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American actor, comedian, musician, bandleader and conductor (1911–1965)

Lindley Armstrong "Spike" Jones (December 14, 1911 – May 1, 1965) was an American musician, bandleader and conductor specializing in spoof arrangements of popular songs and classical music. Ballads receiving the Jones treatment were punctuated with gunshots, whistles, cowbells, hiccups, burps, and outlandish and comedic vocals. Jones and his band recorded under the title Spike Jones and His City Slickers from the early 1940s to the mid 1950s, and they toured the United States and Canada as "The Musical Depreciation Revue".

Lindley Armstrong Jones was born in Long Beach, California, Young Lindley Jones was given the nickname 'Spike' for being so thin that he was compared to a railroad spike. At the age of 11 he got his first set of drums. As a teenager he played in bands that he formed himself; Jones frequently played in theater pit orchestras. In the 1930s, he joined the Victor Young orchestra and got many offers to appear on radio shows, including Al Jolson's Lifebuoy Program, Burns and Allen, and Bing Crosby's Kraft Music Hall. which played on Bing Crosby's first recording of "White Christmas". He was part of a backing band for songwriter Cindy Walker during her early recording career with Decca Records and Standard Transcriptions. Her song "We're Gonna Stomp Them City Slickers Down" provided the inspiration for the name of Jones's future band. The City Slickers developed from the Feather Merchants, a band led by vocalist clarinetist Del Porter, who took a back seat to Jones during the group's embryonic years. They made experimental records for the Cinematone Corporation and performed publicly in Los Angeles, gaining a small following. Original members included vocalist violinist Carl Grayson, banjoist Perry Botkin, trombonist King Jackson and pianist Stan Wrightsman. The band's early records were issued on RCA Victor's budget priced Bluebird label, but were soon moved to the more prestigious Victor label. They recorded extensively for the company until 1955. They also starred in various radio programs (1945–1949) and in their own NBC and CBS television shows from 1954 to 1961.

In the 1940s, Spike also recorded a comedic song titled "Trailer Annie", about a woman who tries to find a job in the United States military.

Jones's recording, "All I Want for Christmas Is My Two Front Teeth", with a piping vocal by George Rock, was a number one hit in 1948. (Dora Bryan recorded a 1963 variation, "All I Want For Christmas is a Beatle".)

Among the recordings Spike Jones and his City Slickers made in the 1940s were many humorous takes on classical music such as the adaptation of Liszt's Liebestraum No. 3, played at a breakneck pace on unusual instruments. Others followed: Rossini's William Tell Overture was rendered on kitchen implements using a horse race as a backdrop, with one of the "horses" in the "race" likely to have inspired the nickname of the lone chrome yellow painted SNJ aircraft flown by the U. S. Navy's Blue Angels aerobatic team's shows in the late 1940s, "Beetle Bomb". In live shows Spike would acknowledge the applause with complete solemnity, saying "Thank you, music lovers." An LP collection of twelve of these "homicides" was released by RCA (on its prestigious Red Seal label) in 1971 as Spike Jones Is Murdering the Classics. They include such tours de force as Pal Yat Chee (Pagliacci), sung by the Hillbilly humorists Homer and Jethro, Ponchielli's Dance of the Hours, Tchaikovsky's None but the Lonely Heart, Strauss's Blue Danube waltz and Bizet's Carmen. In 1944, RCA Victor released "Spike Jones presents for the Kiddies" version of Tchaikovsky's Nutcracker Suite, in three 10 inch 78 rpm records, P 143, arrangement credited to Joe "Country" Washburne with lyrics by Foster Carling. The set was also issued by RCA Victor on three 7 inch vinyl 45 rpm records in 1949 as WP 143 and on one 45rpm "extended play" record, EPA 143 in 1952. An abridged and re sequenced version of the recording is also included in the aforementioned RCA Red Seal 'classics' album, with the complete original version available on the CD collection Spiked: The Music of Spike Jones.

After appearing as the house band on The Bob Burns Show, Spike got his own radio show on NBC, The Chase and Sanborn Program, as Edgar Bergen's summer replacement in 1945. Frances Langford was co host and Groucho Marx was among the guests. The guest list for Jones's 1947–49 CBS program for Coca Cola (originally The Spotlight Revue, retitled The Spike Jones Show for its final season) included Frankie Laine, Mel Torme, Peter Lorre, Don Ameche and Burl Ives. Frank Sinatra appeared on the show twice October 1, 1948 & December 3, 1948 and Lassie in May 1949. Jones's resident "girlsinger" during this period was Dorothy Shay, "The Park Avenue Hillbillie." One of the announcers on Jones's CBS show was the young Mike Wallace. Writers included Eddie Maxwell, Eddie Brandt and Jay Sommers. The final program in the series was broadcast in June 25, 1949.

While Jones enjoyed the fame and prosperity, he was annoyed that nobody seemed to see beyond the craziness. Determined to show the world that he was capable of producing legitimate "pretty" music, he formed a second group in 1946. Spike Jones and His Other Orchestra played lush arrangements of dance hits. This alternate group played nightclub engagements and was an artistic success, but the paying public preferred the City Slickers and stayed away. Jones wound up paying some of the band's expenses out of his own pocket. Some of the City Slickers band members appeared and recorded with the Other Orchestra, but most of the Other Orchestra personnel consisted of "serious," accomplished studio musicians from the Los Angeles area. The one outstanding recording by the Other Orchestra is "Laura", which features a serious first half (played exquisitely by the Other Orchestra) and a manic second half (played for laughs by the City Slickers). Jones's son, Spike Jones Jr., called attention to the precision of his father's most outlandish musical arrangements: "One of the things that people don't realize about Dad's kind of music is, when you replace a C sharp with a gunshot, it has to be a C sharp gunshot or it sounds awful."

In 1940, Jones had an uncredited bandleading part in the Dead End Kids film Give Us Wings, appearing on camera for about four seconds. As the band's fame grew, Hollywood producers hired the Slickers as a specialty act for feature films, including Thank Your Lucky Stars (1943), Meet the People (1944), Bring on the Girls (1945), Breakfast in Hollywood (1946) and Variety Girl (1947). Jones was set to team with Abbott and Costello for a 1954 Universal Pictures comedy, but when Lou Costello withdrew for medical reasons, Universal replaced the comedy team with look alikes Hugh O'Brian and Buddy Hackett, and promoted Jones to the leading role. The finished film, Fireman Save My Child, turned out to be Spike Jones's only top billed theatrical movie.

In 1942, the Jones gang worked on numerous soundies, musical shorts similar to later music videos which were shown on coin operated projectors in small nightclubs, arcades, malt shops, and taverns. The band appeared on camera under their own name in four of the Soundies ("Clink! Clink! Another Drink", "Pass the Biscuits, Mirandy", "The Sheik of Araby", and "Blacksmith Song"), and, according to musicologist Mark Cantor, provided background music for at least thirteen others. Mel Blanc, the voice of Bugs Bunny and other Warner Brothers cartoon characters, performed a drunken, hiccuping verse for 1942's "Clink! Clink! Another Drink" (reissued in 1949 as "The Clink! Clink! Polka").

Jones saw the potential of television and filmed two half hour pilot films, Foreign Legion and Wild Bill Hiccup, in the summer of 1950. Veteran comedy director Eddie Cline worked on both, but neither was successful. The band fared much better on live television, where their spontaneous antics and crazy visual gags guaranteed the viewers a good time. Spike usually dressed in a suit with an enormous check pattern and was seen leaping around playing a washboard, cowbells, a suite of klaxons and foghorns, then xylophone, then shooting a pistol. The band starred in variety shows, such as The Colgate Comedy Hour (1951, 1955) and their All Star Revue (1952) before being given his own slot by NBC, The Spike Jones Show, which aired early in 1954, and Club Oasis on NBC, in the summer of 1958; and by CBS, as The Spike Jones Show, in the summers of 1957, 1960, and 1961. Jones and his City Slickers also appeared on NBC's The Ford Show, Starring Tennessee Ernie Ford in the episode which aired on November 15, 1956. In 1990, BBC2 screened six compilation shows from these broadcasts; they were subsequently aired on PBS stations.

The virtual disappearance of big bands immediately following the end of World War II and the rise of rock and roll in the early 1950s had a marked effect on Spike Jones's repertoire. Early rock songs were already novelties, and Jones could not spoof them the same way he had lampooned "Cocktails for Two", "Laura" or "Chloe". He played rock music for laughs when he presented "for the first time on television, the bottom half of Elvis Presley!" This was the cue for a pair of pants—inhabited by dwarf actor Billy Barty—to scamper across the stage. Jones was always prepared to adapt to changing tastes. In 1950, when America was nostalgically looking back at the 1920s, Jones recorded a straight album of Charleston arrangements. In 1953, he responded to the growing market for children's records, with tunes aimed directly at kids (like "Socko, the Smallest Snowball"). Over the years, Jones had become increasingly unhappy at RCA Victor due to management censoring his recordings and other matters, and he left the label in 1955. His later recordings were issued by Verve, Liberty and Warner Bros. In 1956, Jones supervised an album of Christmas songs, many of which were performed seriously. In 1957, noting the television success of Lawrence Welk and his dance band, he revamped his own act for television. Gone was the old City Slickers mayhem, replaced by a more straightforward big band sound, with tongue in cheek comic moments. The new band was known as Spike Jones and the Band that Plays for Fun. The last record credited to the City Slickers was the LP Dinner Music for People Who Aren't Very Hungry. Spoken word comedy (Bob Newhart, Mort Sahl, Stan Freberg, Shelley Berman) was the current trend in comedy records. Spike Jones adapted to this, too; most of his later albums are spoken word comedy, including the horror genre sendup Spike Jones in Stereo (1959) and the send up of television programs of the period in Omnibust (1960). Jones remained topical to the last: his final group, Spike Jones's New Band, recorded four LPs of brassy renditions of pop folk tunes of the 1960s (including "Washington Square" and "The Ballad of Jed Clampett"). One of his New Band tracks in 1964 was a cover of "Dominique", a recent hit by The Singing Nun, in which he not only plays part of the melody on a banjo but melds the melody successfully with "When the Saints Go Marching In"

Jones had four children: Linda (by his first wife, Patricia), Spike Jr., Leslie Ann, and Gina, with Helen Grayco. Spike Jr. is a producer of live events and television broadcasts. Leslie Ann is the Director of Music and Film Scoring at George Lucas' Skywalker Ranch in Marin County. Jones was a lifelong heavy smoker, reportedly 4 5 packs a day, and eventually he developed breathing problems, including emphysema. Never the picture of health, his emphysema advanced to the point where he used an oxygen tank both on and offstage and he was confined to a seat behind his drum set while performing. In spite of his illness, he continued smoking until his death on May 1, 1965, at the age of 53. He is interred in Holy Cross Cemetery, Culver City, California. Spike Jones is referenced several times in the American TV series M*A*S*H. In season 2, episode 5, "Dr. Pierce and Mr. Hyde", an exhausted Hawkeye sings a line of "Der Fuehrer's Face" in reference to the great songs that came out of World War II; in the season 8 episode ""Good Bye, Radar: Part 1", when Radar returns from leave in Tokyo to a generator less 4077th, he calls up Sparky to unsuccessfully bargain for a new one with a variety of items, which included some Spike Jones records; and in the season 11 episode "Foreign Affairs," visiting French Red Cross nurse Martine LeClerc (Melinda Mullins), who develops a warm if brief affair with Charles Emerson Winchester III, tells him that she's a huge fan of Spike Jones, which inspires him to admit, in a rare confession, secretly loving Tom and Jerry cartoons. In 1974, Tony Levin (future bass player for King Crimson), recording under the name, The Clams, released a Spike Jones tribute of him giving the songs "Close to You" by The Carpenters and "The First Time Ever I Saw Your Face" by Roberta Flack, the Jones treatment. In 1986, the Belgian synthpop group Telex paid homage to Spike Jones in their album Looney Tunes, with a song named after him. The intro of that song is a part of the intro from "Camptown Races". In 1997, singers Artie Schroeck and Linda November directed a production in Atlantic City titled "The New City Slickers Present a Tribute to Spike Jones", with a band that attempted to re create the style and humor of Jones's music. Both Spike Milligan and Spike Jonze were nick named in reference to Jones.