Mintons

English pottery company (1793–2005)

Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot pourri of styles Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol. The family continued to control the business until the mid 20th century. Mintons had the usual Staffordshire variety of company and trading names over the years, and the products of all periods are generally referred to as either "Minton", as in "Minton china", or "Mintons", the mark used on many. Mintons Ltd was the company name from 1879 onwards.

From the mid 1890s onwards, Mintons made major contributions to Art Nouveau ceramics with a fine range of slip trailed majolica ware, many designed by Marc Louis Solon's son Leon Solon and his colleague John Wadsworth. Leon Solon was hired by Mintons after his work was published in the hugely influential design magazine The Studio and he worked for the company from 1895–1905, including a brief stint as Art Director. Solon introduced designs influenced by the Vienna Secession art movement, founded by Gustav Klimt and others, and a range in earthenware made from about 1901 to 1916 was branded as "Secessionist Ware". It was made mostly using industrial techniques that kept it relatively cheap, and was aimed at a broad market. The range concentrated on items bought singly or in pairs, such as jugs or vases, rather than full table services. The Secessionist range covered both practical and ornamental wares including cheese dishes, plates, teapots, jugs and comports, vases and large jardinières. The shapes of ornamental vases included inverted trumpets, elongated cylinders and exaggerated bottle forms, although tableware shapes were conventional. Early Secessionist patterns featured realistic renderings of natural motifs—flowers, birds and human figures—but under the combined influence of Solon and Wadsworth, these became increasingly exaggerated and stylised, with the characteristic convoluted plant forms and floral motifs reaching extravagant heights. "Secessionist Ware" was arguably the last boldly innovative move made by Mintons in terms of design. After World War I wares became rather more conventional. The Minton factory in the centre of Stoke was rebuilt and modernised after the Second World War by the then managing director, J. E. Hartill, a great great great grandson of Thomas Minton. But the firm shared in the overall decline of the Staffordshire pottery industry in the post war period. The tableware division was always the mainstay of Minton's fortunes and the post 1950 rationalisation of the British pottery industry took Mintons into a merger with Royal Doulton Tableware Ltd. By the 1980s Mintons was only producing a few different shapes but still employed highly skilled decorators.

The Minton Archive comprises papers and drawings of the designs, manufacture and production of Mintons. It was acquired by Waterford Wedgwood in 2005 along with other assets of the Royal Doulton group. At one time it seemed the archive would become part of the Wedgwood Museum collection. In the event, the archive was presented by the Art Fund to the City of Stoke on Trent, but it was envisaged that some material would be displayed at Barlaston as well as the Potteries Museum and Art Gallery.

The main factory on London Road, Stoke on Trent was demolished in the 1990s, and the other factory, including office accommodation and a Minton Museum, was demolished in 2002 as part of rationalisation within the Royal Doulton group. Royal Doulton was taken over in turn by the Waterford Wedgwood group in January 2005. As a result of these changes, the ceramics collection formerly in the Minton Museum was partly dispersed. On the other hand, the Minton Archive has been kept together with help from the Art Fund, being transferred to the City of Stoke on Trent in 2015. The Victorian building on Shelton Old Road, Stoke, which used to be the Minton Hollins tileworks is on a separate site from the former Minton pottery. It was threatened with demolition in the 1980s but was listed in 1986 and has been preserved.