S. H. Raza

Indian painter

Sayed Haider Raza (22 February 1922 – 23 July 2016) was an Indian painter who lived and worked in France for most of his career. Born on 22 February 1922 in Kakkaiya (District Mandla), Central Provinces, British India (present day Madhya Pradesh), Raza moved to France in 1950, marrying the French artist Janine Mongillat in 1959. Following her death from cancer in 2002, Raza returned to India in 2010, where he would live until his death on 28 July 2016. Having maintained strong ties with India throughout his career, Raza was an acclaimed for his art both there and in France. He was awarded the Padma Shri in 1981, Fellowship of the Lalit Kala Academi in 1984, Padma Bhushan in 2007, and Padma Vibhushan in 2013. He was conferred with the Commandeur de la Legion d'honneur (Legion of Honour) on 14 July 2015. His seminal work Saurashtra sold for 16.42 crore ($3,486,965) at a Christie's auction in 2010.

Sayed Haider Raza was born in Kakkaiya, Mandla district, Madhya Pradesh, to Sayed Mohammed Razi, the Deputy Forest Ranger of the district and Tahira Begum. It was here where he spent his early years, completed primary education, and took to drawing at the age of 12. He moved to Damoh (also in Madhya Pradesh) at 13; where he completed his high school education from Government High School, Damoh. After high school, he studied further at the Nagpur School of Art, Nagpur (1939–43), followed by Sir J. J. School of Art, Mumbai (1943–47), before moving to France in October 1950 to study at the École Nationale supérieure des Beaux Arts (ENSB A), Paris (1950 1953) on a Government of France scholarship. After his studies, he traveled across Europe, and continued to live and exhibit his work in Paris.

Sayed Haider Raza, had his first solo show when he was 24 in 1946 at Bombay Art Society Salon, and was awarded the Silver Medal of the society. This group set out to break free from the influences of European realism in Indian art and bring Indian inner vision (Antar gyan) into the art. Once in France, he continued to experiment with currents of Western Modernism, moving from Expressionist modes towards greater abstraction and eventually incorporating elements of Tantrism from Indian scriptures. Whereas his fellow contemporaries dealt with more figural subjects, Raza chose to focus on landscapes in the 1940s and 50s, inspired in part by a move to France. In 1956, he was awarded the prestigious Prix de la Critique, this was a monumental award to the art scene in India. In 1962, he became a visiting lecturer at the University of California in Berkeley, USA. Raza was initially enamored of the bucolic countryside of rural France. Eglise is part of a series which captures the rolling terrain and quaint village architecture of this region. Showing a tumultuous church engulfed by an inky blue night sky, Raza uses gestural brushstrokes and a heavily impasto ed application of paint, stylistic devices which hint at his later 1970s abstractions.

By the 1970s Raza had grown increasingly unhappy and restless with his own work and wanted to find a new direction and deeper authenticity in his work, and move away from what he called the 'plastic art'. His trips to India, especially to caves of Ajanta Ellora, followed by those to Varanasi, Gujarat and Rajasthan, made him realize his role and study Indian culture more closely, the result was "Bindu", which signified his rebirth as a painter. The Bindu came forth in 1980, and took his work deeper and brought in, his new found Indian vision and Indian ethnography. One of the reasons he attributes to the origin of the "Bindu", have been his elementary school teacher, who on finding him lacking adequate concentration, drew a dot on the blackboard and asked him to concentrate on it. The "Bindu" is related to Indian philosophy of being the point of all creation. The reason this interested Raza so much is because he was looking for new inspiration for his art and this created a new point of creation for himself. After the introduction of "BUNDU" (a point or the source of energy), he added newer dimensions to his thematic oeuvre in the following decades, with the inclusion of themes around the Tribhuj (Triangle), which bolstered Indian concepts of space and time, as well as that of "prakriti purusha" (the cosmic substance and the energy or the spirit respectively), his transformation from an expressionist to a master of abstraction and profundity, was complete. His multiple works of art with the bindu is what truly tied him to his Indian roots and culture. This art created a sense of pride for his culture. The bindu is now widely regarded as a trademark for Raza and he said in 2010 that "It's the centre of my life". Raza abandoned the expressionistic landscape for a geometric abstraction and the "Bindu". Nagas, and the Mahabharat.

For the promotion of art among Indian youth, he established the Raza Foundation in India which gives the Annual Raza Foundation Award to young artists in India. The Raza Foundation in France, based in the artist village of Gorbio, runs the Estate of Sayed Haider Raza.

In 2011, a few years after the death of his wife, S. H. Raza decided to move back from France to New Delhi, where he continued to work several hours a day up until his death on 22 July 2016, at the age of 94, in New Delhi. His last wish being laid to rest in his hometown Mandla beside his father's grave was fulfilled. He was buried in Mandla city's kabristan.