Exotica (film)

1994 film by Atom Egoyan

Exotica is a 1994 Canadian film written and directed by Atom Egoyan, and starring Bruce Greenwood, Mia Kirshner, Don McKellar, Arsinée Khanjian, and Elias Koteas. Set primarily in the fictional Exotica strip club in Toronto, the film concerns a father grieving over the loss of a child and his obsession with a young stripper. It was inspired by Egoyan's curiosity about the role strip clubs play in sex obsessed societies. Exotica was filmed in Toronto in 1993. Marketed as an erotic thriller on its release in Canada and the United States, the film proved to be a major box office success for English language Canadian cinema, and received positive reviews. It won numerous awards, including the FIPRESCI Prize at the Cannes Film Festival and eight Genie Awards, including Best Motion Picture.

Francis Brown, a tax auditor for Revenue Canada, is a regular visitor to a Toronto strip club called Exotica. He always has Christina, an exotic dancer dressed in a schoolgirl uniform, give him a private dance. This inspires the jealousy of the club's DJ, Eric, Christina's former boyfriend who has also impregnated the club's owner, Zoe. While at the club, Francis pays his brother Harold's teenage daughter, Tracey, to "babysit". However, Francis has no children and the girl merely practices music alone on his piano until Francis returns and drives her home. Francis' relationship with Harold is strained, as Francis learned that Harold and Francis' wife were having an affair after she died in a car accident, which also left Harold a paraplegic. Francis' daughter Lisa was kidnapped and murdered a few months before the accident, and he was one of the suspects but was later exonerated. These events have left a huge psychological scar on Francis. In his professional life, Francis is sent to audit an exotic pet store owned and operated by Thomas Pinto, an introverted gay man profiting from the illegal import of a rare bird species. Thomas has been smuggling hyacinth macaw eggs, and his operation has afforded him hundreds of thousands of dollars a year, spurring suspicion from Canadian authorities. Francis soon discovers these illegal activities in Thomas' financial records. Francis is eventually banned from Exotica when Eric manipulates him into touching Christina during one of her dances, violating the club's rules. Having realized that Eric intentionally set out to get Francis banned from the club, he vows to murder him. Armed with the knowledge of Thomas's tax evasion, Francis blackmails Thomas into visiting Exotica, and instructs him to touch Christina during one of her dances, so that Thomas too will be thrown out of the club; Francis intends to use this as an opportunity to infiltrate the club and murder Eric. Francis affixes Thomas with a wiretap so that he can listen in on Thomas's visit to Exotica. While Christina gives Thomas a lap dance, he attempts to glean information from her, and the two have a conversation which Francis listens to from his parked car. Christina explains to Thomas that she and Francis share a relationship of mutual dependency, and reveals to Thomas personal details about Francis's life, specifically his daughter's murder. A distraught Francis exits his car and waits for Eric outside the club. Confronting Eric with a gun, Francis is defused when Eric reveals he and Christina, who met each other while volunteering in a search party for the missing Lisa, were the ones who discovered Lisa's dead body. Francis embraces Eric. In a flashback, Francis drives a teenage Christina—who, at that time, worked for Francis and his wife as Lisa's babysitter—to her parents' home. During these routine drives, Francis would often comfort Christina over her troubled home life. As Francis drops Christina off at her house, he assures her that she can always confide in him.

Art directors Richard Paris and Linda Del Rosario built the Exotica strip club set in an unused room in the Party Centre, a Toronto building, with construction commencing in May 1993. During production, several people arrived at the set believing it was a real club. The cinematography was done by Paul Sarossy, with Egoyan saying the goal of the camerawork was to capture the perspective of a missing character, in this case Francis' dead daughter. Principal photography was completed by July. with influences from classical music in India. In the United States, the film was initially released by Miramax Films in six cities; its distributors were impressed when Exotica grossed $14,379 per screen, allowing for a broader release to 433 screens. Miramax Films marketed the film as an erotic thriller. Egoyan stated that he was "very demanding that the image of Christina dressed as a schoolgirl won't be used on any posters, because it's an image that only makes sense in the context of the film", adding that he was "aware of how [the image] could be abused." Egoyan also commented that he felt "I don't think it's an erotic film at all. You begin by assuming the relationship between Francis and Christina is perverse, that he has a pedophiliac attraction to her. When you realize what is actually going on, it's platonic in the truest sense." In the United States, it was initially released in 500 theatres.

On home video, Exotica went out of print in Canada for years, but was available on DVD in England through the company Network. In 2012, Alliance Films released the film on DVD and Blu ray in Canada, with commentary from Egoyan and Danna.

The film grossed $32,856 in its opening weekend in Toronto. By 1995, Exotica had grossed $1.75 million in Canada, a substantial sum for English language Canadian cinema.

Exotica received positive reviews from critics. Rotten Tomatoes retrospectively collected 39 reviews and gave the film an approval rating of 95%, with an average rating of 8.3/10. The website's critics consensus reads, "Exotica simmers with sex and obsession, while successfully doubling as an extreme character study." On Metacritic, the film holds a weighted average score of 72 out of 100 based on 25 reviews, indicating "generally favorable reviews". Roger Ebert gave the film four stars upon the film's initial release, calling it "a movie labyrinth, winding seductively into the darkest secrets of a group of people who should have no connection with one another, but do". He judged it Egoyan's best film to date and said Mia Kirshner "combines sexual allure with a kindness that makes her all the more appealing". In 2009, Ebert added the film to his Great Movies list, calling it a "deep, painful film about those closed worlds of stage managed lust". Jonathan Rosenbaum called it "A must see" and "lush and affecting", praising the score, the set and the camera movements. Leonard Klady, writing for Variety, called it "a haunting, chilling experience", albeit with an ending that was "anticlimactic, fuzzy and considerably less than a knockout emotional punch". Entertainment Weekly gave the film a B+, concluding "Like Christina's dance, the movie is a gorgeous tease, an artful promise of something that never quite arrives". Desson Howe, writing for The Washington Post, said it "starts off promisingly, but eventually sinks into its own convoluted oblivion". Peter Travers of Rolling Stone wrote "Exotica is Egoyan's most accomplished and seductive film to date", and less flashy than the upcoming Showgirls (1995) promised to be. B. Ruby Rich of The Advocate wrote the film is "a jigsaw puzzle of the emotions in which sex spells out whole language of human behavior", and said the cast, including Kirshner and Don McKellar, "rivet our attention on these characters". Critics complimented use of the song "Everybody Knows" by Leonard Cohen. In 2001, Girish Shambu, writing for Senses of Cinema, said "Atom Egoyan's sad, elegant Exotica (1994) is at once intimate and remote, concrete and abstract", praising Bruce Greenwood for "quiet gravity" and Sarah Polley as "precociously perfect". In 2002, readers of Playback voted it the seventh greatest Canadian film ever made. In 2012, Jeff Heinrich of the Montreal Gazette gave the film five stars, calling it "An utterly hypnotic, X rated art film" with a "haunting score". In 2015, The Daily Telegraph named Exotica as one of "the 10 best (and worst) stripper movies", calling Egoyan "a then wunderkind of Canadian cinema" and noting the film won awards at both Cannes and the AVN Awards, which are for pornography. In 2001, an industry poll conducted by Playback named it the fifth best Canadian film of the preceding 15 years.

At the 1994 Cannes Film Festival, Exotica won the FIPRESCI Prize, the first time an English language Canadian film had won the honour. At the 1994 Genie Awards, the film won eight prizes, including Best Motion Picture and Best Director and Best Original Screenplay for Egoyan. Award Date of ceremony Category Recipients Result Ref. (References) AVN Awards 1996 Best Alternative Adult Film Atom Egoyan Belgian Film Critics Association 1995 Grand Prix Canadian Society of Cinematographers 1994 Best Cinematography in Theatrical Feature Paul Sarossy Cannes Film Festival 12–23 May 1994 FIPRESCI Prize Atom Egoyan Best Screenplay French Syndicate of Cinema Critics 1995 Best Foreign Film Genie Awards 1994 Best Motion Picture Atom Egoyan and Camelia Frieberg Best Direction Atom Egoyan Best Actor Elias Koteas Best Supporting Actor Don McKellar Best Original Screenplay Atom Egoyan Best Art Direction Richard Paris and Linda Del Rosario Best Cinematography Paul Sarossy Best Costume Design Linda Muir Best Editing Susan Shipton Best Sound Daniel Pellerin, Keith Elliott, Peter Kelly and Ross Redfern Best Sound Editing Sue Conley, Andy Malcolm, Paul Shikata, Peter Winninger and Steve Munro Best Original Score Mychael Danna Independent Spirit Awards 23 March 1996 Best Foreign Film Atom Egoyan Toronto International Film Festival 8–17 September 1994 Best Canadian Feature Film