Исмаил Кадаре: Әлбан жазушысының өмірі мен шығармашылығы

Albanian writer (born 1936)

Ismail Kadare (; born 28 January 1936) is an Albanian novelist, poet, essayist, screenwriter, and playwright. He is a leading international literary figure and intellectual. He focused on poetry until the publication of his first novel, The General of the Dead Army, which made him famous internationally. In 1992, Kadare was awarded the Prix mondial Cino Del Duca; in 1998, the Herder Prize; in 2005, the inaugural Man Booker International Prize; in 2009, the Prince of Asturias Award of Arts; and in 2015, the Jerusalem Prize. He was awarded the Park Kyong ni Prize in 2019, and the Neustadt International Prize for Literature in 2020. In 1996, France made him a foreign associate of the Académie des Sciences Morales et Politiques of France, and in 2016, he was a Commandeur de la Légion d'Honneur recipient. He has been nominated for the Nobel Prize in Literature 15 times. Since the 1990s, Kadare has been asked by both major political parties in Albania to become a consensual President of Albania, but has declined. His nominating juror for the Neustadt Prize wrote: "Kadare is the successor of Franz Kafka. No one since Kafka has delved into the infernal mechanism of totalitarian power and its impact on the human soul in as much hypnotic depth as Kadare." His writing has also been compared to that of Nikolai Gogol, George Orwell, Gabriel García Márquez, Milan Kundera, and Balzac. Living in Albania during a time of strict censorship, Kadare devised cunning stratagems to outwit Communist censors who had banned three of his books, using devices such as parable, myth, fable, folk tale, allegory, and legend, sprinkled with double entendre, allusion, insinuation, satire, and coded messages. In 1990, to escape the Communist regime and its Sigurimi secret police he defected to Paris. His works have been published in 45 languages. The New York Times wrote that he was a national figure in Albania comparable in popularity perhaps to Mark Twain in the United States, and that "there is hardly an Albanian household without a Kadare book." Kadare is regarded by some as one of the greatest writers and intellectuals of the 20th and 21st centuries, and as a universal voice against totalitarianism. He is the husband of author Helena Kadare, and the father of United Nations Ambassador, and UN General Assembly Vice President, Besiana Kadare.

Ismail Kadare was born in the Kingdom of Albania during the reign of King Zog I. He was born in Gjirokastër, an historic Ottoman Empire fortress mountain city of tall stone houses in southern Albania, a dozen miles from the border with Greece. He lived there on a crooked, narrow street known as "Lunatics' Lane". His parents were Halit Kadare, a post office employee, and Hatixhe Dobi, a homemaker, who had married in 1933 when his mother was 17 years old. On his mother's side of the family, his great grandfather was a Bejtexhi of the Bektashi Order, known as Hoxhë Dobi. Though he was born into a Muslim family, Kadare himself was an atheist. Three years after Kadare was born, Italian Prime Minister Benito Mussolini's troops invaded Albania and ousted the Albanian King. Italian rule followed. Kadare was nine years old when Italian troops were withdrawn, and the communist led People's Socialist Republic of Albania was established. Kadare attended primary and secondary schools in Gjirokastër. In 1956, Kadare received a teacher's diploma. He lived in Tirana, Albania, until he became a resident of France in 1990. His Tirana apartment was converted into a museum in 2019, showcasing the work and life of the author. He is married to Albanian author Helena Gushi, and has two daughters. His daughter Besiana Kadare is the Albanian Ambassador to the United Nations, Albania's Ambassador to Cuba, and a Vice President of the United Nations General Assembly for its 75th session.

At age 11, Kadare read William Shakespeare's play Macbeth. He recalled years later: "Because I did not yet understand that I could simply purchase it in a bookstore, I copied much of it by hand and took it home. My childhood imagination pushed me to feel like a co author of the play." At age 12, Kadare wrote his first short stories, which were published in the Pionieri (Pioneer) journal in Tirana, a communist magazine for children. In 1954 he published his first collection of poems, Frymëzime djaloshare (Boyish inspirations). In 1957 he published a poetry collection entitled Ëndërrimet (Dreams). At 17, Kadare won a poetry contest in Tirana, which allowed him to travel to Moscow to study at the Maxim Gorky Literature Institute. In Moscow he met writers united under the banner of Socialist Realism—a style of art characterized by the idealized depiction of revolutionary communist values, such as the emancipation of the proletariat. Kadare also had the opportunity to read contemporary Western literature, including works by Jean Paul Sartre, Albert Camus, and Ernest Hemingway. Kadare, however, rejected the canons of Socialist Realism and committed himself internally to writing as opposed to dogmatism. During his time in the Soviet Union, Kadare published a collection of poetry in Russian, and in 1959 also wrote his first novel, Qyteti pa reklama (The City Without Signs), a critique of socialist careerism in Albania. Kadare returned home in October 1960 on Albanian orders, before Albania's breaking of political and economic ties with the USSR. He lived for the next 30 years in Tirana, in an apartment which now houses the Ismail Kadare House museum and archives. He worked as a journalist, became editor in chief of the literary periodical Les Lettres Albanaises (Albanian Letters; published simultaneously in Albanian and French), and then contributed to the literary review Drita for five years, while embarking on a literary career of his own. Kadare wrote one of his earliest pieces in the 1960s, a poem entitled "The Princess Argjiro." Locally inspired, the poem transforms the centuries old myth of the legendary 15th century Princess Argjiro, who was said to have jumped off Gjirokastër Castle along with her child so as to avoid being captured by the Ottomans. It was then banned immediately after publication, contributing to his reputation for "decadence". The novel inspired three films: Luciano Tovoli's 1983 The General of the Dead Army (Il generale dell'armata morta) in Italian starring Marcello Mastroianni and Michel Piccoli, Bertrand Tavernier's 1989 Life and Nothing But (La Vie et rien d’autre) in French starring Philippe Noiret, and Dhimitër Anagnosti's 1989 The Return of the Dead Army (Kthimi i ushtrisë së vdekur) in Albanian starring Bujar Lako. In 1964 he wrote Përse mendohen këto male (What are these mountains thinking about? ).

The General of the Dead Army was Kadare's first great success outside Albania. The French translation by Isuf Vrioni, published in 1970 in Paris by publisher Albin Michel, led to Kadare's international breakthrough. Once the book appeared in France, it was translated into most European languages. After the success of the novel in the West in 1970, the older generation of Albanian writers and dogmatic literary critics became extremely embittered against the "darling of the West": "This novel was published by the bourgeoisie and this cannot be accepted", said a report by the Albanian secret police. Kadare's enemies in the secret police and the old guard of the Albanian Politburo referred to him as an agent of the West, which was one of the most dangerous accusations that could be made in Albania. However, Kadare continued to publish in his home country and became widely promoted there, with frequent references in the Albanian press to new releases and translations of his work, being hailed as a "hero of the new Albanian literature". Kadare's work was described as "treat[ing] many problems preoccupying" Albanian society, and as "mak[ing] use of the revolution as the organizing element of his writing." He was also lauded as having a "revolutionary drive" which "keeps pace with life and fights against old ideas." The novel has been described as "magic realism." The book was heavily publicized in the Albanian press, both domestically and in magazines aimed at promoting Albanian socialism and culture to an international audience, such as New Albania. At this time, he also worked as an editor and contributor to New Albania, an arts and culture magazine which sought to promote Albanian socialism to a worldwide audience. In 1970, Kadare published Kështjella (The Castle or The Siege) which was celebrated in both Albania and Western Europe, seeing a translation into French in 1972. The New York Times called it "an utterly captivating yarn: strange, vivid, ominous, macabre and wise." After his return to Tirana, Kadare increasingly began to publish short novellas. The New York Times, reviewing it, wrote: "Broken April is written with masterly simplicity in a bardic style, as if the author is saying: Sit quietly and let me recite a terrible story about a blood feud and the inevitability of death by gunfire in my country. You know it must happen because that is the way life is lived in these mountains. Insults must be avenged; family honor must be upheld " The novel was made into a 2001 Brazilian movie entitled Behind the Sun (Abril Despedaçado) by filmmaker Walter Salles, set in 1910 Brazil and starring Rodrigo Santoro, which was nominated for a BAFTA Award for Best Film Not in the English Language and a Golden Globe Award for Best Foreign Language Film.

In 1981, Kadare published The Palace of Dreams, an anti totalitarian fantasy novel. In the novel, an authoritarian dystopia (the imaginary U. O. S.; the United Ottoman States) through an enormous bureaucratic entity (the Palace of Dreams) collects every dream in the empire, sorts it, files it, analyses it, and reports the most dangerous ones to the Sultan. Kadare first published an excerpt of the novel as a short story, alongside some of his other new works, in his 1980 collection of four novellas, Gjakftohtësia (Cold bloodedness). The following year, under the same title, Kadare published the completed novel in the second edition of Emblema e dikurshme (Signs of the Past); despite its political themes, it was not censored by the Albanian authorities. After publishing The Palace of Dreams, readers began to draw comparisons between its critique of totalitarianism and the current government of Albania. At a meeting of the Albanian Writers Union, Kadare was accused by the president of the Union of deliberately evading politics by cloaking much of his fiction in history and folklore, and The Palace of Dreams was expressly condemned in the presence of several members of the Albanian Politburo. That same year Kadare finished his novel The Concert, a satirical account of the Sino Albanian split, but it was criticized by the authorities and was not published until 1988. He initiated a process of eliminating Kadare, but backed off due to Western reaction. There was, however, a nightly presence of authorities outside of Kadare's apartment. Albanian historian and scholar Anton Logoreci described Kadare during this time as "a rare sturdy flower growing, inexplicably, in a largely barren patch." In January 1985 Kadare's novel A Moonlit Night was published, only to be banned by the authorities. On 9 April 1985 Hoxha fell into a coma; the next night he died, aged 76. On the evening of the ailing dictator's death, members of the Union of Writers, the Albanian Politburo, and the Central Committee of the Communist Party hastily organized a meeting in order to condemn Kadare's latest novel Moonlit Night. That same year Kadare wrote the novella Agamemnon's Daughter – a direct critique, set in the 1970s, of the oppressive regime in Albania. It was smuggled out of the country, with the help of Kadare's French editor Claude Durand, but was not published until 2003. He had decided to defect because he had become disillusioned with the government of Ramiz Alia, legal opposition was not allowed in Albania, and he had become convinced "that more than any action I could take in Albania, my defection would help the democratization of my country." The New York Times wrote that he was a national figure in Albania comparable in popularity perhaps to Mark Twain in the United States, and that "there is hardly an Albanian household without a Kadare book, and even foreign visitors are presented with volumes of his verse as souvenirs." The official Albanian press agency reacted by issuing a statement on "this ugly act," saying Kadare had placed himself "in the services of the enemies of Albania." After receiving political asylum and settling in France, Kadare continued to write. His exile in Paris was fruitful and enabled him to succeed further, writing both in Albanian and in French. His 1992 novel The Pyramid is a political allegory set in Egypt in the 26th century BC, focusing on intrigues behind the construction of the Great Pyramid of Cheops. In it, Kadare mocked any dictator's love for hierarchy and useless monuments. In some of Kadare's novels, comprising the so called "Ottoman Cycle", the Ottoman Empire is used as the archetype of a totalitarian state. In 1993, the novel was awarded the Prix Méditerranée Étranger in France. In 1994 he began to work on the first bilingual volume of his work with the French publishing house Fayard. The same year he wrote on command, in Paris, for the French editor Flammarion, the essay "La légende des légendes" (The legend of legends) that was immediately translated to French and published in 1995. Kadare's 1996 novel Spiritus marks a narrative and compositional turning point in his literary career. In it, two ghosts return to a post Communist world. It deals with a group of foreigners who are touring Eastern Europe after the fall of Communism and hear exciting rumours during their stay in Albania about the capture of the spirit from the dead. As it turns out, the spirit is in fact a listening device known to the notorious secret service as a "hornet". His 2008 novel The Fall of the Stone City was awarded the Rexhai Surroi Prize in Kosovo, and was shortlisted for the Independent Foreign Fiction Prize in 2013. His semi autobiographical novel The Doll was published in 2020. It focuses on Kadare's complex bonds with his mother and his country. In 1996 he was made a lifetime member of the Academy of Moral and Political Sciences of France (Académie des Sciences Morales et Politiques), one of the five Academies that make up the Institut de France learned society, in the chair vacated by the recently deceased philosopher Karl Popper. In 2003 he received the Ovid Prize international award in Romania, and the Presidential Gold Medal of the League of Prizren from the President of Kosovo. In 2005 he received the inaugural Man Booker International Prize in the United Kingdom for the full body of his work. In his acceptance speech, Kadare said: "We propped each other up as we tried to write literature as if that regime did not exist. Now and again we pulled it off. At other times we didn't." In 2009, Kadare was awarded the Prince of Asturias Award for Literature in Spain, for his literary works. In 2015, Kadare was awarded the bi annual Jerusalem Prize in Israel. Speaking of the relationship between Albania and the Jews, Kadare said: "I come from one of the few countries in the world which helped the Jews during World War II. I believe the number of Jews there grew from 200 at the start of the war to 2,000 by the end. The population always defended the Jews, whether during the kingdom, under Communism, or after it." He noted that during the Holocaust Albanians refused to hand Jews over to the Nazis, and many Albanians went to great lengths to protect Jewish refugees who had fled to Albania. That year he was also awarded the Albanian National Flag Decoration, Albania's highest decoration, by Albanian President Bujar Nishani. He won the 2018 International Nonino Prize in Italy. He won the 2019 Park Kyong ni Prize, from a list of 350 writers, for his literary works during his career. It is an international award based in South Korea. In 2023, he won the America Award in Literature for a lifetime contribution to international writing. That year Kadare was also named Grand Officer (Grand officier) of the Legion of Honor by a special decree of French Prime Minister Emmanuel Macron, and thus was ranked among the 250 world renowned personalities honoured by France. Kadare was nominated for the 2020 Neustadt International Prize for Literature (described as the "American Nobel") in the United States by Bulgarian writer Kapka Kassobova. He was selected as the 2020 laureate by the Prize's jury. He won the 2020 Neustadt International Prize for Literature. His nominating juror wrote: "Kadare is the successor of Franz Kafka. No one since Kafka has delved into the infernal mechanism of totalitarian power and its impact on the human soul in as much hypnotic depth as Kadare." Kadare has received the President of the Republic of Albania "Honor of the Nation" Decoration, and the French state order "Cross of the Legion of Honor". Kadare has been nominated for the Nobel Prize in Literature 15 times.

Kadare is considered to be one of the greatest living writers. The New York Times said his fiction has been compared with that of Gabriel García Márquez, as well as Milan Kundera, and The Christian Science Monitor wrote he has also been compared with Dostoevsky and Isak Dinesen. Kadare's oeuvre is a literature of resistance. He managed to write normal literature in an abnormal country – a Communist dictatorship. He had to struggle to get his literary works published, going against state policy. At times even putting his life at risk. Dissent was not allowed in Albania. Kadare devised numerous subtle strategies and cunning stratagems in order to outwit Communist censors. Kadare challenged Socialist Realism for three decades and opposed it with his subjective realism, avoiding state censorship by using allegorical, symbolic, historical and mythological means. The conditions in which Kadare lived and published his works were not comparable to other European Communist countries where at least some level of public dissent was tolerated. Rather, the situation in Albania was comparable to North Korea or to the Soviet Union in the 1930s under Stalin. Despite this, Kadare used any opportunity to attack the regime in his works, by means of political allegories, which were picked up by educated Albanian readers. Henri Amouroux, a member of the Académie des Sciences Morales et Politiques of France, pointed out that Soviet dissidents including Solzhenitsyn published their works during the era of de Stalinization, whereas Kadare lived and published his works in a country which remained Stalinist until 1990.

By 2020 most of his approximately 80 novels, plays, screenplays, poetry, essays, and story collections had been translated into different languages. Among his best known books are The General of the Dead Army (1963), The Siege (1970), The Ghost Rider (1980), Broken April (1980; blood feuds in the highlands of north Albania), The Palace of Dreams (1981), The Pyramid (1992), and The Successor (2003; regarding the mysterious death of Hoxha's handpicked successor, Mehmet Shehu).

"Literature led me to freedom, not the other way round." "It was only a phrase that went from mouth to mouth and was never quite swallowed." "The days were heavy and sticky. All identical, one the same as the other. Soon they would even get rid of their one remaining distinction, the shell of their names: Monday, Tuesday, Thursday."