Гай Андерсон: Художник Северо-Запада Америки

American painter
the American painter

Guy Anderson (November 20, 1906 – April 30, 1998) was an American artist known primarily for his oil painting who lived most of his life in the Puget Sound region of the United States. His work is in the collections of numerous museums including the Seattle Art Museum, the Tacoma Art Museum, and the Metropolitan Museum of Art. He has been called "Perhaps the most powerful artist to emerge from the Northwest School". Anderson's mature work often draws from a set of symbols (circle, spiral, egg, seed, wave) he developed from the study of religious, mythical, and philosophical sources.

Anderson grew up in a semi rural setting north of Seattle, in the town of Edmonds, Washington, where he'd been born on November 20, 1906. Some of his early paintings portrayed his family home. A piano was an important presence in his house. His father, Irving Anderson, was a carpenter builder and also a musician. From an early age Guy was intrigued by other cultures; he was particularly fascinated by the woodcarvings of Northern Coastal native tribes, and by the collection of Japanese prints owned by his piano teacher. As soon as he was old enough to do so on his own, he began commuting to the Seattle Public Library by bus to study art books. In 1929, Anderson applied for and won a Tiffany Foundation scholarship and spent the summer studying at the Tiffany estate on Long Island, New York. As there were no art museums in Seattle at that time, he delighted in weekend visits to the Metropolitan Museum of Art in Manhattan, examining the works of Rembrandt, Goya, Whistler, and many others. In the Northwest Annual Exhibition of 1935 he won the Katherine Baker Purchase Award, and the museum mounted a solo exhibition of his work the following year. Throughout the 1940s and 50s Anderson was very much involved in Seattle's bustling art community. Morris Graves and Mark Tobey had become artists of international reputation; Tobey's studio and the home of painters Margaret and Kenneth Callahan become centers of lively socializing and philosophical debate. Otto Seligman and Zoe Dusanne were championing abstract art at their respective galleries, while SAM, the Henry Art Gallery, and the Frye Art Museum cautiously supported it. Anderson taught at the Helen Bush School in Seattle and Ruth Pennington's Fidalgo Art School in La Conner, while working at SAM, building stone mosaic patios for well to do patrons, and producing driftwood art for the commercial market. He lived in Seattle's University District, but spent much of his time painting at Graves' studio in La Conner or at the Callahans' summer place in Granite Falls, Washington. After a very successful show at SAM in 1945, he purchased his own cabin in Granite Falls. In September 1953 he became nationally known when Life magazine ran a major feature presenting Anderson, Tobey, Graves, and Kenneth Callahan as the "big four" of Northwest mystic art. Anderson continued living in the house he had built on Caledonia Street, where he received visitors and continued painting into his late eighties. Walls eventually moved Anderson into his own home on Maple Street in La Conner, where Anderson was cared for while surrounded by his paintings. Walls hosted birthday parties for Anderson which were well attended by collectors, fellow artists, and admirers. He remained lucid and enjoyed visitors at La Conner until shortly before he died on April 30, 1998, aged 91 years.

Anderson's work has been included in exhibitions at the Seattle Art Museum, the Henry Art Gallery, the Bellevue Arts Museum, the Tacoma Art Museum, the Museum of Northwest Art in La Conner, the Whatcom Museum in Bellingham, Washington, and the National Museum of Art in Osaka Japan. In 2014, several of his works were included in Modernism in the Pacific Northwest: the Mythic and the Mystical, a major exhibition at the Seattle Art Museum.