Ding Dong, Ding Dong

"Ding Dong, Ding Dong" is a song by English rock musician George Harrison, written as a New Year's Eve singalong and released in December 1974 on his album Dark Horse. It was the album's lead single in Britain and some other European countries, and the second single, after "Dark Horse", in North America. A large scale production, the song incorporates aspects of Phil Spector's Wall of Sound technique, particularly his Christmas recordings from 1963. In addition, some Harrison biographers view "Ding Dong" as an attempt to emulate the success of two glam rock anthems from the 1973–74 holiday season: "Merry Xmas Everybody" by Slade, and Wizzard's "I Wish It Could Be Christmas Everyday". The song became only a minor hit in Britain and the United States, although it was a top twenty hit elsewhere in the world. Harrison took the lyrics to "Ding Dong" from engravings he found at his nineteenth century home, Friar Park, in Oxfordshire – a legacy of its eccentric founder, Frank Crisp. The song's "Ring out the old, ring in the new" refrain has invited interpretation as Harrison distancing himself from his past as a member of the Beatles, and as the singer farewelling his first marriage, to Pattie Boyd. As on much of the Dark Horse album, Harrison's vocals on the recording were hampered by a throat condition, due partly to his having overextended himself on business projects such as his recently launched record label, Dark Horse Records. Recorded at his Friar Park studio, the track includes musical contributions from Tom Scott, Ringo Starr, Alvin Lee, Ron Wood and Jim Keltner. On release, the song met with an unfavourable response from many music critics, while others considered its musical and lyrical simplicity to be a positive factor for a contemporary pop hit. For the first time with one of his singles, Harrison made a promotional video for "Ding Dong", which features scenes of him miming to the track at Friar Park while dressed in a variety of Beatle themed costumes. The song still receives occasional airplay over the holiday season. The video appears on the DVD in Harrison's eight disc Apple Years 1968–75 box set, released in September 2014.

George Harrison purchased the 33 acre Friar Park estate, in Henley on Thames, Oxfordshire, in January 1970, and soon afterwards composed "Ballad of Sir Frankie Crisp (Let It Roll)" as a tribute to the property's original owner, an eccentric Victorian lawyer and horticulturalist named Frank Crisp. Harrison included the song on his All Things Must Pass triple album, released in November 1970, by which time he had begun incorporating into his new compositions some of the homilies and aphorisms that Crisp had inscribed around the property, 70 or more years before. A four line verse beginning "Scan not a friend with a microscopic glass" particularly resonated with Harrison, who eventually used it in his 1975 song "The Answer's at the End". It similarly took Harrison several years to turn two inspirational lines of verse from carvings in the house's drawing room into song lyrics. These lines provided the repeated verse in "Ding Dong, Ding Dong": "Ring out the old, ring in the new" – which he took from the carving to the left of the fireplace – and "Ring out the false, ring in the true" – from the one to the right. carved in stone around two matching windows. Sung in imitation of a clock chiming, the chorus lyrics, combined with the message of those of the verse, lend the composition an obvious New Year's theme. Harrison later described the song as "very optimistic", and suggested: "Instead of getting stuck in a rut, everybody should try ringing out the old and ringing in the new  [People] sing about it, but they never apply it to their lives." In the case of "Ding Dong" and other tracks from the Dark Horse album, however, author Simon Leng recognises this haste as an example of Harrison abandoning his careful approach to his own music over the 1973–74 period, while remaining a "painstaking craftsman" on his concurrent projects with Ravi Shankar and the vocal duo Splinter. Preceding this change, elements of the British media had ridiculed Harrison's continued association with the Hare Krishna movement, and some music critics had objected to the overtly spiritual content of his 1973 album Living in the Material World. With his marriage to Pattie Boyd all but over by the summer of 1973,

Harrison recorded the rhythm track for "Ding Dong, Ding Dong" at his home studio, FPSHOT, in late November 1973, during the first sessions for Dark Horse. Aside from himself, on acoustic guitar, the other musicians on the track were Gary Wright (piano), Klaus Voormann (bass), Ringo Starr and Jim Keltner (both on drums) – all of whom had appeared on Living in the Material World earlier in the year. The recording engineer was Phil McDonald. The sessions coincided with a period of domestic turbulence at Friar Park, with Harrison and Boyd both involved in extramarital affairs. They saw in the 1973–74 New Year with a party at Starr's Tittenhurst Park mansion – which was an "absolute dud" of a night, according to their friend Chris O'Dell, due to Harrison having openly declared his love for Starr's wife, Maureen Starkey, a few days before. Boyd recalls that Harrison told her at the party: "Let's have a divorce this year." Harrison's workload ensured that he was rushing to finish Dark Horse in October 1974 before beginning his North American tour with Shankar on 2 November. Described by Leng as "growled", Harrison's rough sounding singing on "Ding Dong" shows the effects of a long standing throat problem. leading to him contracting laryngitis as he simultaneously completed his vocals for the album in Los Angeles and rehearsed for the tour. The female backing singers on the track remain uncredited.

In the United Kingdom, "Ding Dong, Ding Dong" was released as the lead single from Dark Horse on 6 December 1974 (as Apple R 6002). The B side was "I Don't Care Anymore", a non album track that Harrison recorded in a single take, specifically for the single. In the United States, where "Dark Horse" had already been issued in advance of the album, "Ding Dong" was coupled with the instrumental "Hari's on Tour (Express)" and released two days before Christmas (as Apple 1879). Apple issued white label promotional discs to US radio stations, containing a 3:12 edit of the song. The single was available in a picture sleeve consisting of the song lyrics printed on an off white background, with stamped Om symbols and the FPSHOT logo. The record's A side face label included a photo of Harrison's new girlfriend, Olivia Arias, above the song information, whereas the UK single had Harrison's face on both sides. On the Dark Horse LP, the two face labels similarly alternated between a picture of Harrison and one of Arias. Combined with the positioning of "Ding Dong" as the opening track on side two, this detail gave the impression that the song represented Harrison's ushering in of his future wife and a farewell to Boyd. In the album's inner sleeve credits, Harrison listed one of the guitarists on the track as "Ron Would if you let him", a reference to Wood's brief affair with Boyd before she took up with Eric Clapton. He also acknowledged Frank Crisp for having provided "spirit" on the recording. In another farewell to the past, Harrison signed the so called "Beatles Agreement" papers in New York on 19 December, further severing the four former bandmates from the group's legal identity. Rather than the smash hit that Harrison had hoped for, Madinger and Easter write that the single did "remarkably well", however, given that it was issued too late to take advantage of holiday season programming. While not eligible for the Billboard Hot 100, since the magazine compiled a separate Christmas Singles listing in 1971, "Happy Xmas" peaked at number 36 on Cash Boxs Top 100 singles chart, as did "Ding Dong" on the same chart three years later. Harrison's single enjoyed more success internationally, climbing to number 10 in the Netherlands which the company issued after Harrison had moved on to Dark Horse Records. Following Dark Horses CD release in 1992, the song was unavailable in newly remastered form until the Apple Years Harrison reissues, released in September 2014.

The majority of music critics were unimpressed with "Ding Dong, Ding Dong", and its release came in the wake of unfavourable reviews for the North American tour. In keeping with the song's message, Harrison refused to celebrate the past in his concerts by pandering to nostalgia for the Beatles, and many in the mainstream music press criticised the poor state of his voice and his decision to feature Ravi Shankar so heavily in the program. In the UK, BBC DJ John Peel called "Ding Dong" "repetitive and dull" and accused Harrison of complacency, while the NMEs Bob Woffinden derided Dark Horse as "Just stuff and nonsense", adding: "You keep looking for saving graces, for words of enthusiasm to pass on – 'Ding Dong', you begin to think, for all its inane lyrics, has some spirit, but it really is very slight." Harrison's standing there was not helped by the presence of "I Don't Care Anymore" on the B side, In a more favourable review, for Melody Maker, Chris Irwin wrote of the single:
We've come to expect something with more substance than this glorified nursery rhyme from one of the most important musicians of the decade. True, it's catchy with a full chunky sound to bounce it along, but with an undeniable infectiousness of the sort normally associated with chicken pox or measles Curiously, records of such banality have a habit of selling in their zillions and this is bound to be a biggie. Hit. Jim Miller of Rolling Stone condemned Harrison for releasing an album with his voice blown and for his apparent disdain towards the Beatles' legacy. He dismissed the song as "a raspy stab at 'Auld Lang Syne'". In High Fidelity, Mike Jahn wrote that of all the songs on Dark Horse, only "Ding Dong, Ding Dong" registered with him after three listens, but only due to his incredulity at the lyrics. By contrast, Michael Gross, writing in Circus Raves, defended Harrison's move away from the past, saying that Dark Horse matched the critically acclaimed All Things Must Pass, "surpassing it, at times, with its clarity of production and lovely songs", and he praised "Ding Dong", the title track and the Harrison–Ron Wood collaboration "Far East Man" as "all, simply, good songs". Cash Box described the single as a "rocking replacement for 'Auld Lang Syne,' featuring some of George's most inspiring production". The reviewer said that "Optimism reigns supreme and the driving beat makes anything seem possible" and highlighted the "spectacular finale with chimes, saxes and guitars thundering along". Record World said that "Guy Lombardo now has a rock counterpart as Harrison gallops in with a future New fears perennial." In the 1978 edition of The Beatles: An Illustrated Record, Roy Carr and Tony Tyler dismissed the song as "meticulously played emptiness, a charmless reworking of the traditional peal o' bells" before concluding: "A pox on it." Writing in his 1977 book The Beatles Forever, Nicholas Schaffner rued that "the exquisite, painstaking arrangements" of Harrison's earlier albums were absent from Dark Horse, and labelled "Ding Dong" "a string of greeting card clichés with trite music to match".

In his song review for AllMusic, Lindsay Planer writes of "Ding Dong, Ding Dong": "While arguably simplistic, both lyrics and tune boast Harrison's trademark optimism, especially during the affable and repeated chorus of 'Ring out the old/Ring in the new/Ring out the false/Ring in the true.'" Writing for Goldmine in January 2002, Dave Thompson described it as "sweetly simplistic" and "a sterling stab at a Christmas anthem that deserved far better than its low Top 40 chart placings in the U. S. and Britain". In his 2010 book on Harrison for the Praeger Singer Songwriter series, Ian Inglis comments that the song had neither the "overt political message" of Lennon's Christmas single nor the "unashamed commercialism" of Paul McCartney's "Wonderful Christmastime", and writes that "Ding Dong"'s "somewhat halfhearted festive appeal" seems out of place on Dark Horse. Among reviews of the 2014 Apple Years reissue of Dark Horse, Pastes Robert Ham refers to the song as "a Christmas anthem that is as infectious as McCartney's 'Wonderful Christmastime' and as globally minded as Lennon's 'Happy Xmas (War Is Over)'". Conversely, Paul Trynka of Classic Rock singles out "Ding Dong, Ding Dong" as the one song that "embarrasses" on an album that is otherwise "packed with beautiful, small scale moments". Trynka labels it "George's own Frog Chorus", with reference to McCartney's 1984 children's song, "We All Stand Together", and adds: "its clunking glam evokes those horrible 70s TV shows where DJs drool over dollybirds in hotpants." In December 1999, while promoting his album I Wanna Be Santa Claus, Starr hosted a Christmas themed radio show for New York's MJI Broadcasting, during which he featured "Ding Dong" along with the singles by Lennon and McCartney, as well as seasonal recordings by Spector and by a selection of Motown artists. Harrison's track still receives airplay over the Christmas–New Year period. "Ding Dong" never achieved the status of a perennial holiday classic. The film was little seen at the time of release; The video was issued officially on disc eight of Harrison's Apple Years 1968–75 box set in September 2014. Described as "a hoot" by Robert Rodriguez, it conveys what Harrison deemed the "comical" aspect of the song. Leng describes the clip as "sporadically amusing" and says of its content: "As the audiences at the Dark Horse Tour concerts were about to discover, the only 'old' that he wanted to 'ring out' was the Beatles." During these scenes, he plays a mix of guitars, including his famous Rickenbacker 12 string, that Clapton had used on the recording of "While My Guitar Gently Weeps" in September 1968. The Sgt. Pepper portion shows Harrison playing a tuba while, behind him, an Indian man plays a sitar. Harrison is also seen walking around the grounds of Friar Park. Harrison mimes the final choruses inside the house, filmed in close up and surrounded by a cast of "dwarfs, gnomes and other Pythonesque characters". The video was directed by Harrison and filmed by Nick Knowland.