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1962 film by Blake Edwards

Days of Wine and Roses is a 1962 American romantic drama film directed by Blake Edwards with a screenplay by JP Miller adapted from his own 1958 Playhouse 90 teleplay of the same name. The film was produced by Martin Manulis, with music by Henry Mancini, and features Jack Lemmon, Lee Remick, Charles Bickford and Jack Klugman.

San Francisco public relations executive Joe Clay meets secretary Kirsten Arnesen. At first, he considers her to be brash and disrespectful, but he eventually begins dating her. Kirsten is a teetotaler until Joe introduces her to social drinking. She is initially reluctant, but after her first few Brandy Alexanders, she admits that having a drink makes her "feel good." Despite the misgivings of Kirsten's father, who runs a San Mateo landscaping business, they marry and have a daughter, Debbie. Joe and Kirsten slowly go from the "two martini lunch" to full blown alcoholism. Joe is demoted due to poor performance, and is sent out of town to work on a minor account. Kirsten is alone all day and finds drinking the best way to pass the time. While drunk one afternoon, she causes a fire in their apartment that almost kills her and Debbie. Eventually, Joe is fired, and he spends the next several years going from job to job. One day, Joe sees his reflection in a bar window and realizes in horror that he hardly knows his own face. He tells Kirsten that they must stop drinking, and while not keen on the idea, she agrees. Seeking escape from their addiction, Joe and Kirsten work together in Arnesen's business and stay sober for two months. But the urge is too strong, and during a late night drinking binge, Joe destroys his father in law's greenhouse while looking for a stashed liquor bottle. Joe is committed to a sanitarium, where he suffers from delirium tremens while confined in a straitjacket. After his release, Joe finally gets sober with the help of Alcoholics Anonymous, a dedicated sponsor named Jim Hungerford, and regular AA meetings. Jim explains to Joe how alcoholics often demonstrate obsessive behavior, pointing out that Kirsten's previous passion for chocolate may have been the first sign of an addictive personality. He advises Joe that most drinkers hate to drink alone or in the company of sober people. Meanwhile, Kirsten's drinking persists, and she disappears for several days without contacting Joe. She is eventually located at a nearby motel, drunk, but when Joe tries to help her, he ends up drinking again. When their supply runs out, Joe happens upon a liquor store that has closed for the night. He breaks in and steals a bottle but trips and is taunted by the store owner. The result is another trip to the sanitarium, where he is stripped down and tied to a treatment table. Jim appears at his side and warns him that he must keep sober no matter what, even if that means staying away from Kirsten. Joe finally gets sober, becomes a responsible father to Debbie, and holds down a steady job. He tries to make amends to his father in law by offering him payment for past debts and wrongs, but Arnesen accuses him of being indirectly responsible for Kirsten's alcoholism. After calming down, Arnesen says that Kirsten has been disappearing for long periods and is picking up strangers in bars. One night, Kirsten, shakily sober for two days, comes to Joe's apartment to attempt a reconciliation. Joe tells her she is welcome back anytime if she stops drinking, saying he will not abandon sobriety for her or anything else. Despite acknowledging she can't stop, Kirsten refuses to admit she is an alcoholic and suggests Joe give up on her before leaving. Joe fights the urge to go after her, calling her name as she turns away from a bar. His cries wake a sleeping Debbie, who asks if Kirsten is coming back. Joe tells her Kirsten is sick and, after deflecting her questions about Kirsten "getting well," stares out at the empty street, the bar's flashing neon sign reflected in the window.

The film's locations included San Francisco, Albany, California, and the Golden Gate Fields race track. The Oscar winning title song had music by Henry Mancini and lyrics by Johnny Mercer. Single records by Andy Williams and the Henry Mancini chorus made the Billboard Top 40. Director Blake Edwards became a non drinker a year after completing the film and went into substance abuse recovery. He said that he and Jack Lemmon were heavy drinkers while making the film. Edwards used the theme of alcohol abuse often in his films, including 10 (1979), Blind Date (1987) and Skin Deep (1989). Both Lemmon and Remick sought help from Alcoholics Anonymous long after they had completed the film. Lemmon revealed to James Lipton on Inside the Actors Studio his past drinking problems and his recovery. The film had a lasting effect in reinforcing the growing social acceptance of Alcoholics Anonymous. In the interview on Inside the Actors Studio, Lemmon stated that there was pressure by the studio to change the ending. To preserve the integrity of the movie, scenes were filmed in the same order as they appeared in the script, with the last scene filmed last. This is in contrast with the standard practice of filming different scenes together that take place in the same location, which reduces expenses, shortens the schedule, and aids with scheduling the actors' time on set. Immediately following the completion of filming, Lemmon left for Europe and remained out of communication so that the studio would be forced to release the movie without changing the story.

The producers used the following tagline to market the film: "This, in its own terrifying way, is a love story." The picture opened in the United States on December 26, 1962.

Warner Home Video released the film on video on February 9, 1983, as part of their "A Night At the Movies" series, featuring a Hearst Metrotone Newsreel; a Warner Bros. animated short; and a coming attractions trailer of films from 1962. A LaserDisc was released in 1990. A DVD of the film was released on January 6, 2004, by Warner Home Video containing an extra commentary track by director Blake Edwards and an interview with Jack Lemmon. A Warner Archive Blu ray was released on October 29, 2019.

The film became one of Blake Edwards' better regarded films, opening to praise from the critics and audiences alike. Bosley Crowther, film critic for The New York Times, wrote "[It] is a commanding picture, and it is extremely well played by Mr. Lemmon and Miss Remick, who spare themselves none of the shameful, painful scenes. But for all their brilliant performing and the taut direction of Blake Edwards, they do not bring two pitiful characters to complete and overpowering life." "Tube." at Variety liked the film, especially the acting and writing: "Miller's gruelling drama illustrates how the unquenchable lure of alcohol can supersede even love, and how marital communication cannot exist in a house divided by one sided boozing  Lemmon gives a dynamic and chilling performance. Scenes of his collapse, particularly in the violent ward, are brutally realistic and terrifying. Miss Remick, too, is effective, and there is solid featured work from Charles Bickford and Jack Klugman and a number of fine supporting performances." In a review of the DVD, critic Gary W. Tooze lauded Edwards' direction: "Blake Edwards's powerful adaptation of J. P. Miller's Playhouse 90 story, starring Jack Lemmon and Lee Remick in career performances, remains a variation in his body of work largely devoted to comedy Lemmon is at his best and ditto for Remick in this harrowing tale of people consumed by their mutual addiction. This turns to an honest and heartbreaking portrayal of alcoholism as deftly done as any film I can remember." Margaret Parsons, film curator at the National Gallery of Art, stated "[The film] remains one of the most gut wrenching dramas of alcohol related ruin and recovery ever captured on film and it's also one of the pioneering films of the genre." On review aggregator Rotten Tomatoes, the film has an approval rating of 100% based on 14 reviews, with an average score of 8.80/10.

The musical adaptation based on the film and the original teleplay was produced by the Atlantic Theater Company in 2023, starring Kelli O'Hara as Kirsten and Brian d'Arcy James as Joe. The musical has a book by Craig Lucas and music and lyrics by Adam Guettel, the same writing team behind The Light in the Piazza, and is directed by Michael Greif. It opened May 5, 2023, and closed on July 5 of the same year. The musical transferred to Broadway and opened on January 28, 2024 at Studio 54.

Bill Withers was inspired by Days of Wine and Roses. Withers was watching it on television, and the doomed relationship at the film's center brought to mind a phrase: "Ain’t no sunshine when she’s gone." This led him to write "Ain't No Sunshine" in 1971. The 15th episode of season 9 of the American television show "Cheers" is titled "Days of Wine and Neuroses" and features the character Rebecca Howe (Kirstie Alley) going through a tragicomic alcoholic binge while assessing her ambiguous feelings about a romantic relationship. A sixth season episode titled "Wine and Roses" from the American crime drama series Better Call Saul is named after Days of Wine and Roses and features an instrumental version of the movie's title song.