Thelma Wood

American sculptor

Thelma Ellen Wood (July 3, 1901 – December 10, 1970) was an American artist, specialising in the traditional fine line drawing technique known as Silverpoint. She was noted for her hectic private life, and her lesbian relationship with Djuna Barnes was fictionalized in Barnes' novel Nightwood.

Wood was born in Mankato, Kansas, the second of four children. Her father later moved the family to St. Louis, Missouri. In 1918 her mother and younger brother succumbed to the influenza epidemic of 1918. Two months prior to their deaths, Wood enrolled at the St. Louis School of Fine Arts (now known as the Sam Fox School of Design & Visual Arts) at Washington University in St. Louis.

While in Paris, Wood frequented Berlin and was said to have enjoyed excessive alcohol consumption, and being involved in casual sexual relationships. Accounts have described her as "boyish looking", standing almost 6 feet tall, and "sexually magnetic". Wood also had a brief relationship with the poet Edna St. Vincent Millay during the early 1920s. Wood's relationship with Djuna Barnes lasted 8 years and was deemed the "great love" of each of their lives. From 1921 to 1929 their relationship was fueled by sex, alcohol, and marred by infidelities, jealousy, and violence. Barnes was known for her jealousy with her lovers; Wood was known to be promiscuous with many women. Although Barnes wanted their relationship to be monogamous, Wood regularly sought out casual sexual partners of both sexes. Barnes, also, was never faithful. Wood became involved in an affair with a wealthy woman named Henriette Alice McCrea Metcalf, leading to the end of her relationship with Barnes. When Wood moved to Greenwich Village in New York City in 1928, Metcalf followed. Wood continued to write and visit Barnes, to whom Wood still professed her love, but Barnes refused to become involved with Wood on a regular basis. By 1932, Wood was more of an unofficial courtesan to Metcalf, and Metcalf supported Wood's art studies in Florence. In 1934, they moved to Sandy Hook, Connecticut. In Westport, Connecticut, Wood began a gourmet catering business that ultimately failed. Her relationship with Metcalf was complicated by Wood continuing to seek out drinking and sexual companions of both sexes, and Wood became increasingly unfaithful. Wood's silverpoint drawings were exhibited at least once, at Milch Galleries in New York City in 1931 where Mary Fanton Roberts reviewed her work favorably.

Around 1942 or 1943, her relationship with Metcalf had deteriorated to a breaking point due to Wood's unfaithful sexual activities and lack of any gainful employment. Metcalf offered Wood money to move out of their shared house and effectively ended their sixteen year relationship. Once the separation was complete, Metcalf reportedly never spoke to Wood again, even when Wood, dying, is said to have requested to see her. In an interview she stated Wood was, "historically, one of the world’s worst girlfriends who ever lived. She was the bad girlfriend of Djuna Barnes and she drove Djuna Barnes so crazy that she was the muse for Djuna Barnes’s work. So the book is dedicated to bad girlfriends."