizuki at Ueshiba's dojo. In Mochizuki's case perhaps Kano's plan to have judo players learn aikido worked too well, resulting in Minoru becoming a live in student under Ueshiba and even once being asked to inherit the leadership of the art should Kisshomaru be unable to. Mochizuki's inclination toward eclecticism can also be seen as part of the influence imparted to him from Kano's teachings. As Kano had fused the forms of traditional jujutsu he had learned, with elements as different as ground work from the Fusen ryu and Western wrestling tactics so too did Mochizuki strive to learn many different arts in order to expand his overall understanding of fighting methods. Indeed, many of his early explorations in arts such as iaido, jodo and classical forms of jujutsu were at the suggestion of Kano during his time at the Kodokan. He expanded this to include an investigation of Western boxing, karate and classical Japanese swordsmanship. Conversely when he made the suggestion to Ueshiba that aikidoka might benefit from a knowledge of the skilled striking techniques employed by karate practitioners his suggestion met with no enthusiasm. On a technical level the influence of judo great Kyuzo Mifune and classical jujutsu practitioner Sanjuro Oshima of the Gyokushin ryu cannot be overstated. The senior teachers from the headquarters have now re christened their school the Seifukan and seek to preserve the original style that they learned under Mochizuki senior.

Minoru Mochizuki's son (b. 1936), Hiroo Mochizuki, studied martial arts under his father from a very young age. He studied widely, in the eclectic system of his father, but whereas his father had perhaps a particular talent for judo, his son had a greater affinity for karate. Studying in France from 1957 to 1958 as a university student, he returned to the country after the death of one of his father's students Jim Alcheik and took over the large following that was growing for the art in that country. He introduced new kata of his own invention, employing both Western and Eastern inspired techniques and introduced a form of point sparring for karate and kobudo tournament styles. Hiroo must be seen as very successful both as a major innovator and a popularizer of the art, teaching it on a far larger scale than did his father, along with his connections to the quite large aikido based organizations such as the Fédération Française Libre D'Aïkido et de Budo. Minoru Mochizuki died in France in 2003, and before that, handed down the leadership role of the organization to Hiroo. Nowadays, few practitioners of the old style are found, as most went into the style of Yoseikan Budo created by Hiroo Mochizuki in the 1970s. The new style incorporates both traditional and modern budō, including western arts such as Western boxing, savate, and others. The new system also includes sporting and competition aspects, with innovative equipment allowing for safe yet powerful competition. The sporting and competition aspects are but a small part of the modern budō system and serve as devices of education and to demonstrate the art to the rest of the world.

The Yoseikan Budo of Hiroo Mochizuki is a comprehensive Japanese martial art founded by Master Minoru Mochizuki and improved by his son’s own research into the arts. Its technique is based on shockwave movement, thus allowing more powerful hits with the energy use better spread across the body. For example, punches will always be triggered by a circular hip movement, creating a shockwave transmitted to the arm; arm muscles will only help to control the movement, most of the power is transmitted by the hips. The same applies for kicks and projections. Some of the hallmarks of Hiroo’s Yoseikan Budo is the use of atemi (using feet, fists, elbows and knees), projections (essentially techniques from judo), sacrifice techniques (sutemi), self defense including dangerous techniques (various joint locks, elbow hits), groundwork (ne waza) with hold ons and joint locks, and work with weapons (bokken, wood stick, knife). Hiroo’s Yoseikan is widely practiced in Japan and Europe. One of Minoru Mochizuki's students of the older style, Patrick Auge, lives in the U. S. but his focus is on Canada where the majority of that group's practitioners reside. The United States organization continues to be affiliated with Master Hiroo Mochizuki and the World Yoseikan Federation. Master Hiroo Mochizuki of France inherited the leadership of Yoseikan Budo from his father in 1999 and now heads the Ecole Mochizuki and guides the World Yoseikan Federation as a separate entity from the groups led by Auge and other senior Mochizuki students who formed the Seifukan Dojo after death of Minoru Mochizuki in the former Yoseikan headquarters dojo in Shizuoka, Japan.

Yoseikan Budo has gone through decades of changes, modernization and improvement. Minoru Sensei never wanted to "freeze" budo in an academic form and pursued a search for constant evolution and improvement, well represented by his own words, "Never teach only what you have been taught". Master Hiroo improved on his father's system by adding a common link to all of the martial arts Yoseikan Budo uses. This is the "vibration" or "undulation" produced by the tanden—and called qi by the Chinese—that are used in every technique (atemis, throws, locks, weapons, etc.) while allowing the user to increase his power tremendously while remaining very lithe and supple in all situations. Yoseikan Budo is now at the same time a very traditional martial art and a modern sport all rolled into one.

Yoseikan Budo used colored belts to signify progression in skill, but now all budoka wear a blue keikogi with a blue and white belt that represents the pulses a sine wave, without any distinctive rank marks. There are two major tiers of rank, the mudansha and the yudansha.

Yoseikan Budo was introduced into Australia by Yoshiaki Unno a direct student of Minoru Mochizuki. The style was taught by Unno as separate disciplines (Karate, Aikido, Kobudo and Iaido). The Australian representative of the World Yoseikan Federation (WYF) evolved from a club founded in 1980 by Stephen Weir one of Unno's first Karate students. This club originally taught traditional Karate as its primary art. Weir handed over control of this club to Roy Hebden in 1996. Due to the retirement of Unno and a loss of contact with Yoseikan Japan around 2001 instructor Roy Hebden approached Hiroo Mochizuki to reconfirm the club's loyalty to the parent organisation. Yoseikan Budo Australia became directly affiliated to the Yoseikan World Federation, now the WYF, in 2002. Yoseikan Budo also remains affiliated to the Australian Karate Federation. Hebden was appointed the Australian WYF representative and has made many visits to France to train directly under Mochizuki and his senior instructors to learn Yoseikan Budo and ensure the club is now able to develop Yoseikan Budo using the principles developed by Hiroo Mochizuki. This club is based in Western Australia. Another of Unno's students, Ross Taylor, 5th Dan, heads the West Coast Aikido Martial Arts Academy in Wangara, Western Australia, and continues the teachings of Minoru Mochizuki and Unno.