Фильм сыншысы Филип Невилл Френчтің өмірі мен қызметі

English film critic and radio producer (1933–2015)
the British film critic and radio producer

Philip Neville French (28 August 1933 – 27 October 2015) was an English film critic and radio producer. French began his career in journalism in the late 1950s, before eventually becoming a BBC Radio producer, and later a film critic. He began writing for The Observer in 1963, and continued to write criticism regularly there until his retirement in 2013. French was appointed Officer of the Order of the British Empire in December 2012. Upon his death on 27 October 2015, French was referred to by his Observer successor Mark Kermode as "an inspiration to an entire generation of film critics". The son of an insurance salesman, he was educated at the direct grant Bristol Grammar School and then at Exeter College, Oxford where he read Law. He undertook post graduate study in Journalism at Indiana University Bloomington, on a scholarship. He also wrote for Sight and Sound. French's books include The Movie Moguls: An Informal History of the Hollywood Tycoons (1969) and Westerns, which reappeared in a revised version in 2005. He also wrote the book Cult Movies (1999) together with Karl French, one of his sons. Between 1959 and 1990, when he took early retirement, French was a BBC Radio producer. At first he was a producer on the North American service, but the bulk of his BBC career was for domestic radio. He was a BBC talks producer (1961–67) and then a senior producer for the corporation from 1968. French was named the British Press Awards Critic of the Year in 2009. He was appointed Officer of the Order of the British Empire (OBE) in the 2013 New Year Honours for services to film. French was known for his exceptional memory. Michael Billington, The Guardians theatre critic, was appointed an OBE at the same time as French. Billington recalled: "I ended a congratulatory telephone call with the jokey line, 'See you at the palace.' Quick as a flash, he replied, 'As Dirk Bogarde said to Bill Kerr in Appointment in London in 1953'." At the beginning of May 2013 it was announced that French would retire as film critic for The Observer in August to coincide with his 80th birthday. French was an Honorary Associate of London Film School.

French had a fondness for puns. In an essay on British cinema and the Post Office he began: "I don't know much about philately, but I know what I lick." He was one of the few who saw and wrote humorously about the lost 1969 Yoko Ono film Self Portrait that exclusively featured the penis of John Lennon. French was also fond of recalling the B movie actor who, having exchanged life in Hollywood for a typewriter, called his memoir Forgive Us Our Press Passes. It was suggested, in his obituary in The Daily Telegraph, that this fondness arose from his own experience of having a stammer. and another son, Patrick French, is a doctor. His youngest son, Karl, is an editor and author. French had ten grandchildren. Prompted by the release of the film, The King's Speech, French wrote about his own stammer.

After years of ill health, French died in London of a heart attack on 27 October 2015, aged 82, and his ashes were buried on the eastern side of Highgate Cemetery. Speaking after his death, The Observer editor John Mulholland said that French was "a giant figure" in the paper's history and "part of its soul for the past 50 years", adding: <blockquote>He was a brilliant critic whose erudition and judgement were respected by generations of cinema lovers and film makers alike. He was also a joy to work with, unfailingly warm and generous to colleagues and to the thousands of readers he encountered. He is revered as one of the most astute critics of his generation, whose love of film shone through his lucid and engaging writing. He will be missed sorely, but he will be remembered with affection and respect by his legion of admirers. The Daily Telegraph said that French was "the doyen of English film critics" and estimated that he had seen some 14,000 films, many of them during the 50 years that he wrote for The Observer.