Роберт МакКимсон: Американдық аниматор және суретшінің өмірі мен шығармалары

American animator (1910–77)

Robert Porter McKimson Sr. (October 13, 1910 – September 29, 1977) was an American animator and illustrator, best known for his work on the Looney Tunes and Merrie Melodies series of cartoons from Warner Bros. Cartoons and later DePatie–Freleng Enterprises. He wrote and directed many animated cartoon shorts starring Bugs Bunny, Daffy Duck, Porky Pig, Foghorn Leghorn, Hippety Hopper, Speedy Gonzales, and the Tasmanian Devil, among other characters. He also developed Bugs Bunny's design in the 1943 short Tortoise Wins by a Hare.

After he was born in Denver, Colorado, on October 13, 1910, McKimson's family variously lived in Wray, Colorado, Los Angeles, and Canadian, Texas, before settling in Los Angeles in 1926. From 1927 to 1928, McKimson and his brother Tom illustrated a prospective children's book written by their mother titled Mouse Tales, the characters of which were notably similar to those of Walt Disney cartoons (e. g. Mickey Mouse). These drawings entered storage in the 1930s, resurfacing six decades later. In mid 1929, Robert was offered a job at Walt Disney Studio as an assistant animator to Dick Lundy, while Tom apprenticed under Norm Ferguson. He was offered a directorial position by Leon Schlesinger in 1938, but declined, allowing the position to go to animator Chuck Jones. McKimson's first Warner Bros. cartoon that he finished, The Return of Mr. Hook, was released in 1945 exclusively for the U. S. Navy. His first theatrical short, Daffy Doodles, was released in early April 1946. His third theatrical short entitled Acrobatty Bunny would be the first Bugs Bunny short McKimson directed. It was released in June 1946. His better known efforts include Hillbilly Hare, A Lad In His Lamp, Stupor Duck, The Windblown Hare, Walky Talky Hawky, and Big Top Bunny. McKimson created characters like Foghorn Leghorn and the Tasmanian Devil, as well as directing every Hippety Hopper/Sylvester pairing. He also created Speedy Gonzales for the 1953 short Cat Tails for Two and directed many others periodically (along with Friz Freleng and other directors) for the remainder of his theatrical career. In June 1953, the Warner Bros. cartoon studio was shut down for a period of six months due to the 3 D fad at the time, which Jack Warner found to be too costly a process to use for animated cartoons. McKimson's unit however was disbanded entirely two months before the shutdown. He would make an Oldsmobile commercial at Cascade Studios around this time. After the studio re opened, Freleng and Jones quickly re assembled their respective units, but there was no indication if McKimson and his unit would be brought back. McKimson was able to convince Warner Bros. to reopening his unit, albeit at the cost of pay cuts. Apart from writer Tedd Pierce, background painter Richard H. Thomas and animator Keith Darling (who worked uncredited for McKimson prior to the 1953 closure), he was unable to hire back most of his animators, including Rod Scribner and his own brother Charles. At the start of this period, McKimson animated on four of his own shorts, The Hole Idea (in fact, he was the sole animator credited on The Hole Idea), Dime to Retire, Too Hop to Handle (along with uncredited work from Jones' animator Ben Washam), and Weasel Stop (where McKimson had no animation credit). Soon, McKimson assembled a new team of artists, including layout man/background painter Robert Gribbroek (formerly of Jones's unit) plus animators Warren Batchelder, Ted Bonnicksen, George Grandpré and Tom Ray. Russ Dyson briefly worked with McKimson in 1956 until Dyson's death that year. McKimson's office in Warner Bros.'s "Termite Terrace" studio was on the second floor.

McKimson continued working at Warner's Cartoon Studio as it began to lose staff (including such key personnel as Jones) in the early 1960s. According to an interview with his son, he generally did not like how things were going at the studio and missed full animation, as well as disliking the new characters in the new shorts. After the studio closed, he joined DePatie–Freleng Enterprises, co owned by his old associate Friz Freleng and David H. DePatie, who had been a producer at the Warners studio. At DePatie–Freleng, McKimson briefly worked in Freleng's unit directing several The Inspector shorts and working on some of the Looney Tunes and Merrie Melodies contracted out to DePatie–Freleng by Warner Bros. In 1967, Warner opened its animation studio again, McKimson re joining its staff in 1968, but the studio was shut down again in 1969. His last Warner Bros. cartoon was Injun Trouble with Cool Cat. It was shortlisted for an Academy Award, but wasn't nominated. Injun Trouble was also the last of the original Looney Tunes or Merrie Melodies cartoon to be produced before the Warner Bros. cartoon studio was closed. McKimson was the one person to be at the studio from the start of the Looney Tunes series through its finish in 1969, first as an animator and then as a director. After a sabbatical, he went back to DePatie–Freleng in 1972 to direct The Pink Panther Show shorts, among their other series.

On the morning of September 27, 1977, McKimson's doctor declared him in good health for a 66 year old (despite having a case of emphysema after years of smoking), and, according to Freleng, McKimson then referred to his family history of living past 90 and bragged, "I'm going to be around after you guys are gone!" On September 29, while having lunch with Freleng and another co worker, David H. DePatie, McKimson suffered a sudden heart attack and died, at age 66. At the time of his death, he had recently completed directing Misterjaw and had begun work on Baggy Pants and the Nitwits. McKimson was buried at Forest Lawn Cemetery in Glendale, California.

McKimson's wife, Viola, died in 1963. Charles was frequently part of McKimson's unit at Warner Bros.