Гангаджал: Священное оружие (Gangaajal: Svyashchennoe oruzhie)

2003 Indian National award winning film
Gangaajal: The Holy Weapon is a 2003 Indian Hindi language action crime drama film written, directed, co produced and edited by Prakash Jha. Featuring an ensemble cast of 87 actors, it revolves around the Superintendent of Police Amit Kumar (Ajay Devgn) who takes charge of the fictitious district of Tejpur, Bihar, known for its high crime rate and organised crime carried out by dons Sadhu (Mohan Joshi) and Sunder Yadav (Yashpal Sharma). Due to the local police's slow response to crimes, residents of the district resort to pouring acid in the eyes of the criminals as an instrument for extrajudicial justice. Following the release of his directorial debut Damul (1984), Jha conceived an idea for his next venture that would be titled Gangaajal, which would be about corruption and political violence. Jha was unfamiliar with the subject matter and had no desire to start production, and took twenty years to write the story. The film, announced in January 2001, was photographed by Arvind K; filming took 60 days and took place in Wai and Satara, both in Maharashtra, and sets were designed by Sukhwant Panigrahi. The film's soundtrack was composed by Sandesh Shandilya with lyrics by Akhilesh Sharma and a background score by the American composer Wayne Sharpe. Gangaajal was released on 29 August 2003. Its production costs were or ; the film was a moderate success at the box office, became one of the highest grossing Indian films of the year, and grossed worldwide. It received widespread acclaim from critics, some of whom praised the cast's performances—generally that of Devgn—but questioned the plot's originality. Gangaajal received several accolades, including the National Film Award for Best Film on Other Social Issues. A sequel titled Jai Gangaajal was released in 2016 which under performed, both commercially and critically.

The Superintendent of Police (SP) Amit Kumar takes charge of Tejpur, which has a high crime rate. In the district, the police are controlled by the strongman gangster Sadhu Yadav and his son Sunder Yadav. While travelling to the headquarters, Amit's car breaks down and he inspects the area. He observes professional laxity among police officials, crumbling infrastructure, outdated weaponry, lack of stationery and transport, and the dependence of officials on corrupt local contractors. Inspector Bachcha Yadav, a stooge of Sadhu, visits Sadhu's hideout and sees the infamous local gangster Nunwa. Nunwa has killed an officer in Bachcha's department after a heated argument. Yadav kills Nunwa, fearing arresting him would expose the connection between Nunwa and the Tejpur police, and tells the public he was killed in an encounter. Amit later realises Nunwa was killed because of his relationship with Sadhu and suspends Bachcha from duty as a punishment. Anxious he would be transferred from Tejpur, Bachcha visits Sadhu's home to seek his help but learns Sadhu has abandoned him. Amit takes notice of the incident and finds Sunder has kidnapped a missing young woman. Amit persuades the woman's mother, who is hesitant to do so, to file a complaint with the police. Sensing an opportunity, Bachcha urges Amit to give him a chance. Bachcha lures Sunder into a factory where Amit and his men are waiting. After a brief scuffle, Sunder is arrested and produced in a local court. The woman's mother refuses to testify against Sunder after the DIG Verma, who is loyal to Sadhu, threatens her into withdrawing her complaint. The judge acquits Sunder because of a lack of evidence. Sadhu's men try to vandalise the shop of a pan vendor who testified against Sunder before Amit stops them and threw them in jail. At the jail, when Amit goes home, Sunder's two Stooges Munna Thakur and Kesari fight with Bachcha and his colleagues due to their betrayal. Bachcha throws acid into the men's eyes, an act that is locally referred to as gangaajal. The incident leads to controversy and the police are accused of vigilante justice. Taking macabre inspiration from the incident, local police officials also throw acid in the eyes of criminals in their jails, creating an acute fear throughout Tejpur and falling crime rates. The violent nature of the act finds support with the public. Gangaajal becomes an instrument of instant, extrajudicial justice. While all officers deny their involvement in the incident, Bachcha writes his confession in a letter and submits it to Amit. When Bachcha reaches his home, he finds Sunder has taken his son and wife hostage. After a brief struggle, Sunder kills Bachcha by shooting him in the eyes. Enraged, Amit issues a search warrant for Sunder and warns Sadhu to tell Sunder to surrender himself. Sadhu applies for bail for Sunder but before Sunder is produced in the court, he is arrested and taken to jail. This time, the court rejects Sunder's bail application and orders the police to keep Sunder in custody. Sadhu, however, influences the local minister to release his son but Amit refuses and is sent on emergency leave. Sunder is released and disrupts the marriage of the woman he kidnapped and kills her mother. Unable to bear the loss, the woman kills herself. Amit detains Sadhu and Sunder, and takes them to the police station but an enraged mob stops Amit and demand their deaths by gangaajal. Amit prevents the mob from killing them, saying anarchy only brings social decadence. He wants Sadhu and Sunder to be tried by the law but they escape. They hold a family hostage to ward Amit off and a fight takes place between them. Sunder and Sadhu are killed after falling onto a plough, piercing their eyes.

During the production of his directorial debut Damul, a 1984 political drama, Prakash Jha conceived the idea for his next film, which would be named Gangaajal: The Holy Weapon, which he wanted to be about corruption and political violence. In an interview with Screen, Jha said he decided to make films set in rural cities because he believed they have an "earthy quality" that would attract audiences. For this film, he chose his home state Bihar as the main setting because he is familiar with the local culture, people, and tradition. He did not want to have another topic for his film at the time so he improved the story for the next twenty years, after which the principal photography started. According to Jha, the film's title reflects a metaphor that indicates ritual purification with "astonishing, stark and powerful" elements. Many of his friends suggested other suitable titles, including Police, because they felt the original title was too metaphorical. Jha, however, kept the original title and added an extra 'a' to it. In preparation, Jha interviewed several police officers and read clippings on police he had saved. and said it would be produced by Jha's banner Prakash Jha Productions in association with Manmohan Shetty of Entertainment One. Devgn said he had a positive rapport with Jha and that he was allowed to speak in Hindi without a Bihari accent. Jha said Devgn's acting style led him to approach Devgn again, describing him as a "natural choice". Jha said; "I needed someone who would look sincere and honest in the film, and he suited that. His character goes through many dilemmas, and he's capable of carrying that role well." Gracy Singh also immediately chose to star in the film as Amit's wife Anuradha. Jha, who wanted to cast Singh because he felt the Indian film industry did not see her potential as an actor. The film features an ensemble cast of 87 actors; according to Jha this is intended to "collectively make up the atmosphere".

Jha had high expectations during the pre release of Gangaajal, wanting it to be a commercial success and set a new trend in Hindi cinema. The release was scheduled for July 2003 but the film opened in theatres on 29 August that year. They also vandalised the film's posters and filed a petition to the Patna High Court to ban it. The protesters told the film's distributors not to screen the film in the state; they decided to temporarily stop screening it. The controversy ended after Yadav told Jha he did not feel offended about the villainous character who shared his name: "There are thousands of persons with the name of Sadhu. The controversy has been created due to a misunderstanding." Gangaajal performed moderately well at the box office. It was released on 290 screens across India and grossed on its first day. and after its first week. It earned in India. and collected after finishing its overseas theatrical run. The film trade website Box Office India estimated Gangaajal had revenues of from India and overseas markets combined, making it one of the highest grossing Indian films of 2003. Since 11 April 2019, the film has been available for streaming on Amazon Prime Video and Netflix.

Critics gave Gangaajal generally positive reception; most of them appreciated Devgn's performance in the film as a police but questioned about the plot's originality. Writing for the entertainment portal Bollywood Hungama, Taran Adarsh gave the film a rating of two stars, saying Devgn performs his role "exceedingly well, carrying the film on his firm shoulders" while noting Singh "suffers due to poor characterisation and  fails to impress". Adarsh criticised Jha for addressing topics he believed are not suitable for the modern audience, and added the film has an "oft repeated theme". Deepa Gumaste of Rediff. com stated; "Ajay Devgan pulls up an ace with a part tailormade to reinforce his seething under the surface angry hero image. To his credit  he brings style and grace to a largely stereotypical, righteous protagonist. To a great extent, his presence covers up the film's patchiness in the second half." The Indo Asian News Service said Devgn's "languorous body language and pinched, anguished expression confer a newness to a largely hackneyed role". In a review in Filmfare, Dominic Ferrao praised the "flawless" screenplay and Jha for "[extracting] the best from the cast". According to Ferrao, Devgn "vindicates his talent  and comes out with flying fists and even higher flying colours as far as emotive abilities are concerned". Screen said Jha had given the film "a unique flavour" with "the upright stance of the hero, who never turns renegade and remains true to the law to the very end", and appreciated him showing the "eye for an eye kind of revenge too is harmful for the society in the long run and the only solution lies in sprucing up the system". Nahta said Jha had successfully entertained the audience although the film's subject may be similar that of an art film, which he believed would not be popular with contemporaneous audiences. Anupama Chopra of India Today said Devgn's "first rate" performance is supported by those of Tiwari and the other supporting cast, and that Gangaajal "loses steam" after its second half, attributing the issue to the exaggerated use of violence scenes and the water setting of the ending. In his three star review, Jitesh Pillai concluded the supporting cast had delivered solid performances, and described Devgn as the film's "terrific" and "note perfect" performer. Sify's Lata Khubchandani said Jha tells the story in a convincing manner and that "promises to be very watchable". In another article for the website, Kunal Shah wrote Gangaajal is "rich" in the content and "good" in the technical aspect. He said Devgn's "brilliant" performance would "glue" the audience to their seats but criticised several of the film's sequences for being "predictable", though said it is still "watchable". Mayank Shekhar from Mid Day noted Jha almost did not use black humour, unlike his previous films of the same genre. Shekhar singled out Devgn, whom he thought "expectedly shines through a by now trademarked understated show". Writing for Outlook magazine, Namrata Joshi, who rated the film three stars, said the detailing of the characters is the best part of the film, writing; "The vignettes of police life, the intricacies of established corruption are well portrayed. It only helps that Jha has talented actors for support." In B4U, Parag Chandrabala Maniar noted Jha's effort to do "a sincere job" in the film, although he made the climax "a little implausible". Dinesh Raheja wrote; "Jha adroitly recreates the appropriate ambience for the policeman who tries to work with integrity in a corrupt system. A pall of gloom and tension looms large over the frames, best illustrated in the scene where a reformed officer ensnares a fugitive. The pre interval scene of the police brutality—the blinding of the convicts—is gut wrenching but effective." Khalid Mohamed called Devgn's performance "flawless, as incendiary as fire and as cool as ice" but commented Singh was only used as "decoration" in the film. NDTV's Rajen Gurabudu lauded Devgn for perfecting his role.

Award Category Recipient(s) and nominee(s) Result Ref(s) (References) Filmfare Awards Best Actor Best Performance in a Negative Role Best Background Score International Indian Film Academy Awards Best Performance in a Negative Role National Film Awards Best Film on Other Social Issues GangaajalTied with Koi Mil Gaya. Producers Guild Film Awards Best Film Gangaajal Best Director Best Actor in a Leading Role Best Screenplay Best Editing Screen Awards Best Film Gangaajal Best Director Best Actor Best Supporting Actor Best Actor in a Negative Role Best Story Best Dialogue Best Art Direction Best Action Stardust Awards Best Director Actor of the Year – Male Also for Bhoot. Best Actor – Male Best Actor in a Supporting Role – Male Best Performance in a Negative Role Best Costume Design , Best Story Best Art Direction Best Dialogue Best Action Best Screenplay Best Background Score Best Re recording ,

In 2012, the Hindustan Times reported Devgn would star in a sequel to the film that was titled Gangaajal 2. Two years later, more reports were published stating Devgn would be replaced by an actress; he believed he would not be suitable for the sequel. Priyanka Chopra was cast for the lead and the film was retitled Jai Gangaajal. The sequel opened in theatres on 4 March 2016; it received mixed reviews from critics and performed poorly at the box office.