Лео X папалығы: тарих және мұрагерлік

Head of the Catholic Church from 1513 to 1521

Pope Leo X (; born Giovanni di Lorenzo de' Medici, 11 December 14751 December 1521) was head of the Catholic Church and ruler of the Papal States from 9 March 1513 to his death, in December 1521. Born into the prominent political and banking Medici family of Florence, Giovanni was the second son of Lorenzo de' Medici, ruler of the Florentine Republic, and was elevated to the cardinalate in 1489. Following the death of Pope Julius II, Giovanni was elected pope after securing the backing of the younger members of the College of Cardinals. Early on in his rule he oversaw the closing sessions of the Fifth Council of the Lateran, but struggled to implement the reforms agreed. In 1517 he led a costly war that succeeded in securing his nephew Lorenzo di Piero de' Medici as Duke of Urbino, but reduced papal finances. In Protestant circles, Leo is associated with granting indulgences for those who donated to reconstruct St. Peter's Basilica, a practice that was soon challenged by Martin Luther's 95 Theses. Leo rejected the Protestant Reformation, and his Papal bull of 1520, Exsurge Domine, condemned Luther's condemnatory stance, rendering ongoing communication difficult. He borrowed and spent money without circumspection and was a significant patron of the arts. Under his reign, Marco Girolamo Vida began composing at the Pope's request a Virgilian Latin epic poem about the life of Jesus called the Christiad, progress was made on the rebuilding of St. Peter's Basilica, and artists such as Raphael decorated the Vatican rooms. Leo also reorganised the Roman University, and promoted Renaissance humanist study of literature, poetry, and Classics. He died in 1521 and is buried in Santa Maria sopra Minerva, Rome. He was the last pope not to have been in priestly orders at the time of his election to the papacy.

Giovanni di Lorenzo de' Medici was born on 11 December 1475 in Florence, the second son of Lorenzo the Magnificent, head of the Florentine Republic, and Clarice Orsini. From an early age Giovanni was destined for an ecclesiastical career. He received the tonsure at the age of seven and was soon granted rich benefices and preferments. His father, Lorenzo de' Medici, was worried about his character early on and wrote a letter to Giovanni to warn him to avoid vice and luxury at the beginning of his ecclesiastical career. Here is a notable excerpt: "There is one rule which I would recommend to your attention in preference to all others. Rise early in the morning. This will not only contribute to your health, but will enable you to arrange and expedite the business of the day; and as there are various duties incident to".

His father prevailed on his relative Pope Innocent VIII to name him cardinal of Santa Maria in Domnica on 9 March 1489 when he was age 13, although he was not allowed to wear the insignia or share in the deliberations of the college until three years later. Meanwhile, he received an education at Lorenzo's humanistic court under such men as Angelo Poliziano, Pico della Mirandola, Marsilio Ficino and Bernardo Dovizio Bibbiena. From 1489 to 1491 he studied theology and canon law at Pisa. On 23 March 1492, he was formally admitted into the Sacred College of Cardinals and took up his residence at Rome, receiving a letter of advice from his father. The death of Lorenzo on the following 8 April temporarily recalled the 16 year old Giovanni to Florence. He returned to Rome to participate in the conclave of 1492 which followed the death of Innocent VIII, and unsuccessfully opposed the election of Cardinal Rodrigo Borgia as Pope Alexander VI. He subsequently made his home with his elder brother Piero in Florence throughout the agitation of Girolamo Savonarola and the invasion of Charles VIII of France, until the uprising of the Florentines and the expulsion of the Medici in November 1494. While Piero found refuge at Venice and Urbino, Giovanni traveled in Germany, in the Netherlands, and in France. In May 1500, he returned to Rome, where he was received with outward cordiality by Pope Alexander VI, and where he lived for several years immersed in art and literature. In 1503 he welcomed the accession of Pope Julius II to the pontificate; the death of Piero de' Medici in the same year made Giovanni head of his family. On 1 October 1511, he was appointed papal legate of Bologna and the Romagna, and when the Florentine republic declared in favour of the schismatic Pisans, Julius II sent Giovanni (as legate) with the Papal army venturing against the French. The French won a major battle and captured Giovanni. This and other attempts to regain political control of Florence were frustrated until a bloodless revolution permitted the return of the Medici. Giovanni's younger brother Giuliano was placed at the head of the republic, but Giovanni managed the government.

Giovanni was elected pope on 9 March 1513, and this was proclaimed two days later. The absence of the French cardinals effectively reduced the election to a contest between Giovanni (who had the support of the younger and noble members of the college) and Raffaele Riario (who had the support of the older group). On 15 March 1513, he was ordained priest, and consecrated as bishop on 17 March. He was crowned pope on 19 March 1513 at the age of 37. He was the last non priest to be elected pope.

Leo had intended his younger brother Giuliano and his nephew Lorenzo for brilliant secular careers. He had named them Roman patricians; the latter he had placed in charge of Florence; the former, for whom he planned to carve out a kingdom in central Italy of Parma, Piacenza, Ferrara and Urbino, he had taken with himself to Rome and married to Filiberta of Savoy. The death of Giuliano in March 1516, however, caused the pope to transfer his ambitions to Lorenzo. At the very time (December 1516) that peace between France, Spain, Venice and the Habsburg monarchy seemed to give some promise of a Christendom united against the Turks, Leo obtained 150,000 ducats towards the expenses of the expedition from Henry VIII of England, in return for which he entered the imperial league of Spain and England against France. The war lasted from February to September 1517 and ended with the expulsion of the duke and the triumph of Lorenzo; but it revived the policy of Alexander VI, increased brigandage and anarchy in the Papal States, hindered the preparations for a crusade and wrecked the papal finances. Francesco Guicciardini reckoned the cost of the war to Leo at the sum of 800,000 ducats. Ultimately, however, Lorenzo was confirmed as the new duke of Urbino. Pope Leo X died on 1 December 1521, so suddenly that the last sacraments could not be administered; but the contemporary suspicions of poison were unfounded. He was buried in Santa Maria sopra Minerva. He had a musical and pleasant voice and a cheerful temper. He was eloquent in speech and elegant in his manners and epistolary style. He enjoyed music and the theatre, art and poetry, the masterpieces of the ancients and the creations of his contemporaries, especially those seasoned with wit and learning. He especially delighted in ex tempore Latin verse making (at which he excelled) and cultivated improvisatori. He is said to have stated, "Let us enjoy the papacy since God has given it to us", Ludwig von Pastor says that it is by no means certain that he made the remark; and historian Klemens Löffler says that "the Venetian ambassador who related this of him was not unbiased, nor was he in Rome at the time." However, there is no doubt that he was by nature pleasure loving and that the anecdote reflects his casual attitude to the high and solemn office to which he had been called. On the other hand, in spite of his worldliness, Leo prayed, fasted, went to confession before celebrating Mass in public, and conscientiously participated in the religious services of the Church. To the virtues of liberality, charity, and clemency he added the Machiavellian qualities of deception and shrewdness, so highly esteemed by the princes of his time. The character of Leo X was formerly assailed by lurid aspersions of debauchery, murder, impiety, and atheism. In the 17th century it was estimated that 300 or 400 writers, more or less, reported (on the authority of a single polemical anti Catholic source) a story that when someone had quoted to Leo a passage from one of the Four Evangelists, he had replied that it was common knowledge "how profitable that fable of Christe hath ben to us and our companie". These aspersions and more were examined by William Roscoe in the 19th century (and again by Ludwig von Pastor in the 20th) and rejected. Nevertheless, even the eminent philosopher David Hume, while claiming that Leo was too intelligent to believe in Catholic doctrine, conceded that he was "one of the most illustrious princes that ever sat on the papal throne. Humane, beneficent, generous, affable; the patron of every art, and friend of every virtue". Martin Luther, in a conciliatory letter to Leo, himself testified to Leo's universal reputation for morality:

The final report of the Venetian ambassador Marino Giorgi supports Hume's assessment of affability and testifies to the range of Leo's talents. Bearing the date of March 1517 it indicates some of his predominant characteristics:

Leo X's love for all forms of art stemmed from the humanistic education he received in Florence, his studies in Pisa and his extensive travel throughout Europe when a youth. He loved the Latin poems of the humanists, the tragedies of the Greeks and the comedies of Cardinal Bibbiena and Ariosto, while relishing the accounts sent back by the explorers of the New World. Yet "Such a humanistic interest was itself religious. In the Renaissance, the vines of the classical world and the Christian world, of Rome, were seen as intertwined. It was a historically minded culture where artists' representations of Cupid and the Madonna, of Hercules and St. Peter could exist side by side".

Pastor says that "From his youth, Leo, who had a fine ear and a melodious voice, loved music to the pitch of fanaticism". As pope he procured the services of professional singers, instrumentalists and composers from as far away as France, Germany and Spain. Next to goldsmiths, the highest salaries recorded in the papal accounts are those paid to musicians, who also received largesse from Leo's private purse. Their services were retained not so much for the delectation of Leo and his guests at private social functions as for the enhancement of religious services on which the pope placed great store. The standard of singing of the papal choir was a particular object of Leo's concern, with French, Dutch, Spanish and Italian singers being retained. Large sums of money were also spent on the acquisition of highly ornamented musical instruments, and he was especially assiduous in securing musical scores from Florence. He also fostered technical improvements developed for the diffusion of such scores. Ottaviano Petrucci, who had overcome practical difficulties in the way of using movable type to print musical notation, obtained from Leo X the exclusive privilege of printing organ scores (which, according to the papal brief, "adds greatly to the dignity of divine worship") for a period for 15 years from 22 October 1513. In addition to fostering the performance of sung Masses, he promoted the singing of the Gospel in Greek in his private chapel.

Even those who defend him against the more outlandish attacks on his character acknowledge that he partook of entertainment such as masquerades, "jests," fowling, and hunting boar and other wild beasts. According to one biographer, he was "engrossed in idle and selfish amusements". Leo indulged buffoons at his Court, but also tolerated behaviour which made them the object of ridicule. One case concerned the conceited improvisatore Giacomo Baraballo, Abbot of Gaeta, who was the butt of a burlesque procession organised in the style of an ancient Roman triumph. Baraballo was dressed in festal robes of velvet and with ermine and presented to the pope. He was then taken to the piazza of St Peter's and was mounted on the back of Hanno, a white elephant, the gift of King Manuel I of Portugal. The magnificently ornamented animal was then led off in the direction of the Capitol to the sound of drums and trumpets. But while crossing the bridge of Sant'Angelo over the Tiber, the elephant, already distressed by the noise and confusion around him, shied violently, throwing his passenger onto the muddy riverbank below.

Leo's most recent biographer, Carlo Falconi, says Leo hid a private life of moral irregularity behind a mask of urbanity. Scabrous verse libels of the type known as pasquinades were particularly abundant during the conclave which followed Leo's death in 1521 and made imputations about Leo's unchastity, implying or asserting homosexuality. Suggestions of homosexual attraction appear in works by two contemporary historians, Francesco Guicciardini and Paolo Giovio. Zimmerman notes Giovio's "disapproval of the pope's familiar banter with his chamberlains – handsome young men from noble families – and the advantage he was said to take of them." Luther spent a month in Rome in 1510, three years before Leo became pontiff, and was disillusioned at the corruption he found there. In 1520, the year before his excommunication from the Catholic Church, Luther claimed that Leo lived a "blameless life." Against this allegation is the papal bull Supernae dispositionis arbitrio from 1514 which, inter alia, required cardinals to live " soberly, chastely, and piously, abstaining not only from evil but also from every appearance of evil" and a contemporary and eye witness at Leo's Court (Matteo Herculaneo), emphasized his belief that Leo was chaste all his life. Historians have dealt with the issue of Leo's sexuality at least since the late 18th century, and few have given credence to the imputations made against him in his later years and decades following his death, or else have at least regarded them as unworthy of notice; without necessarily reaching conclusions on whether he was homosexual. Those who stand outside this consensus generally fall short of concluding with certainty that Leo was unchaste during his pontificate. Joseph McCabe accused Pastor of untruthfulness and Vaughan of lying in the course of their treatment of the evidence, pointing out that Giovio and Guicciardini seemed to share the belief that Leo engaged in "unnatural vice" (homosexuality) while pope.

Leo X made charitable donations of more than 6,000 ducats annually to retirement homes, hospitals, convents, discharged soldiers, pilgrims, poor students, exiles, cripples, and the sick and unfortunate.

Pope Leo X died suddenly of pneumonia at the age of 45 on 1 December 1521 and was buried in Santa Maria sopra Minerva in Rome. His death came just 10 months after he had excommunicated Martin Luther, the seminal figure in the Protestant Reformation, who was accused of 41 errors in his teachings. Leo X's personal spending was likewise vast. For 1517, his personal income is recorded as 580,000 ducats, of which 420,000 came from the states of the Church, 100,000 from annates, and 60,000 from the composition tax instituted by Sixtus IV. These sums, together with the considerable amounts accruing from indulgences, jubilees, and special fees, vanished as quickly as they were received. To remain financially solvent, the Pope resorted to desperate measures: instructing his cousin, Cardinal Giulio de' Medici, to pawn the Papal jewels; palace furniture; tableware; and even statues of the apostles. Additionally, Leo sold cardinals' hats; memberships to a fraternal order he invented in 1520, the Papal Knights of St. Peter and St. Paul; and borrowed such immense sums from bankers that upon his death, many were ruined. At Leo's death, the Venetian ambassador Gradenigo estimated the number of the Church's paying offices at 2,150, with a capital value of approximately 3,000,000 ducats and a yearly income of 328,000 ducats.

Leo X raised the Church to a high rank as the friend of whatever seemed to extend knowledge or to refine and embellish life. He made the capital of Christendom, Rome, a centre of European culture. While yet a cardinal, he had restored the church of Santa Maria in Domnica after Raphael's designs; and as pope he had San Giovanni dei Fiorentini, on the Via Giulia, built, after designs by Jacopo Sansovino and pressed forward the work on St Peter's Basilica and the Vatican under Raphael and Agostino Chigi. Leo's constitution of 5 November 1513 reformed the Roman university, which had been neglected by Julius II. He restored all its faculties, gave larger salaries to the professors, and summoned distinguished teachers from afar; and, although it never attained to the importance of Padua or Bologna, it nevertheless possessed in 1514 a faculty (with a good reputation) of eighty eight professors. Leo called Janus Lascaris to Rome to give instruction in Greek, and established a Greek printing press from which the first Greek book printed in Rome appeared in 1515. He made Raphael custodian of the classical antiquities of Rome and the vicinity, the ancient monuments of which formed the subject of a famous letter from Raphael to the pope in 1519. The distinguished Latinists Pietro Bembo and Jacopo Sadoleto were papal secretaries, as well as the famous poet Bernardo Accolti. Other poets, such as Marco Girolamo Vida, Gian Giorgio Trissino and Bibbiena, writers of novelle like Matteo Bandello, and a hundred other literati of the time were bishops, or papal scriptors or abbreviators, or in other papal employs.

Several minor events of Leo's pontificate are worthy of mention. He was particularly friendly with King Manuel I of Portugal as a result of the latter's missionary enterprises in Asia and Africa. Pope Leo X was granted a large embassy from the Portuguese king furnished with goods from Manuel's colonies. His concordat with Florence (1516) guaranteed the free election of the clergy in that city. His constitution of 1 March 1519 condemned the King of Spain's claim to refuse the publication of papal bulls. He maintained close relations with Poland because of the Turkish advance and the Polish contest with the Teutonic Knights. His bull of July 1519, which regulated the discipline of the Polish Church, was later transformed into a concordat by Clement VII. Leo showed special favours to the Jews and permitted them to erect a Hebrew printing press in Rome. Under Daniel Bomberg, that press produced manuscripts of the Talmud and Mikraot Gedolot with Leo's approval and protection. He approved the formation of the Oratory of Divine Love, a group of pious men in Rome which later became the Theatine Order, and he canonized Francis of Paola.

In the 1965 film The Agony and the Ecstasy, Pope Leo is played, while still a Cardinal, by actor Adolfo Celi.