Летний Джам в Уоткинс Глен: Рекордный Рок-Фестиваль 1973 Года

1973 rock festival in New York state

The Summer Jam at Watkins Glen was a July 1973 rock festival outside Watkins Glen, New York, that featured the Allman Brothers Band, Grateful Dead and the Band. The July 28, 1973, event long held the Guinness Book of World Records entry for "largest audience at a pop festival," with an estimated 600,000 fans in attendance at the Watkins Glen Grand Prix Raceway. Approximately 150,000 tickets were purchased in advance, the rest being admitted in what became a "free concert".

The concert was produced by Shelly Finkel and Jim Koplik, two promoters who had organized a successful Grateful Dead concert at Dillon Stadium, Hartford, Connecticut, in 1972. At that show the Grateful Dead were joined on stage by Dickey Betts, Berry Oakley, and Jai Johanny Johanson, members of the Allman Brothers Band. Many historians claimed that the Watkins Glen event was the largest gathering of people in the history of the United States. In essence, that meant that on July 28, one out of every 350 people living in America at the time was listening to the sounds of rock at the New York state racetrack. Considering that most of those who attended the event hailed from the Northeast, and that the average age of those present was approximately seventeen to twenty four, close to one out of every three young people from Boston to New York was at the festival. Summer Jam was the last concert event to be held at Watkins Glen International until 2011, when the rock band Phish organized and performed at a three day festival, called Super Ball IX, at the complex.

Bill Graham's FM Productions provided lights, staging and a 50,000 watt sound system. The concept meant that the people in the front were not blasted with too much sound in an attempt to reach the back, and the people in the back enjoyed high fidelity sound. The system worked very well. This concert was attended by 600,000 people twice the number that went to the Woodstock festival in August 1969. Due to the crowd's enormous size additional broadcast towers were set up, but this required more amplification power. At this time The Grateful Dead only used amplifiers made by McIntosh Labs. Sound engineer Janet Furman was dispatched by helicopter with $6,000 cash to nearby Binghamton, site of McIntosh Laboratories, to obtain five additional 600 watt MC 2300, their most powerful amp at that time. Despite the fact that it was the weekend, she was able to locate the owner, buy the amps off the factory floor, and fly back to the festival site, with the overloaded helicopter skirting high rise buildings and narrowly avoiding catastrophe in the process. Thanks to a combination of persistence and luck, the extra MC 2300's were incorporated into the sound system, successfully providing high quality music to the gigantic crowd.

Although the concert was scheduled to start on July 28, thousands of music fans were already at the concert site on the 27th. Robbie Robertson of The Band requested to do a soundcheck, but was perplexed that so many people were sitting in front of the stage. Bill Graham allowed the soundcheck with the crowd of people in front, and the Band ran through a few numbers to the delight of the audience. The Allman Brothers Band did their soundcheck next, playing "One Way Out" and "Ramblin' Man". Grateful Dead's soundcheck turned into a legendary two set marathon, featuring their familiar tunes such as "Sugaree", "Tennessee Jed" and "Wharf Rat". They also performed a unique jam that was eventually included on their retrospective CD box set So Many Roads (1965 1995). On July 28, the day of the concert, 600,000 music fans had arrived in Watkins Glen. Grateful Dead performed first, playing two long sets. They opened with "Bertha" and played many hits such as "Box Of Rain", "Jack Straw", "Playing in the Band", "China Cat Sunflower" and "Eyes of the World". The Band followed the Dead with one two hour set. However, their set was cut in half by a drenching thunderstorm; in a scene again reminiscent of Woodstock, people were covered with mud. During the storm, keyboardist Garth Hudson performed his signature organ improvisation "The Genetic Method"; when the rain finally let up, the full Band joined Hudson on stage, and segued into their signature song "Chest Fever". Finally, the Allman Brothers Band performed for three hours. Their performance included songs from their soon to be released album Brothers and Sisters, along with their standards "In Memory of Elizabeth Reed", "Statesboro Blues", "Les Brers in A Minor" and "Whipping Post". Following the Allmans' second set, there was an hour encore jam featuring musicians from all three bands. The jam featured spirited renditions of "Not Fade Away", "Mountain Jam", and "Johnny B. Goode".

The Allman Brothers Band — Wipe the Windows, Check the Oil, Dollar Gas (Capricorn Records, 1976). "Come And Go Blues" was recorded on July 28. The Band — Live at Watkins Glen (Capitol Records, 1995). Purported to be a 10 song excerpt from their set, only two tracks an impromptu organ solo during a rain delay by Garth Hudson and a jam session are from the festival. The rest are either studio cuts with overdubbed crowd sounds or performances from other shows, including one cut from the Woodstock Festival in 1969. Grateful Dead — So Many Roads (1965–1995) (Arista Records, 1999). This 5 disc box set includes an 18 minute jam performed as part of the Dead's sound check the day before the concert.