Франческо Моки: Италия бароко мүсіншісінің өмірі мен шығармалары

Italian sculptor

Francesco Mochi (29 July 1580 Montevarchi – 6 February 1654 Rome) was an Italian early Baroque sculptor active mostly in Rome, Piacenza and Orvieto. His dramatic early works in Orvieto are now often regarded as the first truly Baroque sculptures.

His early training was with the Florentine painter Santi di Tito, where he formed a taste for pictorial clarity and the primacy of disegno, exemplified in the sculpture of Giambologna and his studio and followers. Although documented as a painter, none of Mochi's paintings appear to survive. He moved to Rome around 1599 and continued his training in the studio of the Venetian trained sculptor Camillo Mariani. Mochi worked with Stefano Maderno on a prominent papal commission, the Cappella Paolina in Santa Maria Maggiore, where he contributed his still somewhat immature Saint Matthew and the Angel, in travertine. His first major work was the Annunciation of the Virgin by the Angel, composed of two statues (the Angel completed 1605, the Virgin Annunciate, 1608, Orvieto, Museo dell'Opera del Duomo). "A fanfare raising sculpture from its slumber", as Rudolf Wittkower called it, it prefigures the baroque with its restrained emotiveness. Mochi was one of the few seventeenth century sculptors who was also a master bronze caster. He made two masterly equestrian bronze statues of Ranuccio and Alessandro Farnese in Piazza Cavalli, Piacenza. Ranuccio Farnese, 1612–20, and Alessandro Farnese, 1620–29, are among the high points of his career. He returned from Piacenza to Rome where, at long last, he finished his long overdue Saint Martha for the Barberini family chapel at Sant'Andrea della Valle (1609–1621). He now found Gian Lorenzo Bernini fully in charge of major commissions, and a current fully developed Baroque style with which Mochi was now out of touch. His reputation for bitterness and irritation regarding the overshadowing of his career significantly decreased the number of commissions he received. His late Roman works are the Christ Receiving Baptism (1635 or later, Ponte Milvio, Rome); Taddeus (1641–44, Orvieto), and Saints Peter and Paul (1638–52, Porta del Popolo).