Чо́квар: История, стили и коллекционирование американской статуэтки

Chalkware is an American term for popular figurines either made of moulded plaster of Paris (usually) or sculpted gypsum, and painted, typically with oils or watercolors. They were primarily created during one of three periods: from the late 18th century to the beginning of the 20th century, during the Great Depression, and during the 'mid century modern' era as decorative lamps, figurines and wall decor from the 1940s 1960s. Those created during the earlier period were intended as a more serious decorative art, often imitating the more expensive imported English Staffordshire potteries figurines such as Staffordshire dog figurines; those during the second period, by contrast, were more typically somewhat jocular. Early chalkware was often hollow and is difficult to find unblemished. Heavy, and easy to break or chip, chalkware eventually lost favor to ceramic and plastic alternatives in the 1970s. Remaining pieces of MCM (and earlier) chalkware can be easily found today with more exotic or rare examples fetching hundreds or thousands of dollars by collectors on auction sites and other dealers.

"Carnival chalk" refers to chalkware figures given out as carnival game prizes during the first half of the 20th century, especially during World War II. They were later replaced by stuffed animals.

Chalkware flourished during the mid century modern era (1945 1965) as an inexpensive and expressive medium for the home, serving many types of taste and types of decorative need with table lamps, figurines, wall decor and tourist memorabilia. Attracting fine, mundane and comic artists, chalkware reached a broad audience during the MCM era providing everything from representations of European sculpture, to kitsch images of exotic travel, cartoonish characters and potty humor.

Early figurines made in the United Kingdom around 1955 were eggcups, for holding matches or as ashtrays. The earliest designers being Paoli Brothers and Hermann Lohnberg. Fashions changed into 1956 with a move to animals. By 1957, figurines and statues of african style ladies and gentlemen were very dominant. A view of all the examples found at the National Archives records can be seen on the Chalkware Gallery site

MCM chalkware lamps were often romantic and exotic with a focus on the idealized beauty of historic, natural, and abstract designs. Common motifs were dancers (often sold as a male and female pair), innocent or sensual figures, trees, flowers, animals, zig zags, waves and modern abstract sculpture typical of the period. One of the most popular motifs were of romanticized, stereotyped Asian, African, Native American, Hawaiian people in exotic (at times inaccurate) settings or costume. Low lighting was sometimes included in the lamp design with small nightlight bulbs. TV lamps, based upon popular chalkware radio lamp designs, quickly became replaced by ceramic. An attempt to thwart competitors from copying their highly successful male/female paired chalkware lamps and statuettes was taken all the way to the U. S. Supreme Court by Benjamin and Rena Stein of Reglor of California in 1953. They won a technical victory that did not ultimately stop copying.

Tourist memorabilia included ashtrays, figures, bobble heads and destination specific representations.

Companies such as the Universal Statuary Corp of Chicago made point of sale chalkware figures as well.