Bandhani

Tie dyeing technique of India

Bandhani is a type of tie dye textile decorated by plucking the cloth with the fingernails into many tiny bindings that form a figurative design. Today, most Bandhani making centers are situated in Gujarat, Rajasthan, and in Tamil Nadu where it is known as Sungudi. It is known as chunri in Pakistan. Earliest evidence of Bandhani dates back to Indus Valley civilization where dyeing was done as early as 4000 B. C. The earliest example of the most pervasive type of Bandhani dots can be seen in the 6th century paintings depicting the life of Buddha found on the wall of Cave at Ajanta.

The art of Bandhani is a highly skilled process. The technique involves dyeing a fabric which is tied tightly with a thread at several points, thus producing a variety of patterns like Chandrakala, Bavan Baug, Shikari etcetera; depending on the manner in which the cloth is tied. The main colour used in Bandhana are yellow, red, blue, green and black. Each colour is traditionally tied to specific cultural meaning. Red is a symbol of marriage and is connected to rituals of married women, yellow stands for spring and is connected to both the season and childbirth, saffron is the colour of renouncer of the world and connects with warriors ready to give up their life in war or to yogis who give up worldly life, black and maroon are used for mourning. As Bandhani is a tie and dye process, dying is done by hand and hence best colours and combinations are possible in Bandhanis. There are two types of dyeing traditionally categorised according to durability of colours pakka, in which the colours do not come off easily and Kaccha, in which the colours fade or wash off easily. Historically, Kaccha technique was the more preferred one as the colours could be refreshed again and again while pukka technique was considered to be suitable for old people. The finest and most complicated patterns, whether for men's turbans or women's drapes called odhnis, were always dyed in kachcha colours. The main colours used in Bandhana are natural. It was believed that wearing a Bandhani saree can bring good future to a bride. Ajanta walls stand for the evidences of these Bandhani sarees. The dyers have experimented with the use of different elements both natural and man made for ages. Also, there are experiments with different binding/tying techniques to create patterns on cloth immersed in containers of dye. Different types of tie and dyes have been practiced in India.

Bandhej saree which is also known as "Bandhani saree" is specially found in Gujarat and Rajasthan. As per the region of manufacturing the patterns of Bandhej saree may vary. Fine varieties of Bandhej are created in Pethapur, Mandvi, Bhuj, Anjar, Jamnagar, Jetpur, Porbandar, Rajkot, Udaipur, Jaipur, Ajmer, Bikaner, Churu etc. They are considere prized possessions of married women and are mostly essential part of traditional bridal trousseau. In Rajasthan and Gujarat, Bandhani fabrics are very popular with men and women but bandhani saree from a ritual necessity for married women for many ceremonies. Many Gujarati brides wear Gharchola, a type of Bandhej saree, for their weddings. Though Gharchola literally means "robe for home", in ritual parlance, it means "attire for the new home or the home of the husband" and is usually a gift to the bride form her mother in law. In Rajasthan, during pregnancy or childbirth, the natal home gifts the women peeley ki saree. It is a combination of yellow base with a broad red border with bandhani pattern on it. Bandhani, one of the oldest known methods of tie dyeing, is still widely practiced in western India today. The fabric is made by pinching very small portions of cloth and tying them by plucking the cloth with the fingernails into many tiny bindings that form a figurative design to form an intricate pattern of dots. The cloth is then placed into different dye vats to form bright and beautiful colors.

Bandhani is a method of binding small knots and dyeing them in different colours to produce beautiful patterns. This tying was normally done with fingernails for making. But in some places of Rajasthan, craftsmen wear a metal ring with a pointy nail to help plucking the cloth easily. The process of making a bandhani textile is not very difficult, but is very time consuming. The fabric used for making Bandhani sarees and dupattas are loosely woven silk called Georgette, or cotton known as Malmal. The knots are tightly tied, and the rest of the fabric is dyed in multiple stages. This leaves the knots undyed and hence a beautiful flower like pattern appears all over the cloth as a design. Mulmul (fine muslin), handloom or silk cloth were the traditional choices but now chiffon, georgette and crepe are also being used as base fabrics for Bandhani. This cloth is washed to remove traces of starch, and then bleached to attain a clear base. It is then folded into two or four layers depending on the thickness of the cloth. A designer marks the layout of the pattern on the material using wooden blocks dipped in geru, a natural clay earth pigment mixed with water. The cloth is tied from the areas not to be dyed. The process requires patience, expertise and meticulousness on part of the artist. The folds of the material within the small motif have to be lifted and tied together. The material with the first set of ties is dyed yellow. The material is again tied and dyed into red or green. The artist moves from lighter to darker shades and the use of more and varied colours makes the process complicated. If the border has to be darker all the lighter parts are tied and covered with plastic foil and the edges are dyed with the required colors. Repeated tying and dyeing produces elaborate designs. The designs may run into a single motif and or a combination of large and small motif alternating in some order.