Руфус Уэйнрайт (альбом, 1998)

1998 studio album by Rufus Wainwright

Rufus Wainwright is the debut studio album by Canadian American singer songwriter Rufus Wainwright, released in the United States on May 19, 1998, through DreamWorks Records. The album was produced by Jon Brion, with the exception of "In My Arms", which was produced and mixed by Pierre Marchand, and "Millbrook" and "Baby", which were produced by Brion and Van Dyke Parks. Lenny Waronker was the album's executive producer. Wainwright was signed to the DreamWorks label in 1996 after Waronker heard the demo tape he recorded with Marchand. Over the course of two years, Wainwright and Brion recorded 56 songs on 62 rolls of tape at a cost that exceeded $700,000. These were then narrowed down to twelve tracks for the album. No singles were released from Rufus Wainwright, though Sophie Muller directed the music video for "April Fools", which featured Wainwright in Los Angeles attempting to prevent the deaths of opera heroines. To support the album, Wainwright toured throughout the United States and Canada following its release. Overall, reviews for the album were positive. Though it failed to chart in any country, Wainwright reached number 24 on Billboard Top Heatseekers chart (which highlights sales by new and developing musical recording artists) and Rolling Stone named Wainwright the Best New Artist of 1998. Rufus Wainwright also earned him recognition from the Gay & Lesbian American Music Awards, the GLAAD Media Awards, and the Juno Awards. The album was released in Japan with the bonus track "A Bit of You", and later in 2008 in LP form through the record label Plain Recordings.

Wainwright, born into a musical family which included parents Loudon Wainwright III and Kate McGarrigle and sister Martha Wainwright, began touring in his early teens with his family throughout Canada, Europe, and the United States. At age fourteen, his song "I'm a Runnin, written for the 1988 Canadian film Tommy Tricker and the Stamp Traveller, earned him a Genie Award nomination for Best Achievement in Music – Original Song and a Juno Award nomination in 1990 for Most Promising Male Vocalist of the Year. Wainwright attended McGill University in Montreal for a short time to study Classical music composition. With his mother's support, he began writing pop songs and learned how to play guitar. Wainwright started performing at the night club Sarajevo, and eventually recorded a demo tape with record producer Pierre Marchand, a family friend, who had worked with Kate and Anna and who later produced Wainwright's second studio album Poses. Songs were recorded at Marchand's studio in Morin Heights, Quebec, and no edits were made to the simple live tunes. The tape impressed Wainwright's father, who passed the songs along to producer Van Dyke Parks, who in turn presented them to DreamWorks executive Lenny Waronker. Waronker had signed McGarrigle to Warner Bros. Records in the 1970s. Wainwright acknowledged that having musicians as parents gave him a "foot in the door", but attributed his success to hard work. Costs for the recording sessions reached between $700,000 and $1,000,000. According to Wainwright, Waronker "didn't care how long it took, as long as we were doing good work." Songs on the album were produced by Brion, except "In My Arms" was produced and mixed by Marchand, and "Millbrook" and "Baby" were produced by Brion and Van Dyke Parks. Waronker served as the executive producer. Rufus Wainwright was recorded mostly in Los Angeles studios—Ocean Way studios 3 and 7, Sunset Sound Factory, Sunset Sound, Media Vortex, Hook Studios, Groove Masters, Red Zone, Sony, The Palindrome Recorder, and NRG Recording Services—although recording also took place in Marchand's Wild Sky in Morin Heights, Quebec. Johns later considered "Le Roi D'Ys", recorded in around six hours, to be one of his favorite tracks by Wainwright. In December 1998, Wainwright appeared in a Gap television advertisement in which he performed Frank Loesser's 1947 song "What Are You Doing New Year's Eve?" In 1999, he was one of several featured artists promoted by Best Buy as part of a campaign to promote young talent. The album was re issued in 2008 in LP form through the record label Plain Recordings. He asserted that Wainwright's lyrics took the form of a letter to himself, defining his goals and "sense of purpose". According to biographer Kirk Lake, "Danny Boy" is a companion piece to "Foolish Love" and together they represent the start and end of a relationship between a gay and a straight man. Danny, the straight "drug addled" title figure with whom Wainwright had a three year relationship, is the subject of both songs in addition to others on the album; he appears in the album's collage artwork. Wainwright sings of being so blinded by love that he fails to notice the "ship with eight sails" threatening to come around the bend, a reference to Bertolt Brecht's 1928 musical The Threepenny Opera. The song showcases Jim Keltner's drum performance as well as Wainwright's piano playing. The song "Millbrook" is an ode to his boarding school compatriots. Wainwright has admitted to being "upset and drunk" when recording the final take. "Baby", which has been considered one of the most melancholic songs on the album, contains "oddly placed" and "slightly quirky" major seventh chords. Greenwald called the lyrics "a stream of consciousness pleasure, relating the confusing and intoxicating emotions of young love". "Beauty Mark" is an ode to Wainwright's mother, the title referring to the beauty mark above her lip. The song is one of the few up tempo tracks on the album and contains multiple keyboard overdubs by Brion. Wainwright's Summer Stage performance of "Beauty Mark" appears on his 2005 DVD All I Want. In "Barcelona", Wainwright recalls a love affair that took place in the city of the same name. The song is loosely about AIDS and contains the Italian language lyric "Fuggi, regal fantasima", taken from Giuseppe Verdi's opera Macbeth. According to Wainwright, the line appears in a scene when "Macbeth is going mad and sees the ghost, and in [Wainwright's] mind the ghost was AIDS." According to Greenwald, the musical song has a "1920s, cabaret musical feel". Wainwright said the following of "Damned Ladies", which contains references to nine opera heroines: "In the song, I lament how these women are constantly dying brutal deaths, which I can see coming but cannot stop. It gets me every time." The melody in "Imaginary Love", the album's closing track, contains sixth and major seventh chords.

Wainwright acknowledged that his debut album was "not a single driven album"; no singles were released from it. Directed by Sophie Muller, the video features Wainwright in Los Angeles "amidst a clique of classic opera characters" such as Madame Butterfly, attempting to prevent each of them from committing suicide. However, in each instance he arrives too late. He also taped an episode of MTV's television program 120 Minutes to promote the album, which aired on March 28, 1999. An advertisement in Billboard promoting the album also referred to appearances on CBS News Sunday Morning, Late Night with Conan O'Brien, Late Show with David Letterman, and Sessions at West 54th. In the year prior to the album's release, Wainwright opened for artists such as Barenaked Ladies and Sean Lennon. On March 1, 1999, Wainwright began his first tour as a headlining act in Hoboken, New Jersey. During that month, Wainwright toured throughout New England and the mid Atlantic states, Ontario (Ottawa and Toronto), Quebec (Montreal), the southern United States (Nashville, and Atlanta), and the midwestern United States (Cincinnati, Chicago, and Pontiac). Wainwright continued to tour throughout the month of April before heading to Europe.

Overall, reception of the album was positive. Speaking of second generation artists emerging around the same time, AllMusic's Jason Ankeny wrote that Wainwright "deserves to be heard regardless of his family tree". Furthermore, Ankeny complimented the musician for his songwriting abilities and his "knack for elegantly rolling piano melodies and poignantly romantic lyrics". Ann Powers, music critic for The New York Times, included the album at number five on her list of the Top 10 albums of 1998. The album was also included in The Village Voice 1998 Pazz & Jop Critics Poll, which combined ballots from 496 critics. Rufus Wainwright was nominated four times by the Gay & Lesbian American Music Awards, an organization that provided the foundation for the recognition of the excellence of LGBT artists. Wainwright received the award for Best New Artist, the album was nominated for Album of the Year, and "April Fools" was nominated for Video of the Year and Best Pop Recording. The GLAAD Media Awards, created by the Gay & Lesbian Alliance Against Defamation (GLAAD) to recognize and honor the mainstream media for their fair and accurate representations of the LGBT community, presented Wainwright with the award for Outstanding Music Album. At the Juno Awards of 1999, Rufus Wainwright earned Wainwright the Juno Award for Best Alternative Album.

Album sales were limited—by March 1999 only 35,000 copies had been sold. In 2001, Michael Giltz of The Advocate wrote that Wainwright's biggest sales boost came from the Gap advertisement rather than radio play. Despite low sales, Wainwright reached number 24 on Billboard Top Heatseekers chart, and Rolling Stone named him 1998's Best New Artist. The January 19, 1999 CMJ New Music Report showed that Rufus Wainwright spent nine weeks on CMJ Radio 200 reaching a peak position of number 52, five weeks on CMJ Code Radio reaching a peak position of number 42, as well as nine weeks on CMJ Triple A reaching a peak position of number 9.

All songs written by Wainwright. Track listing adapted from AllMusic. In May 2023, a new remastered version was released for the album's 25th anniversary, with remasters of the original album, songs previously released on the 2011 box set House of Rufus, and three new tracks labeled as session outtakes. The track list consists of the original album plus the following tracks: