Райан Ларкин: Жизнь и творчество канадского аниматора

Canadian animator, artist, and sculptor

Ryan Larkin (July 31, 1943 – February 14, 2007) was a Canadian animator, artist, and sculptor who rose to fame with the psychedelic Oscar nominated short Walking (1968) and the acclaimed Street Musique (1972). He was the subject of the Oscar winning film Ryan. Born in Durval, a small suburb city in Montreal, the middle child of two siblings, the son of an airplane mechanic father and a secretary mother. Larkin was known for his remarkable understanding and replication of human movement in his work. Instead of rotoscoping Larkin relied on self study and references to perfect his work. He was also known for his psychedelic and diverse range of animation techniques and mediums, such as charcoal drawing, and Ink and color wash.

Larkin had idolized his older brother, Ronald, whom he described as "the epitome of cool". In 1958, at the age of fifteen, Larkin witnessed his brother die in a boating accident and, because he had never learned to swim, was unable to save him. Following this incident, Larkin told his parents about his dislike of traditional high school and was able to convince them to allow him to go to the Montreal Museum of Fine Arts School with the condition that he would pay the tuition himself. For three summers, Larkin would work odd jobs to pay for tuition. At the Art School of the Montreal Museum of Fine Arts Larkin studied under Arthur Lismer (a member of the Group of Seven) and quickly excelled at the school, being considered for a job at the National Film Board early on. Eventually Larkin started work at the National Film Board of Canada in 1962

Larkin left the NFB in 1982.

In later years, Larkin was plagued by a downward spiral of drug abuse, alcoholism and homelessness. By this time, estranged from his parents, he had developed a routine of spending his nights at Montreal's Old Brewery Mission, and his days panhandling at Schwartz's Deli, eating at Mondo Fritz, drinking beer at the Copacabana bar, or reading a book in the lounge at Welch's used book store.

As of 2002, Larkin was working with composer Laurie Gordon of the band 'Chiwawa' on a new animated film entitled Spare Change, his first auteur film since working at the NFB. Together, they founded Spare Change Productions and sought funding for the film through Gordon's production company MusiVision. They received grants from Bravo!FACT, the Canada Council for the Arts and the Conseil des arts et des lettres du Québec and SODEC but were still short of financing. MusiVision and the National Film Board of Canada went into co production only after Larkin's death. Spare Change, which premiered at the Festival du Nouveau Cinema on October 9, 2008, features three Chiwawa tunes for which Larkin created storyboards and animation, including Do It For Me from the 2005 album Bright. The 2009 Chiwawa album Bus Stop Chinese Buffet include tracks from Spare Change; the lyrics of Overcast Skies were penned by Larkin. MusiVision's Gordon and Nicola Zavaglia also produced the documentary film Ryan's Renaissance for CTV Television about Ryan's final years, his return to creating art, and Spare Change. Larkin, who had panhandled outside Montreal Schwartz's deli, appeared briefly in a documentary on the famous restaurant, Chez Schwartz, directed by Garry Beitel. In December 2006, Larkin created three five second bumpers for MTV in Canada, a preview to Spare Change. Each frame was hand drawn. It was the first professional work he had executed in over 20 years. Larkin said that he had given up some bad habits, including drinking, in order to better focus on his animating career.

Larkin died in Saint Hyacinthe, Quebec, on February 14, 2007, from lung cancer, which had spread to his brain.

It is speculated that Larkin was Bi sexual with writer Chris Robinson recalling Larkin saying the following in a conversation "She wanted sex twice a night. I was having sex with my gentleman friend and had only so much to give”. (referring to an old girlfriend Larkin had). Robinson also brings up the fact that Larkins mentor Norman McLaren was Gay and speculates that Larkin had an attraction to his mentor, but Larkin tended to suppress his sexuality in his early years.