Франсис Вонг: Азия және Америка джазының тоғысуы

Francis Wong is an American jazz saxophonist, flutist, and erhu player. Wong is of Chinese descent; his father is from Shanghai and his mother is Cantonese. He specializes in the fusion of free jazz and Asian musics, and is a central member in the Asian American jazz movement. He has worked with Glenn Horiuchi, Jon Jang, John Tchicai, James Newton, Cecil Taylor, Anthony Brown, and Liu Qi Chao. He and Jon Jang founded Asian Improv Records in 1987 (now Asian Improv aRts) and both have recorded albums for the label.</blockquote>Central to Wong’s oeuvre is the intercultural cast of his music. The self defining and uplifting qualities expressed in the music of Charlie Parker, John Coltrane, Sonny Rollins, and later Art Ensemble of Chicago, Cecil Taylor, and Ornette Coleman shaped him as a performer and composer. Asian American musicians felt comfortable exploring their heritage “in the context of African American music” because of prior collaborations such as Nat Janning performing with Cantonese opera musicians in 1968 and John Handy partnering with Ali Akbar Khan in 1973. Musicians found the “moment to moment interactions” amongst peers enriching, expanding musical dialogue into unknown sonic territories. Asian American musicians aspired to their African American jazz counterparts’ idea of music’s ability to affirm one’s humanity and culture. For Asian American musicians, that meant experimenting with and incorporating Asian musical instruments, forms, scales, rhythms, and aesthetic concepts into jazz based music. Part of Wong’s leaning toward intercultural explorations derives in part from the Association for the Advancement of Creative Music’s (AACM) idea of improvisation as a means for cross cultural communication in developing one’s music. Wong’s albums, Pachinko Dreamtrack 10 with Glenn Horiuchi and Joseph Jarman (1999) and Mo’ Betta Butta with William Roper and Bobby Bradford (2008) represent his interracial and intercultural partnerships, as does the collaborative performance of “4X4,” featuring Wayne Wallace Latin Jazz Quartet meets Francis Wong Special Edition Quartet on May 23, 2012 at the Hall of Culture, African American Arts and Culture Complex. The intercultural mix of Wong’s “Persistence of Vision Project” combined the talents of Tatsu Aoki, Elliott Humberto Kavee, Jon Jang, John Carlos Perea, and Hafez Modirzadeh with poets Lawson Fusao Inada and Genny Lim. The piece was performed for Asian Improv Arts’ 20th Anniversary celebration in September 2007. As a pioneering member of the Asian American creative music scene in the San Francisco Bay Area, Wong’s interdisciplinary work with other Asian American artists stemmed from the communal activity at the I Hotel (International Hotel). The community group Kalian Collective joined forces with Asian American gallery artists, poets, dancers, muralists, politicos, college students and Filipino tenants who set up operations in the hotel to save it from urban renewal. The Asian American movement in the 1970s that followed integrated political, social, cultural, and artistic ideas. Many artists spurred by the communal activity and the movement collaborated to create new work. This set the tone for Wong and many Asian American artists, resulting in interdisciplinary works promoted and produced by Asian Improv Arts. “Diaspora Tales #2: 1969” performed in April 2010 is an interdisciplinary piece featuring music by the Francis Wong Unit, spoken word by A. K. Black, dance by Lenora Lee, and media design by Olivia Ting. The project was a commission of the Oakland Asian Cultural Center with a grant from the East Bay Fund for Artists of the East Bay Community Foundation. Among the young artists he mentored at AIR are Vijay Iyer, Miya Masaoka and Jen Shyu. For nearly three decades, he was affiliated with Kularts (1991 2020), a San Francisco based organization promoting traditional and contemporary Filipino arts, first as manager and later as a long time Board President. Wong was also the former Co Director of the Oakland Asian Cultural Center (2000–01).

Wong has long been active as a college level educator. He taught jazz saxophone and jazz ensembles at San Francisco State University (1996–98), where one of his students was the Mescalero Apache jazz composer and bassist John Carlos Perea. He also taught a course entitled "Aspects of Asian American Culture" at the UC Santa Cruz (1996 2001). Since 2017, he has been a Lecturer in Asian American Studies at San Francisco State University.

Wong is married to Julie Yumi Hatta.