Қытай шайқас өнері: Ушу тарихы мен дамуы

Type of Chinese martial arts

Wushu (,/w//uː/'/ʃ//uː/), or kung fu, is a competitive Chinese martial art. It integrates concepts and forms from various traditional and modern Chinese martial arts, including Shaolin kung fu, tai chi, and Wudangquan. It has a long history of Chinese martial arts and was developed in 1949 to standardize the practice of traditional Chinese martial arts, though attempts to structure the various decentralized martial arts traditions date back earlier when the Central Guoshu Institute was established at Nanjing in 1928. In contemporary times, wushu has become an international sport under the International Wushu Federation (IWUF), which holds the World Wushu Championships every two years. Wushu is an official event at the Asian Games, East Asian Youth Games, Southeast Asian Games, World Combat Games, and in various other multi sport events.

The word wǔ (武) means "martial" and is composed of two parts: “walk” or “stop” (止; zhǐ) and “lance” (戈; gē). The term wushu being used for 'martial arts' goes back as far as the Liang Dynasty (502–557) in an anthology compiled by Xiao Tong (蕭通), (Prince Zhaoming; 昭明太子 d. 531), called "Selected Literature" (文選; Wénxuǎn). The term is found in the second verse of a poem by Yan Yanzhi titled: Huang Taizi Shidian Hui Zuoshi (皇太子釋奠會作詩). The term wushu is also found in a poem by Cheng Shao (1626–1644) from the Ming dynasty. The earliest term for 'martial arts' can be found in the Han History (206BC 23AD) was "military fighting techniques" (兵技巧; bīng jìqiǎo). During the Song period (circa 960) the name changed to "martial arts" (武藝; wǔyì). In 1928 the name was changed to "national arts" (國術; guóshù) when the National Martial Arts Academy was established in Nanjing. The term reverted to wushu under the People's Republic of China during the early 1950s.

In 1958, the Chinese government established an organization for martial arts training. The Chinese State Commission for Physical Culture and Sports led the creation of standardized forms for most of the major arts. During this period, a national wushu system that included standard forms, teaching curriculum, and instructor grading was established. Wushu was introduced at both the high school and university level. This new system sought to incorporate common elements from all styles and forms as well as the general ideas associated with Chinese martial arts. Stylistic concepts such as hard, soft, internal, and external, as well as classifications based on schools such as Shaolin, tai chi, Wudangquan, and others were all integrated into one system. Wushu became the government sponsored standard for training in martial arts in China. The push for standardization continued leading to widespread adaptation. In 1979, China's State Commission for Physical Culture and Sports created a special task force for teaching and practice of Wushu. In 1986, the Chinese National Research Institute of Wushu was established as the central authority for the research and administration of wushu activities in China. Changing government policies and attitudes towards sports in general led to the closing of the State Sports Commission (the central sports authority) in 1998. This closure is viewed as an attempt to partially de politicize organized sports and move Chinese sports policies towards a more market driven approach. As a result of these changing sociological factors within China, both traditional styles and modern wushu approaches are being promoted by the International Wushu Federation.

Wushu events are performed using compulsory or "individual routines" or taolu in competition. Throughout the 1990s until 2005 for international competitions, athletes competed with routines that were choreographed by IWUF assigned coaches or athletes. In November 2003, a major revision in the taolu competition rules occurred: deduction content was standardized, judges' roles were organized and expanded, and the degree of difficulty component, also known as nandu (難度; difficulty movements), was added. This category is worth 2 points of the 10 total. The quality of movements category is worth 5 points, and the overall performance category is worth 3 points. These changes were first implemented at the 2005 World Wushu Championships, and individual routines have become standard where an athlete creates a routine with the aid of his/her coach while following certain rules for difficulty and technical requirements. Only the age group C and B athletes at the World Junior Wushu Championships still compete with compulsory routines at an international level. All junior events including group A athletes (which compete with individual routines), all traditional events, and all non standard taolu events (ie. Shuangdao, baguazhang, etc. ), are judged without the degree of difficulty component. In addition to events for individual routines, some wushu competitions also feature dual and group events. The dual event, also called duilian (對練), is an event in which there is some form of sparring with weapons or without weapons. The group event, also known as jiti (集體), requires a group of people to perform together and smooth synchronization of actions is crucial. Usually, the group event also allows instrumental music to accompany the choreography during the performance. The carpet used for the group event is also larger than the one used for individual routines. The 2019 World Wushu Championships was the first international wushu competition to feature such an event.

Changquan is an event derived from styles such as chaquan, huaquan, and Shaolin kung fu as well as other traditional styles. Changquan is the most popular and difficult of all wushu events, which requires great speed, power, accuracy, and flexibility. Most professional athletes in China start training in this style starting at a young age. Nanquan is an event derived from styles that originated in the southern regions of China such as Hung Ga, Choy Li Fut, Jow Ga kung fu, and Wing Chun. Nanquan typically requires less flexibility and has less emphasis on acrobatics than changquan, but it also requires greater leg stability, speed, and power generation through leg, hip, and shoulder coordination. Tai chi as a wushu taolu event, is largely based on the Yang style tai chi but also includes movements of the Chen, Wu, Wu (Hao), and Sun styles. Competitive contemporary tai chi is distinct from the traditional first form for styles it draws from, in that it typically involves difficult balances and jumps which require great balance, control, and flexibility. The tai chi event as well as other tai chi based events are usually performed with musical accompaniment.

Daoshu is an event that uses the dao using changquan methods of movement. Jianshu is an event that uses the jian using changquan methods of movement. Nandao was introduced into international wushu competition in 1999. The weapons and techniques are based on the butterfly swords of Wing Chun, a Southern style. The blade has been lengthened and modified so that a singular sword is used. Taijijian is an event that uses the jian based on traditional tai chi jian methods. This event was added to international competition in 1999. Taijishan is an event that uses a Chinese hand fan with traditional tai chi methods. This event was created in 2019 ahead of Wushu's participation in the 2026 Summer Youth Olympics (originally scheduled for 2022), and so it has yet to debut in competition.

Gunshu is an event that uses a staff with changquan methods of movement. Staffs were traditionally made from white wax wood, but carbon fiber staff have become the standard in international competition since the 2010s since they are lighter and more durable. Qiangshu is an event that uses a spear using changquan methods of movement. The shaft of the spear is generally more flexible and longer than what is used in the gunshu event. Nangun was introduced into international wushu competition in 1999. It uses a staff with nanquan methods of movement. The staff is generally much thicker and heavier than the one used in the gunshu event. The majority of routines used in the sport are new, modernized recompilations of traditional routines. However, routines taken directly from traditional styles, including the styles that are not part of standard events, may be performed in competition, especially in China. Many of these styles though are events in the World Kung Fu Championships, another IWUF run event that is exclusively for traditional styles of wushu. The more commonly seen routines include:

The other major discipline of contemporary Chinese wushu is known as sanda, yundong sanda (运动散打; yùndòng sǎndǎ, Sport Free Fighting), or jingzheng sanda (竞争散打; jìngzhēng sàndǎ, Competitive Free Fighting). Sanda is a fighting method, sport, and applicable component of wushu/kung fu influenced by traditional Chinese boxing, of which takedowns and throws are legal in competition, as well as all other sorts of striking (use of arms and legs). Chinese wrestling methods are called Shuai jiao and other Chinese grappling techniques such as Chin Na. It has all the combat aspects of wushu. sanda appears much like Kickboxing or Muay Thai but includes many more grappling techniques. Sanda fighting competitions are often held alongside taolu or form competitions. Sanda represents the modern development of lei tai contests but with rules in place to reduce the chance of serious injury. Many Chinese martial arts schools teach or work within the rule sets of Sanda, working to incorporate the movements, characteristics, and theory of their style. Chinese martial artists also compete in non Chinese or mixed combat sports, including Boxing, Kickboxing, and Mixed Martial Arts. Sanda is practiced in tournaments and is normally held alongside taolu events in wushu competitions. For safety reasons, some techniques from the self defense form such as elbow strikes, chokes, and joint locks, are not allowed during tournaments. Competitors can win by knockout or points which are earned by landing strikes to the body or head, throwing an opponent, or when competition is held on a raised lei tai platform, pushing them off the platform. Fighters are only allowed to clinch for a few seconds. If the clinch is not broken by the fighters, and if neither succeeds in throwing his opponent within the time limit, the referee will break the clinch. In the U. S., competitions are held either in boxing rings or on the raised lei tai platform. Amateur fighters wear protective gear. Amateur Sanda allows kicks, punches, and throws. King of Sanda, a competition held in China, is held in a ring similar to a boxing ring in design but larger in dimension. As professionals, they wear no protective gear except for gloves, cups, and mouthpieces, and "Professional Sanda" allows knee and elbow strikes (including to the head) as well as kicking, punching, and throwing. Some Sanda fighters have participated in fighting tournaments such as K 1, Muay Thai, boxing, and Shoot Boxing. They have had some degree of success, especially in Shoot Boxing competitions, which is more similar to Sanda. Due to the rules of kickboxing competition, sanda fighters are subjected to more limitations than usual. Also, notable competitors in China's mainstream Mixed Martial Arts competitions, Art of War Fighting Championship, and Ranik Ultimate Fighting Federation are predominantly of wushu background. Sanda has been featured in many style versus style competitions. Muay Thai is frequently pitted against sanda as is karate, kickboxing, and Tae Kwon Do. Although it is less common, some sanda practitioners have also fought in publicly viewed American Mixed Martial Arts competitions.

Steve Coleman – Longest running Great Britain Wushu champion 2002–present, Captain GB Wushu Team, starred as Shane Powers in the film On the Ropes. Jon Foo – Learned kung fu when he was 8 years old, but didn't begin serious training in wushu until he was 15. Starred as Jin Kazama in the film adaptation of Tekken. Cung Le: Cung Le is an American Vietnamese and successful wushu sanda and Mixed martial arts fighter. He has won a lot of medals. Jet Li (李連杰/李连杰) – possibly the most famous wushu practitioner in the world. He started wushu as a competition sport and gained fame as he took the National Wushu Champion of China title five times as an original member of the Beijing Wushu Team, he was later selected to demonstrate his wushu on the silver screen in the worldwide hit film Shaolin Temple. Many of his old teammates have also appeared on screen with him, especially in his older movies. Zabit Magomedsharipov: Russian Dagestani fighter who was undefeated in the Ultimate Fighting Championship before retiring. He fought with an striking and takedown focused style. He graduated from the prestigious Five Directions of the World multi disciplinary school in Dagestan, studying Wushu Sanda. Ray Park – Showcased his skills in wushu in several major films, including his portrayal of Darth Maul in 1999's Star Wars: Episode I – The Phantom Menace, as well as Toad in the film X Men (2000) and as stunt double for Robin Shou and James Remar in Mortal Kombat Annihilation. He also heavily retrained before filming G. I. Joe: The Rise of Cobra, in which he portrayed the martial arts expert Snake Eyes. Muslim Salikhov: Russian Dagestani fighter and the first King of Kung Fu outside of China. He has participated in MMA competitions such as the Ultimate Fighting Championship (UFC). Wu Bin (吳彬/吴彬) – Jet Li's coach in the Beijing Wushu Team, training more wushu champions than any other coach in China. Wu Jing (吳京/吴京) – Chinese actor who was sent to the Beijing Sports Institute at Shichahai in Beijing when he was 6 years old. Like Jet Li, he competed as a member of the Beijing Wushu Team in national level wushu competitions in China. Both his father and grandfather were also martial artists
Jade Xu (徐慧慧) is a martial arts actress and multiple World Wushu Champion. She won the World Championships three times in a row and the first (gun/staff) and second (dao/broadsword) place in the Olympic Wushu Tournament Beijing 2008 and became one of the most famous female wushu athletes in the world. Soon after her athletic career, Jade Xu received offers to star in various international Film and TV productions, such as Tai Chi 0, Tai Chi Hero, and Michael Jackson: One, and successfully launched her second career, as an actress. Donnie Yen (甄子丹) – Chinese martial artist and actor, who trained with the Beijing Wushu Team. Gold medalists for various international Wushu Competitions. Known for his portrayal of Ip Man, the mentor of Bruce Lee. Yuan Wenqing (原文庆) – One of the most famous, successful, and skilled wushu practitioners in the world who has won countless gold medals in Chinese, World, and Asian Championships. He is a former Shanxi Wushu team athlete trained by the coaches Pang Lintai and Zhang Lingmei. He is most famous for his changquan, daoshu, gunshu, shuangdao, and ditangquan. A number of his routines (taolu) became the official standard competition routines (GuiDing) for many years until the new guiding taolu was introduced. Zhao Changjun: Zhao is one of the most decorated Wushu champions ever. Only one other martial artist has challenged his winning record: Jet Li. In Wushu circles, it is said that the '70s belonged to Jet, but the '80s belonged to Zhao. Even throughout the 70's, Zhao was always pressuring Jet. From the late '70s to the late '80s, Zhao captured ten individual all around titles in national and international events. He has earned 54 gold medals and has demonstrated in five continents for over thirty countries. Kung Fu Magazine considers Zhao one of the greatest wushu masters of all time. He's also a staunch proponent of traditional martial arts. Cholene Aw: Stepping onto the grand stage of the 11th Asian Youth Wushu Championship for the very first time, Cholene Aw brought home a remarkable victory, claiming the gold medal in Taijijian. She has also won many National School Game gold medals for her school, River Valley High.

Wushu has faced criticism as a competitive sport. It has been criticized by some traditional martial artists for being too commercialized, losing many of its original values, and potentially threatening old styles of teaching. Such critics argue that contemporary wushu helped to create a dichotomy between formwork and combat application.