Цинь Чжицзе: Қазіргі заман суретшісінің шығармалары

Chinese artist

Qiu Zhijie (邱志杰; born 1969) is a contemporary Chinese artist who works primarily in video and photography. Overall, Qiu's work suggests the struggle between the forces of destiny and self assertion. Other common themes are social fragmentation and transience. Qiu was born in 1969 in Fujian province. In 1992, he graduated from the printmaking department at Zhejiang Academy of Fine Arts, Hangzhou. He now lives and works in Beijing. The artist's break through exhibition was in 1992 with China's New Art, Post 1989 at the Hanart Gallery and Hong Kong Arts Centre. By 1999, his work began receiving overseas interest with his inclusion in Revolutionary Capitals: Beijing London at the Institute of Contemporary Arts, London. In 2007 he had his first solo exhibition in the United States at the New York gallery Chambers Fine Art. In 2005, his work was exhibited in the Victoria and Albert Museum's Between Past And Future: New Photography And Video From China, including Tattoo 1, which explores Qiu's assertion that in our media saturated age, "signs and codes have overpowered actual human beings, and our bodies have become merely their vehicles." The character bu — meaning "no" — is written across the artist's body and on the wall behind him, creating the illusion that it floats free of the body.

Qiu was born in 1969 in Fujian province, China. He graduated from the printmaking department of the Zhejiang Academy of Fine Arts, Hangzhou in 1992. The installation featured 16 glass panels of different sizes on which texts, slogans, and figures were printed. The installation create a translucent labyrinth from these panels, which allowed the audience to take part in the work as their bodies filled the clear sections of the glass panels. These "ghosts" imply a sense that they are coming and going but never stationary enough to make a lasting impression, as the buildings have. His Propagator in the Darkness lithograph also presents this theme. The lithograph displays a skeleton shouting through a megaphone inside a bell. Regarding this work, Qiu has said "No one can see him or hear him, but he's still showing his propaganda slogan. For me this is about sounds disappearing, about the past disappearing. Whether it's good or not, we don't know. It's quite a complicated feeling." He also curated "Phenomena and Image" in 1996, a series of exhibitions with the theme of “Post sense Sensibility” between 1999 and 2004, “Long March, A Walking Visual Display” in 2002, and the video portion of the First Guangzhou Triennial and “Archeology of Future: The Second Triennial of Chinese Art” in 2005. 2018 Qiu Zhijie: Living Writing. 21st Century Museum of Contemporary Art, Kanazawa, Kanazawa, Japan
2011 Qiu Zhijie: DEJA VU. Hanart TZ Gallery, Hong Kong
2009 Mochou. Chambers Fine Art, New York City, United States
2009 A Suicidology of The Nanjing Yangzi River Bridge 3 Breaking through the ice. UCCA, Beijing
2008 A Suicidology of The Nanjing Yangzi River Bridge 1 Ataraxic of Zhuang Zi. Shanghai Zendai Museum of Modern Art, Shanghai
2008 A Suicidology of The Nanjing Yangzi River Bridge 1. The Singapore Tyler Print Institute, Singapore
2008 The Bridge, Nanjing, Under the Heaven. The Singapore Tyler Print Institute, Singapore
2008 Mochou. Chambers Fine Art, Beijing
2008 The Bridge, Nanjing, Under the Heaven. Hanart Gallery, Hong Kong
2008 Nanjing : A bridge, A City. Guanxiang Art Center, Taipei
2007 The Shape of Time. Chambers Fine Art, New York City, United States
2007 Cryptogram. Hanart Gallery, Hong Kong
2007 Archeology of Memory. Long March Space, Beijing
2006 Let there be Light. Grace Li Gallery, Zürich, Switzerland
2005 Light and Words. Hanart TZ Gallery, Hong Kong
2005 Melancholy Man. Gallery Loft, Paris, France
2005 Black and White Zoo. Gallery of Dartington Art Academy, United Kingdom
2004 Social Portrait. Courtyard Gallery, Beijing, China
2003 2004 Asian Parallel Times. Hong Kong Art Museum, Hong Kong, Casa Asia, Barcelona, Spain, & Shenzhen Art Institute, Shenzhen, China
2003 UFO: Qiu Zhijie's Photography/Calligraphy. Gallery Loft, Paris, France
2001 Qiu Zhijie. Gallery Gen, Koshigaya, Japan
2001 Invisibility: Qiu Zhijie. Ethan Cohen Fine Arts, New York City, United States
2000 Touch. Orient Foundation, Macau
1999 Calendar 1998. Gallery of the Central Academy of Fine Arts, Beijing, China
1999 Innate Forces – Mixed Media: Works by Qiu Zhijie. Art Beatus Gallery, Vancouver, Canada
1997 Logic: 5 Video Installations. Gallery of the Central Academy of Fine Arts, Beijing, China

Qiu was born in 1969 in Fujian province, China. He graduated from the printmaking department of the Zhejiang Academy of Fine Arts, Hangzhou in 1992. The installation featured 16 glass panels of different sizes on which texts, slogans, and figures were printed. The installation create a translucent labyrinth from these panels, which allowed the audience to take part in the work as their bodies filled the clear sections of the glass panels. These "ghosts" imply a sense that they are coming and going but never stationary enough to make a lasting impression, as the buildings have. His Propagator in the Darkness lithograph also presents this theme. The lithograph displays a skeleton shouting through a megaphone inside a bell. Regarding this work, Qiu has said "No one can see him or hear him, but he's still showing his propaganda slogan. For me this is about sounds disappearing, about the past disappearing. Whether it's good or not, we don't know. It's quite a complicated feeling." He also curated "Phenomena and Image" in 1996, a series of exhibitions with the theme of “Post sense Sensibility” between 1999 and 2004, “Long March, A Walking Visual Display” in 2002, and the video portion of the First Guangzhou Triennial and “Archeology of Future: The Second Triennial of Chinese Art” in 2005. 2018 Qiu Zhijie: Living Writing. 21st Century Museum of Contemporary Art, Kanazawa, Kanazawa, Japan
2011 Qiu Zhijie: DEJA VU. Hanart TZ Gallery, Hong Kong
2009 Mochou. Chambers Fine Art, New York City, United States
2009 A Suicidology of The Nanjing Yangzi River Bridge 3 Breaking through the ice. UCCA, Beijing
2008 A Suicidology of The Nanjing Yangzi River Bridge 1 Ataraxic of Zhuang Zi. Shanghai Zendai Museum of Modern Art, Shanghai
2008 A Suicidology of The Nanjing Yangzi River Bridge 1. The Singapore Tyler Print Institute, Singapore
2008 The Bridge, Nanjing, Under the Heaven. The Singapore Tyler Print Institute, Singapore
2008 Mochou. Chambers Fine Art, Beijing
2008 The Bridge, Nanjing, Under the Heaven. Hanart Gallery, Hong Kong
2008 Nanjing : A bridge, A City. Guanxiang Art Center, Taipei
2007 The Shape of Time. Chambers Fine Art, New York City, United States
2007 Cryptogram. Hanart Gallery, Hong Kong
2007 Archeology of Memory. Long March Space, Beijing
2006 Let there be Light. Grace Li Gallery, Zürich, Switzerland
2005 Light and Words. Hanart TZ Gallery, Hong Kong
2005 Melancholy Man. Gallery Loft, Paris, France
2005 Black and White Zoo. Gallery of Dartington Art Academy, United Kingdom
2004 Social Portrait. Courtyard Gallery, Beijing, China
2003 2004 Asian Parallel Times. Hong Kong Art Museum, Hong Kong, Casa Asia, Barcelona, Spain, & Shenzhen Art Institute, Shenzhen, China
2003 UFO: Qiu Zhijie's Photography/Calligraphy. Gallery Loft, Paris, France
2001 Qiu Zhijie. Gallery Gen, Koshigaya, Japan
2001 Invisibility: Qiu Zhijie. Ethan Cohen Fine Arts, New York City, United States
2000 Touch. Orient Foundation, Macau
1999 Calendar 1998. Gallery of the Central Academy of Fine Arts, Beijing, China
1999 Innate Forces – Mixed Media: Works by Qiu Zhijie. Art Beatus Gallery, Vancouver, Canada
1997 Logic: 5 Video Installations. Gallery of the Central Academy of Fine Arts, Beijing, China