Жас суретшінің өмір жолы мен өсуі: «Жасыл Генрих» романы

Green Henry (Der grüne Heinrich) is a partially autobiographical novel by the Swiss author Gottfried Keller, first published in 1855, and extensively revised in 1879. Truth is freely mingled with fiction, and there is a generalizing purpose to exhibit the psychic disease that affected the whole generation of the transition from romanticism to realism in life and art. The work stands with Johann Wolfgang von Goethe's Wilhelm Meister and Adalbert Stifter's Der Nachsommer as one of the most important examples of Bildungsromane, novels of self development.

Green Henry details the life of Heinrich Lee from childhood through his first romantic encounters, his fledgling attempts at becoming a painter in Munich, and his eventual installation as a chancery clerk. The story gets its name from the color that Heinrich affected in dress. Heinrich is a Swiss burgher's son, brought up too tenderly by a widowed mother. After youthful pranks and experiences, and a not altogether justified dismissal from school, he idles away some time in his mother's village. He determines to be a painter, and goes to Munich's artistic Bohemia. From there, he finds his way to a count's mansion, and then he returns home to his dying mother and an all too tardy and brief repentance. The much revised second version has Heinrich abandoning art to enter the civil service. This experience affords occasion for extended political reflections. The tone of the reminiscences makes it clear that Keller would have the reader understand that Heinrich has lived through and risen out of his instability and irresolution and sees life steadily and cheerfully at last.

Green Henry was written from 1850 to 1855. It is the most personal of all of Keller's works, and is significantly influenced by Jean Jacques Rousseau's doctrine of a return to nature. At first intended as a short narrative of the collapse of the life of a young artist, the book expanded as its composition progressed into a huge work that treats, in poetically transfigured manner, all the events in Keller's life up to his return to Zürich in 1842. Its reception by the literary world was cool, but after a revised edition was issued in 1879, it won general and often extravagant praise.

Benjamin W. Wells reviewed the book so:

Keen insight, fresh humor and instinct for realistic narration are its outstanding merits; its faults are lack of proportion, occasional garrulity and obtruded moralizing, but most of all the doubt that it leaves in the reader whether the Heinrich who had shown such persistent lack of character, especially in his relations with his mother, would so quickly be capable of discovering, rather than recovering, a normal balance of mind. Jacob Wittmer Hartmann characterizes the 2nd edition of 1879 and a “rounded and satisfying artistic product.” The New International Encyclopædia praises the 2nd edition as a significant improvement over the first.