Фредерик Филип Гроув: Жизнь между обманом и литературой.

the Native American author Fred Grove (born Frederick Herridge, 1913–2008)
German born Canadian novelist and translator (1879 – 1948)

Frederick Philip Grove (February 14, 1879 – September 9, 1948) was a German born Canadian novelist and translator. He was a prolific translator in Germany, working under his original name Felix Paul Greve and posing as a dandy, before he left Berlin to start a new life in North America in late July 1909. Settling in Manitoba, Canada, in 1912, he became a well known Canadian fiction writer exploring Western prairie pioneer life in vibrant multi cultural communities. A bigamist, Grove constructed his entire life as an intricate web of fact and fiction. He died in 1948 on his estate in Simcoe, Ontario, where he had resided since 1930.

Grove was born Felix Paul Greve in Radomno, West Prussia, but was brought up in Hamburg where he graduated with the Abitur from the Gymnasium Johanneum in 1898. After studying classical languages and archaeology in Bonn, he became a prolific translator of world literature and a member of Stefan George's homoerotic group, the George Kreis, around 1900. During his year in Munich, he befriended Karl Wolfskehl, and briefly shared an address with Thomas Mann at the Pension Gisels from August to September 1902. In early 1903, amidst scandal, he settled in Palermo, Italy, with Else Plötz Endell, the wife of renowned architect August Endell (she would later become Baroness Elsa von Freytag Loringhoven). In his 1946 autobiography In Search of Myself, Grove suggests that despite the homoerotic context of his work up to late 1902, his first sexual encounter with Elsa determined his sexuality: "If I had not always been so, I had become definitely, finally heterosexual." Grove's rising career took a dramatic downward spin that followed his alliance with Else. Unable to repay loans made by his intimate friend and wealthy patron Herman Kilian, he was promptly charged and convicted of fraud; from 1903–04, he served a deeply humiliating one year sentence in the penitentiary in Bonn, leaving his reputation destroyed. Much suggests that Kilian (whose Anglo German ancestry Grove would later appropriate for himself in his Canadian autobiographies) had acted from motives of jealousy. While in prison, Grove composed his first novel, Fanny Essler, a thinly veiled roman à clef about Else's sexual adventures, including her marriage with August Endell. The novel, which moreover poked fun at the Stefan George circle, prompted a complete break from George's coterie. From 1904 to early 1906, the pair lived in voluntary exile, first in Wollerau, Switzerland, then in Paris Plage, France, from where Grove paid H. G. Wells a few visits in his Sandhurst villa just across the Channel. In 1906, the couple returned to Berlin, where they were married on August 22, 1907.

By 1909, Grove was again in deep financial trouble, having double sold his latest German translation, Jonathan Swift's Prosa Werke in four volumes. With his wife's help, he staged his suicide and departed for North America on the White Star Line's SS Megantic in late July 1909. His wife joined him a year later in Pittsburgh, and the couple farmed near Sparta, Kentucky, until 1911, when Grove left her permanently. She modeled for artists in nearby Cincinnati, and later became well known in New York dada circles as the Baroness Elsa von Freytag Loringhoven after her marriage in 1913 to the German Baron Leopold von Freytag Loringhoven. Grove moved west and stayed on a large Bonanza farm near Fargo (based on the Amenia & Sharon Land Company) in the late summer of 1912. In 1912 Grove, whose legal name was still Greve, arrived in Manitoba, Canada, where he changed his name to Frederick Philip Grove and married a young schoolteacher, Catherine Wiens, on August 2, 1914. There are no records of a divorce from his first wife, who details in her memoir that he had suddenly deserted her. He first taught in rural areas, such as Haskett, Winkler, Virden, and Gladstone, but after settling in Rapid City in 1922, he devoted himself entirely to his writing career. In 1927, Grove and his wife suffered the devastating loss of their only child, Phyllis May, shortly before her twelfth birthday. In 1928–29, Grove went on three coast to coast lecture tours, before the couple moved to Ontario in the fall of 1929. There, their son, Arthur Leonard Grove, was born on October 14, 1930. Grove briefly became an editor with Graphic Publishers, who had published his first autobiographical novel, A Search for America, in 1927, before moving to Simcoe, Ontario. From there, he continued to write despite increasing ill health, until he suffered a crippling stroke in late 1946. While in Simcoe, he ran for the Co operative Commonwealth Federation (CCF) in the 1943 Ontario general election.

Frederick Philip Grove is best known for exploring the Canadian West and its pioneer landscape in non fiction and semi fictionalized works such as Over Prairie Trails, Settlers of the Marsh, A Search for America, and In Search of Myself. "Grove gave a voice to the land hungry pioneers of the West, but also cloaked his past in the ostensible honesty of the prairie pioneer novel." Known for his rugged realism and naturalism, Grove created memorable pioneer characters, such as Niels Lindstedt, the hardworking and sexually naive Swedish immigrant pioneer in Settlers of the Marsh (1925); Abe Spalding, the noble but single minded pioneer in Fruits of the Earth, and John Elliot, the aging and tragic patriarch in Our Daily Bread. Grove patriarchs are all strong and tragic, often lacking the words to change their fates. In contrast, Grove's female characters are survivors, verbally nimble and often assuming traditionally male roles. Most important, Grove's novels all evoke the polyglot world of immigrants. His novels are populated with a range of Swedish, German, French, Icelandic, and Ukrainian immigrants, offering a vibrant multi culturalism as a vision for Canada's social fabric. As an author he assumed the role of "spokesperson for the young Canadian nation," who cleverly staged himself as "an adopted son [in Canada]" in lecture tours, essays, and advertisements. Grove also experimented with forms of modernism, both in staging fictionalized selves in his autobiographical fiction, and in experimenting with unreliable narrators and time shifts in his late novel, The Master of the Mill.

Grove used so many aliases that Karl Wolfskehl called him a Pseudologe and referred to his Munchhausiaden. FPG: he used these initials on both sides of the Atlantic. Grove: a modification of the author's real name, Greve. On the Immigration Manifesto of the White Star Liner Megantic on July 31, 1909, Grove's name was smudged, though the central vowel looks like an "o". Fanny Essler: Joint pseudonym for F. P. Greve and Else Greve used in 1904–05, for poem published in Die Freistatt. F. C. Gerden: used in correspondence with his Insel publishers for translations of decadent literature (Dowson, Browning). Konrad Thorer: used for translations of works by Miguel de Cervantes and Alain René Lesage. Andrew R. Rutherford: a pseudonym suggested (but not used) for his first Canadian book Over Prairie Trails (1922); the name, which references Grove's friend Herman Kilian's maternal grandfather, a renowned Scottish judge, also appears in relation to his unpublished typescript in the University of Manitoba Archives, Jane Atkinson (ca. 1923, e publ. 2000).

Elsa von Freytag Loringhoven wrote a poem entitled "Kinship," which is dedicated to Grove: "Memory to F. P. G." In this poem, she juxtaposes the beginning and the ending of their ten year relationship, using eroticized horseback riding as a metaphor for a highly charged journey through memory. The Canadian heavy metal band Torture for Pleasure quote from Groves' novel Settlers of the Marsh in their song "TETELESTAI (Sweet Darkness)," released independently in 2013.

D. O. Spettigue discovered Grove's identity behind a web of fiction in October 1971 in the British Museum. Uncovering Grove's prison incarceration in Germany, Spettigue published his findings in his 1973 book FPG: The European Years. This monograph was followed by Paul I. Hjartarson's volume of essays, A Stranger to My Life, and prompted the translation of Grove's German fiction into English, Fanny Essler, and The Master Mason’s House, both closely based on the life of Grove's first wife Elsa Plötz (aka The Baroness). Desmond Pacey edited The Letters of F. P. Grove in addition to publishing a monograph, Frederick Philip Grove, while Margaret Stobie explored Grove's teaching years in Manitoba in her book, Frederick Philip Grove. Leading later efforts to establish the identity of Greve/Grove by unearthing new biographical information and relevant records, Klaus Martens has been "the chief pioneer" (W. J. Keith). Exploring both the European and Canadian contexts, Martens published Felix Paul Greves Karriere (in German), Felix Paul Greve – André Gide (correspondence in English, French, and German), and F. P. Grove in Europe and Canada: Translated Lives, the first well documented biography of the author in English. Martens' vast compilation Over Canadian Trails: F. P. Grove in New Letters and Documents includes the most extensive published collection of letters from and to Grove, including the Phelps correspondence, documents, many photographs, and much relevant commentary by the editor. This was preceded by Martens' A Dirge for My Daughter, a careful edition of selected poems by Grove which includes photographs and reproductions of handwritten letters and notes. In addition to his Grove monographs and editions, Martens published numerous articles on both Grove and Else Plötz. In her book Sexualizing Power in Naturalism: Theodore Dreiser and Frederick Philip Grove, Irene Gammel examined the gender relationships of Grove's fiction, focussing in particular on his sexualized (and modern) female figures and the overexposed relationships of power. Gammel also traced Grove's relationship with Elsa Plötz (Baroness Elsa) in her biography Baroness Elsa: Gender, Dada, and Everyday Modernity, documenting that the couple had been legally married and that Grove's reasons for hiding his identity had much to do with his fear of being discovered by his former wife, the dada artist Baroness Elsa. It has also been argued, by Martens in Over Canadian Trails, perhaps more persuasively, that Greve understandably changed his identity in order to escape internment as a German national at the outbreak of the Great War. In his essay "Felix Paul Greve, The Eulenburg Scandal, and Frederick Philip Grove," Richard Cavell proposed a queering approach to Grove's work, while Paul Hjartarson and Tracy Kulba's collection Baroness Elsa von Freytag Loringhoven and Felix Paul Greve assembles a range of perspectives by a number of scholars, including the editors, as well as Jutta Ernst, Klaus Martens, and Paul Morris. A great deal of research results have been provided by Dr. Gaby Divay at the University of Manitoba Archives, who also published a comprehensive edition of Grove's, Greve's and "Fanny Essler"s poetry in December 1993, and as an e Edition in 2007.