Момина Хатун мақбары: Нахчыван сәулетінің жемісі

Momine Khatun Mausoleum is a mausoleum, also known as the Atabek Dome, located in the city of Nakhchivan of the Nakhchivan Autonomous Republic in Azerbaijan. It was built in 1186 by the architect Ajami ibn Abubekr Nakhchivani. The ten sided mausoleum reached a height of 34 meters. Today its height is only 25 meters (without the tent, which has not been preserved). The mausoleum, built and named after the mother of one of the local rulers of Azerbaijan, Atabek Jahan Pahlavan of Ildegezid dynasty, is masterfully decorated with complex geometric ornaments and inscriptions from Koran. Although the original height of the tomb, built by the architect Ajami Nakhchivani in 1186, was 34 meters, its tent shaped dome is not completed nowadays; therefore, the tomb has a height of 25 meters (without the hipped dome). The grave of Momina Khatun is the only
monument from the Atabaylar architectural complex that has survived to nowadays. The general structure of Momina Khatun tomb consists of a crypt and an octagonal tower. The mausoleum is also octagonal in plan. Aside from the crypt and appearance, Ajami avoided complexity in the interior of the tower and favored quantity and integrity. The low platform of the tomb has a decagonal shape and is covered with large polished diorite slabs. So as not to spoil the purity and geometric simplicity of the tower's prismatic structure, the architect did not differentiate the eastern side with its double doored entrance from any of the other walls. The rectangular entrance door to the tower is built into a shallow lancet arch above which is a brick inscription in Kufic lines.

The mausoleum on the grave of Momina Khatun was raised immediately after her burial. Initially, the mausoleum was a modest building, and it was only shortly before her death that Atabeg Jahan Pahlavan decided to perpetuate the memory of his mother with a more solid structure. In connection with this, he ordered the construction of a complex of grandiose structures, ordering the construction of a new mausoleum to Ajami ibn Abubekr Nakhchivani, already known by that time for the construction of the mausoleum of Yusuf ibn Kuseyir. Under Jahan Pahlavan, the mausoleum of Momina Khatun, known as “Gumbez Atabek”, was built. The rest of the buildings of the complex were built later, when the youngest son of Momina Khatun Kyzyl Arslan was atabeg.

The project of the complex consisted of several structures. In addition to the mausoleum itself and to the portal with minarets, back in the 19th century, the Juma mosque towered here, at 35 36 meters high, surpassing even the Momina Khatun mausoleum. Of all these structures, only the mausoleum of Momina Khatun has survived to the present day. It consists of the ground floor and an underground level. The tomb of Momina Khatun is located in the underground level, where there is no pedestrian access. The above ground part is made of fired brick and has ten sides. It belongs to the central dome structures of the tower type, and rises on a massive plinth lined with three rows of red tufa. The surface of each, niche shaped side is completely covered with carvings, which are in Kufic Arabic script stylized into geometric ornament. On each side, this ornament is distinct. The upper part of the mausoleum is decorated with a composition resembling stalactites. The inside of the mausoleum is round. The only decorations of its interior are 4 circular medallions covered with inscriptions and ornaments. The discs contain the names of Muhammad, Abu Bakr, Omar, Osman, Ali, Hasan and Huseyn. The tomb has a 25 meter octagonal shape, which stands out among the buildings included in the Atabeylar architectural complex. Paintings and photographs from the 19th and early 20th centuries confirm that it was once part of a large group. The tomb was built on a plinth covered with red diorite stones.

The tomb of Momina Khatun differs in plan from her predecessor's in size and complexity. The mausoleum is octagonal in shape. An arch about ten meters high could not be covered with a flat brick dome. For this reason, Ajami paid special attention to the strength of the lower layer and developed a constructive technique which had also been used in the tomb of the Red Dome 38 years earlier: he placed a thick, ten sided support in the middle of the tomb. Since the sides of the support are connected to the sides by pointed arches, a mushroom shaped solid central pillar and stable roof structure were created. The mausoleum was heavily restored in 1999 2003, as part of the Azerbaijan Cultural Heritage Support Project of the World Bank. It was depicted on the obverse of the Azerbaijani 50,000 manat banknote of 1996 2006. To further enhance the beauty of the mushroom support and the processing effect, the architect inserted brick ribs onto the opposite corners. These ribs form a star shaped frame. According to Jafar Giyasi, this frame is also similar to the patterned structures decorating the monument and is based on principles of mathematical harmony. The architectonic beauty of the structure is more clearly realized, as the frames are lined with patterned brickwork. Prof. Jafar Giyasi notes that the process of evolution of construction based on local traditions ends in the architecture of the Momina Khatun tomb. According to the researcher, the fastest stage of this process falls on the period of the Atabeg's reign and follows the line from the red domed tomb to the Gilan tomb, to the Momina Khatun tomb. This was the peak of scientific and artistic progress of that period in the history of Azerbaijan.

Momine Khatun Mausoleum is the most outstanding landmark in Nakhchivan decorated with a complex geometric pattern and quotes from the Koran. Grand decahedral mausoleum was considered as medieval skyscraper reaching 34 meters in height. Today it is only 25 meters high. Each side of the surface is completely covered with Arab writings in kufic style, styled as geometric patterns. The ornaments of the nine out of ten (sides) are different. Only one repeats itself, on the recess where it was supposed to be an exit. The top of the mausoleum is decorated by a stalactite composition. In the head arch of the monument these words were written in Kufic: “We pass away, but only the wind is left behind us. We die, but only the work is left as a present”. The mausoleum consists of underground (vault) and aboveground parts. The aboveground part of the mausoleum is decagonal from the exterior (it was bordered with the Kufic inscriptions on either side), but its interior is round formed. There are four round medallions in which the names of the Caliphs were written inside the dome. According to its completion, the Western part of the mausoleum differs. Here the surface was divided into two parts: in the under part, the entrance door was completed in the head arch form, but in the above part the ornamental designs were given. The inscriptions showing the name of the sculptor and the date of its construction were engraved in the above of the head arch. The burial place of Momine Khatun is under the building but there is no entrance to it. Inside the mausoleum has a round shape. The only decorations of its interior are four round medallions covered with inscriptions and ornaments. These medallions are placed on the inner side of the spherical dome of the mausoleum and bear the names of the Prophet Mohammed, and four rashidun (caliphs) Abu Bakr, Omar, Osman, Ali and his sons Hassan and Hussein. The Mausoleum of Momine Khatun is distinguished by an imperial grandeur. On the top of the tomb, in the writings above – in the main book of the monument, it is written: “This tomb was ordered to be built by educated in the world, just and great victor Shamsaddin Nusrat al Islam and al Muslimin Jahan Pahlavan Abu Jafar Muhammad ibn Atabay Atabay Eldagiz for the memory of religion in the world, Islam, and fame of the Muslims Momina Khatun!”

The solid brick walls of the mausoleum are pierced by two small windows facing West, with an additional window above the main entrance. A band of inscription in Kufic characters composed of turquoise tiles runs below the muqarnas cornice. The recessed surface of its twelve exterior facets are covered with carved geometric motifs on brick, which are highlighted by turquoise tiles, and set in a rectangular frame that includes a small muqarnas crown. Inside, the burial chamber is circular in plan, with bare walls. The Mausoleum of Mu'mine Khatun is representative of the Nakhchivan architectural tradition of the medieval era, which was heavily influenced by the works of the Azerbaijani architect Adjemi ibn Kuseyir. The Nakhchivani style differed from the Shirvani styles, prevailing in Absheron, in its use of brick as the basic construction material and the use of coloured, especially turquoise enamelled tiles, for decoration.

Momine Khatun Mausoleum is a prismatic tower with similar ornaments on all sides, including the eastern face where there the entrance door to the tomb is located. The rectangular entrance to the tower was built in the form of a shallow sharp arch. The inscriptive plaque above it indicates the architect and the construction time of the mausoleum which is in Kufic style. The edges of the sharp niches are covered with composite geometric patterns and thin columns (15 cm in diameter), and the inner surfaces do not repeat each other. The bright blue turquoise bricks used in the decoration of the sharp niches on each face. The ten sided tower’s edges form П shaped frame and include the niches. These frames are covered with Kufic style inscription that made of bricks. Most probably the inscriptions are texts from Surah Yaseen in Koran. Most of geometrical ornaments on the surfaces are composed of multi pointed stars and the lines spread from them. There are 5, 6, 8 pointed stars and 6, 8 angular geometric figures on each face.

There are four circular medallions on the perpendicular arrows (diameter 1.5 m) in the interior of the dome's brick rows. The ornaments were made of the mix of gypsum and clay and consist of Kufi style compositions. The essence of all the compositions is the word "Allah". Omar, Osman, Ali words intersect with each other, forming 6, 8 and 10 pointed stars and surround the word “Allah”.