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Poetic symposium in the Indian subcontinent

Mushaira is a poetic symposium. It is an event (called mehfil, Mushairi) where poets gather to perform their works. A mushaira is part of the Culture of North India, Pakistan and the Deccan, particularly among the Hyderabadi Muslims, and it regarded as a forum for free self expression.

According to Oxford English Dictionary, the Urdu word Mushaira comes from an Arabic word “mušā'ara” meaning “vying poetry”. Some legends suggest that Mushaira was first organized by Amir Khusraw (1253–1325), while some legends reject this hypothesis and claim that instead it was Qawwali, that was introduced by Amir Khusraw and not mushaira. According to some other legends, Mushaira originated in the 14th century in Deccan during the Bahmani Sultanate, and was introduced in Delhi by Wali Deccani in 1700 AD, where upon his arrival he recited a collection of his poems in a vernacular Deccani language—(a form of Urdu) in front of a large public gathering. Until then in Delhi there were no poetic public gatherings for locals, whereas poetic gatherings use to commence in elite courts in which participating poets use to recite their poems only in Persian.

Urdu poetry took the final decisive position in the 17th century when Mughals had established their dominion. It was thought by the legends of early India that Shairy should be recited in a gathering of minds with sufficient understanding of the language, so that they may enjoy, criticise, and ultimately appreciate what was recited. The gathering, though, would be in the presence of the King and his Ministers, but then the talk was about somewhat a big gathering than of that. They prophesied that this would lead to development of Urdu Shairy, as people will be able to get the ideas of practical poetry in accordance with the demand of public interests and of public betterment.

The most common form of poetry recital was the mushaira, or poetic symposium, where poets would gather to read their compositions crafted in accordance to a strict metrical pattern, agreed upon beforehand, even while meeting a certain loftiness of thought. The real initiative was legendary that took in the 18th century in the Mughal Court helping Urdu Mushaira reach its final, decisive form. A culture was built around taking lessons in poetry writing; it even became fashionable for royalty to learn Urdu shairi. Bahadur Shah Zafar, the last Mughal Emperor of India, was an accomplished poet in his own right. He had a habit of setting his court difficult poetic tasks, such as the challenging art of tazmin, which led to the development of Tarahi Mushaira.

Sometimes a mushaira is more competitive. The Tarahi Mushaira is a particular form where a misra (couplet) is given, and poets compose their ghazals using that misra (couplet) the behar (rhythmic metre) of the misra (couplet). According to a contemporary Urdu poet Prof. Waseem Khan Seem, and Dr Muhammad Shakeel Khan however the usual and traditional way of writing Urdu poetry in the most natural way for any authentic poet is to write poetry on the basis of AAMAD (germination of poetic thoughts in poet's mind) instead of just following Tarhai Misra.