Джон Брэтби: Художник «кухонного реализма» и портретист.

English painter

John Randall Bratby RA (19 July 1928 – 20 July 1992) was an English painter who founded the kitchen sink realism style of art that was influential in the late 1950s. He made portraits of his family and celebrities. His works were seen in television and film. Bratby was also a writer.

John Bratby was born on 19 July 1928 in Wimbledon, south west London. Between 1949 and 1950, he studied art at Kingston College of Art. He then began attending the Royal College of Art, completing his studies in 1954. He painted landscapes, still lifes, portraits and figure compositions, and had his first solo exhibition that year at London's Beaux Arts Gallery. He was given the opportunity to travel to Italy when he was awarded a bursary during his college years. However, the experience left him uninspired artistically, and uninterested in travelling.

Bratby is considered the founder of kitchen sink realism, a movement in which artists use everyday objects as their subjects, such as rubbish bins and beer bottles. These works are often thickly laden portraits or paintings. It began in the early 1950s and has been considered an aspect of John Osborne's "Angry Young Men" movement. Artists Derrick Greaves, Edward Middleditch and Jack Smith were also active in the movement's development. Bratby often painted with bright colours, capturing his middle class family's daily lives. The faces of his subjects often appeared desperate and unsightly. As he matured, Bratby's works became "lighter and more exuberant". He made the mural Golgotha for Lancaster's St Martin's Chapel in 1965. In the 1980s he travelled and made paintings of the cities he visited. He made intimately posed portraits of his wife and self portraits. He continued to paint with bright colours, but had developed "an economy of line".

Bratby wrote the novels Breakdown (1960), Breakfast and Elevenses (published by Hutchinson; 1961), and Brake Pedal Down (1962). He also wrote a book about Stanley Spencer in 1970. or "slashed" her works and restricted her painting time to three morning hours. Bratby and Cooke's relationship experienced cycles of violence throughout their marriage. Jean left their home in fear, but would return based on the advice of their mentor and family friend, Carel Weight. She began signing her works with her maiden name at Bratby's insistence. The couple had one daughter, Wendy, and three sons, Dayan, David and Jason. Their relationship was over by the 1970s, and they divorced in 1977. Three Self Portraits with a White Wall, oil on hardboard, 241.9 × 196.9 cm, 1957, Walker Art Gallery. First prize winner of John Moores Liverpool Exhibition, Junior Section. The Rebel (1961 film). A satire: Bratby, William Green, and Alistair Grant's styles are lampooned.