Synclavier: Алғашқы цифрлық синтезатор және музыкалық жұмыс станциясы

Early digital synthesizer

The Synclavier is an early digital synthesizer, polyphonic digital sampling system, and music workstation manufactured by New England Digital Corporation of Norwich, Vermont. It was produced in various forms from the late 1970s into the early 1990s. The instrument has been used by prominent musicians.

The original design and development of the Synclavier prototype occurred at Dartmouth College with the collaboration of Jon Appleton, Professor of Digital Electronics, Sydney A. Alonso, and Cameron Jones, a software programmer and student at Dartmouth's Thayer School of Engineering.

First released in 1977–78, it proved to be highly influential among both electronic music composers and music producers, including Mike Thorne, an early adopter from the commercial world, due to its versatility, its cutting edge technology, and distinctive sounds. The early Synclavier I used FM synthesis, re licensed from Yamaha, and was sold mostly to universities. The initial models had only a computer and synthesis modules; later models added a musical keyboard and control panel.

The system evolved in its next generation of product, the Synclavier II, which was released in early 1980 with the strong influence of music producer Denny Jaeger of Oakland, California. It was originally Jaeger's suggestion that the FM synthesis concept be extended to allow four simultaneous channels or voices of synthesis to be triggered with one key depression to allow the final synthesized sound to have much more harmonic series activity. This change greatly improved the overall sound design of the system and was very noticeable. 16 bit user sampling (originally in mono only) was added as an option in 1982. This model was succeeded by the ABLE Model C computer based PSMT in 1984 and then the Mac based 3200, 6400 and 9600 models, all of which used the VPK keyboard.

Synclavier II models used an on/off type keyboard (called the "ORK") while later models, labeled simply "Synclavier", used a weighted velocity and pressure sensitive keyboard (called the "VPK") that was licensed from Sequential Circuits and used in their Prophet T8 synthesizer.

The company evolved the system continuously through the early 1980s to integrate the first 16 bit digital sampling system to magnetic disk, and eventually a 16 bit polyphonic sampling system to memory, as well. The company's product was the only digital sampling system that allowed sample rates to go as high as 100 kHz.

Ultimately, the system was referred to as the Synclavier Digital Recording "Tapeless Studio" system among many professionals. It was a pioneer system in revolutionizing movie and television sound effects and Foley effects methods of design and production starting at Glen Glenn Sound. Although pricing made it inaccessible for most musicians (a Synclavier could cost anywhere from $25,000 to $200,000), it found widespread use among producers and professional recording studios, competing at times in this market with high end production systems such as the Fairlight CMI.

When the company launched and evolved its technology, there were no off the shelf computing systems, integrated software, nor sound cards. Consequently, all of the hardware from the company's main real time CPU, all input and output cards, analog to digital and digital to analog cards and its memory cards were developed internally, as well as all of the software. The hardware and software of the company's real time capability was used in other fields completely remote to music, such as the main Dartmouth College campus computing node computers for one of the USA's first campus wide computing networks, and in medical data acquisition research projects.

New England Digital ceased operations in 1993. According to Jones, "The intellectual property was bought up by a bank—then it was owned by a Canadian company called Airworks—and I bought the intellectual property and the trademark back from a second bank which had foreclosed on it from Airworks."

In 2019, Jones released an iOS version of the Synclavier dubbed Synclavier Go! using much of the original code base. Jones has also worked with Arturia to bring the Synclavier V software version of the instrument to their V Collection plugin suite. In 2022, Synclavier Digital released and started production on the Regen, a desktop FM synthesizer.

Dartmouth Digital Synthesizer (1973) It used a variant of XPL called Scientific XPL for programming. Early applications of the ABLE were for laboratory automation, data collection, and device control. The commercial version of the Dartmouth Digital Synthesizer, the Synclavier, was built on this processor.

The FM/Additive synthesis waveforms are produced by the Synclavier Synthesizer cards (named SS1 through SS5). Each set of these five cards produced 8 mono FM voices (later variants supported stereo). The processor handles sending start stop setPitch setParameter commands to the SS card set(s), as well as handling scanning of the keyboard and control panel. There is little public documentation available on these cards, as their design was the unique asset of the Synclavier. However, their structure was similar to other digital synthesizers of the mid late 1970s realized in Medium Scale Integration (MSI) hardware, such as the Bell Labs Digital Synthesizer.