Вебэпизоды: новая форма телевизионного контента в эпоху интернета.

Episode of a web television series
the digital comics produced by [[Marvel Comics

A webisode (portmanteau of "web" and "episode") is an episode of a series that is distributed as part of a web series or on streaming television. It is available either for download or in streaming, as opposed to first airing on broadcast or cable television. The format can be used as a preview, as a promotion, as part of a collection of shorts, or as a commercial. A webisode may or may not have been broadcast on TV. What defines it is its online distribution on the web, or through video sharing web sites such as Vimeo or YouTube. While there is no set standard for length, most webisodes are relatively short, ranging from 3–15 minutes in length. It is a single web episode, but collectively is part of a web series. The term webisode (a portmanteau formed from the words web and episode) was first introduced in the Merriam Webster's Collegiate Dictionary in 2009.

Webisodes have become increasingly common in the midst of the post broadcast era, which implies that audiences are drifting away past free to use television design. The post broadcast era has been influenced by new media formats such as the Internet. Contemporary trends indicate that the Internet has become the dominant mechanism for accessing Media Content. In 2012, the Nielsen Company reported that the number of American households with television access has diminished for the second straight year, showing that viewers are transitioning away from broadcast television. The post broadcast era is best defined as embodiment by a complex mediascape that cannot be maintained by broadcast television; in its wake, the popularity of webisodes has expanded because the internet has become a potential solution to television's ailments by combining interpersonal communication and multimedia elements alongside entertainment programing. These original web series are a means to monetize this transitional audience and produce new celebrities, both independently on the web and working in accordance to the previous media industry standards. Content has moved onto the web not through the conventional media's branded websites, but through video services like YouTube; the distribution of television increasingly occurs through viral, rather than broadcast, networks such as those available through blogs or social networking services. Webisodes are also noted for their use of the Internet for further exchange of information, news and gossip about the series on various social networks. Companies create a social buzz online using digitalmedia marketing to generate branded community based destinations. Webisodes are regularly used by marketers to form these destinations. In 2006, for example, hip hop entrepreneur Sean Combs, aka P. Diddy, started his own YouTube channel called "DiddyTV," which he used to post webisodes and blog about his life on tour. Combs built hype around the web series by using his social media sites, such as Myspace, to direct users to the YouTube channel. Combs' webisodes were sponsored by Burger King, which used the web series to generate a brand community. In 2011, Jeff Schroeder, known for his role in the reality series The Amazing Race, assisted AT&T with a digital marketing scheme based around webisodes. The campaign followed Schroeder around the world in 100 days using only his phone and netbook.

Some of the most notable webisodes are original comedies generated for an audience online viewers. Original comedies have become the preferred genre for webisodes because they deliver a low budget format for experimentation and prompt results. These original web comedies are a means to monetize the audience. Funny or Die received serious attention from major television outlets, resulting in a partnership with HBO and the program Funny or Die Presents, which aired its first episode on HBO in February 2010 and featured recycled footage that had already run on the website.